Ecclesiastical Sonnets - Part II. - IV - Deplorable His Lot Who Tills The Ground

By William Wordsworth

Deplorable his lot who tills the ground, His whole life long tills it, with heartless toil Of villain-service, passing with the soil To each new Master, like a steer or hound, Or like a rooted tree, or stone earth-bound; But mark how gladly, through their own domains, The Monks relax or break these iron chains; While Mercy, uttering, through their voice, a sound Echoed in Heaven, cries out, "Ye Chiefs, abate These legalized oppressions! Man whose name And nature God disdained not; Man, whose soul Christ died for, cannot forfeit his high claim To live and move exempt from all control Which fellow-feeling doth not mitigate!"
Written: 1822-01-01

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Poem Details

Date Written: 1822-01-01
Date Published: 1822-01-01
Language: English
Keywords: Ecclesiastical Sonnets, Reflection, Tilling, Oppression, Mercy
Source: Public Domain Collection
Publisher: W.Wordsworth
Rights/Permissions: Public Domain

Analysis & Notes:
A sonnet from Part II of the Ecclesiastical Sonnets series where Wordsworth reflects on the harsh life of those who till the ground. The poem contrasts the oppression faced by peasants with the mercy extended by monks, who advocate for the alleviation of such burdens, highlighting the inherent dignity of all humans.

Understanding the Sonnet

The sonnet is one of the most enduring and celebrated forms of poetry, known for its strict structure and profound themes. With a history spanning centuries, sonnets have been used to explore love, beauty, politics, and mortality, all within the confines of just 14 lines.


Sonnets are characterized by their precise form and rhyme scheme, which vary depending on the type of sonnet. Here’s a closer look:

  • Shakespearean (English) Sonnet: Composed of three quatrains followed by a final couplet, with a rhyme scheme of ABABCDCDEFEFGG. This form often builds a complex argument or narrative, culminating in a powerful closing statement.
  • Petrarchan (Italian) Sonnet: Divided into an octave (eight lines) and a sestet (six lines), with a typical rhyme scheme of ABBAABBA for the octave, followed by various patterns in the sestet such as CDECDE or CDCDCD. The octave usually presents a problem, with the sestet providing a resolution.
  • Meter: Sonnets are traditionally written in iambic pentameter, which gives the poem a rhythmic and melodic quality that enhances its emotional impact.

The sonnet’s enduring appeal lies in its ability to condense complex emotions and ideas into a small but potent package, making it a favorite form for poets seeking to explore profound themes with precision and elegance.