The Song Of Diego Valdez

By Rudyard Kipling

The God of Fair Beginnings Hath prospered here my hand, The cargoes of my lading, And the keels of my command. For out of many ventures That sailed with hope as high, My own have made the better trade, And Admiral am I. To me my King's much honour, To me my people's love, To me the pride of Princes And power all pride above; To me the shouting cities, To me the mob's refrain:, "Who knows not noble Valdez "Hath never heard of Spain." But I remember comrades, Old playmates on new seas, When as we traded orpiment Among the savages, A thousand leagues to south'ard And thirty years removed, They knew nor noble Valdez, But me they knew and loved. Then they that found good liquor, They drank it not alone, And they that found fair plunder, They told us every one, About our chosen islands Or secret shoals between, When, weary from far voyage, We gathered to careen. Were burned our breaming-fagots All pale along the shore: There rose our worn pavilions, A sail above an oar: As flashed each yeaming anchor Through mellow seas afire, So swift our careless captains Rowed each to his desire. Where lay our loosened harness? Where turned our naked feet? Whose tavern 'mid the palm-trees? What quenchings of what heat? Oh, fountain in the desert! Oh, cistern in the waste! Oh, bread we ate in secret! Oh, cup we spilled in haste! The youth new-taught of longing, The widow curbed and wan, The goodwife proud at season, And the maid aware of man, All souls unslaked, consuming, Defrauded in delays, Desire not more their quittance Than I those forfeit days! I dreamed to wait my pleasure Unchanged my spring would bide: Wherefore, to wait my pleasure, I put my spring aside Till, first in face of Fortune, And last in mazed disdain, I made Diego Valdez High Admiral of Spain. Then walked no wind 'neath Heaven Nor surge that did not aid, I dared extreme occasion, Nor ever one betrayed. They wrought a deeper treason, (Led seas that served my needs!) They sold Diego Valdez To bondage of great deeds. The tempest flung me seaward, And pinned and bade me hold The course I might not alter, And men esteemed me bold! The calms embayed my quarry, The fog-wreath sealed his eyes; The dawn-wind brought my topsails, And men esteemed me wise! Yet, 'spite my tyrant triumphs, Bewildered, dispossessed, My dream held I before me My vision of my rest; But, crowned by Fleet and People, And bound by King and Pope, Stands here Diego Valdez To rob me of my hope. No prayer of mine shall move him. No word of his set free The Lord of Sixty Pennants And the Steward of the Sea. His will can loose ten thousand To seek their loves again, But not Diego Valdez, High Admiral of Spain. There walks no wind 'neath Heaven Nor wave that shall restore The old careening riot And the clamorous, crowded shore, The fountain in the desert, The cistern in the waste, The bread we ate in secret, The cup we spilled in haste. Now call I to my Captains, For council fly the sign, Now leap their zealous galleys, Twelve-oared, across the brine. To me the straiter prison, To me the heavier chain, To me Diego Valdez, High Admiral of Spain!

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Poem Details

Language: English
Keywords: Public Domain
Source: Public Domain Collection
Rights/Permissions: Public Domain

Analysis & Notes:
Rudyard Kipling’s "The Song of Diego Valdez" is a Narrative Dramatic Monologue with strong elements of Reflection on Ambition and Lost Freedom. Through the voice of the historical Spanish admiral Diego Valdez, Kipling explores the deeply human tension between success and regret—the idea that worldly triumph often demands the sacrifice of personal joy and youthful dreams. The central theme is the tragic irony of ambition fulfilled: Valdez has achieved everything he once desired—rank, honor, fame, and power—yet he mourns the simple, wild freedom and camaraderie he forfeited to get there.

The tone is bittersweet, proud but suffused with aching loss. Kipling opens with a celebration of Valdez’s greatness: the King's honor, the people's acclaim, the vast power over fleets and seas. Yet the speaker quickly turns inward, remembering with painful longing the reckless, joyful days of his youth, when comradeship, plunder, and wild pleasures were his life’s true treasures. The imagery is rich and nostalgic: "fountain in the desert," "cistern in the waste," and "bread we ate in secret" all evoke the deep, almost spiritual satisfaction of freedom, fellowship, and unburdened living. Structurally, the poem moves from outward triumph to inner imprisonment, tracing the slow hollowing out of Valdez’s soul under the crushing weight of success.

Kipling portrays the sea itself—winds, storms, calms—as a conspirator in Valdez’s rise, aiding him until he was trapped by reputation and duty. The most haunting revelation is that Valdez, now bound by loyalty to King, Pope, and people, has no power to reclaim the life he truly loved. His titles—"Lord of Sixty Pennants," "Steward of the Sea"—become bitter chains rather than crowns. Historically, the poem resonates with Kipling’s frequent concerns about duty, sacrifice, and the costs of greatness, themes deeply rooted in the late Victorian and imperial sensibility that admired stoic public service while recognizing its personal toll.

Ultimately, "The Song of Diego Valdez" is a masterful meditation on ambition’s hidden price. Kipling captures the poignant irony that sometimes the highest honors and greatest achievements imprison rather than liberate. In giving Diego Valdez such a rich and tragic voice, Kipling universalizes the Admiral’s lament, making it the story of anyone who has traded the vivid passions of youth for the heavy, lonely burdens of success.

Exploring Narrative Poetry

Narrative poetry is a form of poetry that tells a story, often making use of the voices of a narrator and characters as well. Unlike lyric poetry, which focuses on emotions and thoughts, narrative poetry is dedicated to storytelling, weaving tales that captivate readers through plot and character development.


Narrative poems are unique in their ability to combine the depth of storytelling with the expressive qualities of poetry. Here are some defining characteristics:

  • Structured Plot: Narrative poems typically have a clear beginning, middle, and end, following a plot that might involve conflict, climax, and resolution, much like a short story or novel.
  • Character Development: Characters in narrative poems are often well-developed, with distinct voices and personalities that drive the story forward.
  • Descriptive Language: The language used in narrative poetry is vivid and descriptive, painting a clear picture of the scenes and events, while also conveying the emotions and atmosphere of the story.

From ancient epics like "The Iliad" and "The Odyssey" to more modern narrative poems, this form continues to engage readers by blending the art of storytelling with the beauty and rhythm of poetry.