Au Lecteur (French)

By Charles Baudelaire

    La sottise, lerreur, le pch, la lsine,     Occupent nos esprits et travaillent nos corps,     Et nous alimentons nos aimables remords,     Comme les mendiants nourrissent leur vermine.     Nos pchs sont ttus, nos repentirs sont lches;     Nous nous faisons payer grassement nos aveux,     Et nous rentrons gaiement dans le chemin bourbeux,     Croyant par de vils pleurs laver toutes nos taches.     Sur loreiller du mal cest Satan Trismgiste     Qui berce longuement notre esprit enchant,     Et le riche mtal de notre volont     Est tout vaporis par ce savant chimiste.     Cest le Diable qui tient les fils qui nous remuent!     Aux objets rpugnants nous trouvons des appas;     Chaque jour vers lEnfer nous descendons dun pas,     Sans horreur, travers des tnbres qui puent.     Ainsi quun dbauch pauvre qui baise et mange     Le sein martyris dune antique catin,     Nous volons au passage un plaisir clandestin     Que nous pressons bien fort comme une vieille orange.     Serr, fourmillant comme un million dhelminthes,     Dans nos cerveaux ribote un peuple de dmons,     Et quand nous respirons, la Mort dans nos poumons     Descend, fleuve invisible, avec de sourdes plaintes.     Si le viol, le poison, le poignard, lincendie,     Nont pas encore brod de leurs plaisants dessins     Le canevas banal de nos piteux destins,     Cest que notre me, hlas! nest pas assez hardie.     Mais parmi les chacals, les panthres, les lices,     Les singes, les scorpions, les vautours, les serpents,     Les monstres glapissants, hurlants, grognants, rampants,     Dans la mnagerie infme de nos vices,     Il en est un plus laid, plus mchant, plus immonde!     Quoiquil ne pousse ni grands gestes, ni grands cris,     Il ferait volontiers de la terre un dbris     Et dans un billement avalerait le monde.     Cest lEnnui!Loeil charg dun pleur involontaire,     Il rve dchafauds en fumant son houka.     Tu le connais, lecteur, ce monstre dlicat,     Hypocrite lecteur, mon semblable, mon frre!

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Poem Details

Language: English
Keywords: Public Domain
Source: Public Domain Collection
Rights/Permissions: Public Domain

Analysis & Notes:
This French poem is an intense exploration of sin, regret, and the human tendency to self-destruct. The prevalent theme is the human condition's ethically flawed nature, as embodied by the speaker's struggle with temptation and remorse. The tone is dark and self-reflective, with a sense of resigned despondency.

The poem's structure follows a consistent rhythm and rhyme scheme, maintaining a steady pace that complements its somber mood. Noteworthy literary devices include personification, especially in the depiction of sin and evil as almost sentient beings influencing human actions. The poet also uses vivid, disturbing imagery, like the comparison of sinful enjoyment to squeezing an old orange or the description of the brain teeming with demons, to evoke a sense of repulsion and self-loathing.

The poem culminates in the identification of Boredom (l'Ennui) as the most dangerous vice. This unexpected twist serves as a profound commentary on the potential destructive power of apathy and indifference. The closing lines break the fourth wall, directly addressing the reader and suggesting a shared culpability in these human failings. This direct address enhances the poem's overall impact, making it a powerful, introspective exploration of human weakness and moral failings.

Understanding Satirical Poetry

Satirical poems use wit, irony, exaggeration, and ridicule to expose folly—personal, social, or political. The aim isn’t just laughter: it’s critique that nudges readers toward insight or change.


Common characteristics of satirical poetry:

  • Targeted Critique: Focuses on specific behaviors, institutions, or ideas—often timely, sometimes timeless.
  • Tools of Irony: Uses sarcasm, parody, understatement, and hyperbole to sharpen the point.
  • Voice & Persona: Speakers may be unreliable or exaggerated to reveal contradictions and hypocrisy.
  • Form Flexibility: Appears in couplets, tercets, quatrains, blank verse, or free verse—music serves the mockery.
  • Moral Pressure: Beneath the humor lies ethical pressure—satire seeks reform, not merely amusement.
  • Public & Personal: Can lampoon public figures and trends or needle private vanities and everyday pretenses.

The best satire balances bite with craft: memorable lines that entertain while revealing the gap between how things are and how they ought to be.