“Refrain and return—fixed music in a circle of lines.”
| Title | Author | Type of Poem |
|---|---|---|
| Dolce Far Niente | Madison Julius Cawein | Rondeau |
| Double Ballade Of The Nothingness Of Things | William Ernest Henley | Rondeau |
| Drink To Her | Thomas Moore | Rondeau |
| Epilogue | Madison Julius Cawein | Rondeau |
| Eros | Algernon Charles Swinburne | Rondeau |
| Etude Realiste | Algernon Charles Swinburne | Rondeau |
| Even So | Victor James Daley | Rondeau |
| Exchanges | Ernest Christopher Dowson | Rondeau |
| Fickle Summer | Robert Fuller Murray | Rondeau |
| First Footsteps | Algernon Charles Swinburne | Rondeau |
A rondeau is a fixed French form built on two rhymes and a repeating refrain (the rentrement). Its musical return gives the poem a memorable circularity.
Core characteristics of the rondeau:
a and b) and a refrain R made from the opening phrase.
A common scheme is aabba aabR aabbaR, where R is the short repeated refrain.
In a strong rondeau, the refrain doesn’t just repeat—it evolves; each reappearance casts prior lines in a fresh light.