“Fourteen lines of turn and tension—argument shaped in rhyme and meter.”
| Title | Author | Type of Poem |
|---|---|---|
| On No Work of Words | Dylan Thomas | Sonnet |
| On Old Cape Ann | Madison Julius Cawein | Sonnet |
| On Resigning A Scholarship Of Trinity College, Oxford, And Retiring To A Country Curacy | William Lisle Bowles | Sonnet |
| On Seeing Mrs. ** Perform In The Character Of **** | Oliver Goldsmith | Sonnet |
| On Seeing The Diabutsu - At Kamakura, Japan | Ella Wheeler Wilcox | Sonnet |
| On Seeing the Elgin Marbles | John Keats | Sonnet |
| On Seeing The House Of Julia At Herculaneum | Ella Wheeler Wilcox | Sonnet |
| On The Bicentenary of Corneille | Algernon Charles Swinburne | Sonnet |
| On the Cliffs, Newport | Alan Seeger | Sonnet |
| On the Death of Colonel Benson | Algernon Charles Swinburne | Sonnet |
The sonnet is one of the most enduring and celebrated forms of poetry, known for its strict structure and profound themes. With a history spanning centuries, sonnets have been used to explore love, beauty, politics, and mortality, all within the confines of just 14 lines.
Sonnets are characterized by their precise form and rhyme scheme, which vary depending on the type of sonnet. Here’s a closer look:
The sonnet’s enduring appeal lies in its ability to condense complex emotions and ideas into a small but potent package, making it a favorite form for poets seeking to explore profound themes with precision and elegance.