Ecclesiastical Sonnets - Part I. - XXII - Continued

Author: William Wordsworth


Methinks that to some vacant hermitage
My feet would rather turn—to some dry nook
Scooped out of living rock, and near a brook
Hurled down a mountain-cove from stage to stage,
Yet tempering, for my sight, its bustling rage
In the soft heaven of a translucent pool;
Thence creeping under sylvan arches cool,
Fit haunt of shapes whose glorious equipage
Would elevate my dreams. A beechen bowl,
A maple dish, my furniture should be;
Crisp, yellow leaves my bed; the hooting owl
My night-watch: nor should e’er the crested fowl
From thorp or vill disturb my privacy,
But gentle lambs or kids my comrades be.

Type of Poem: Sonnet

Date Written: 1822-01-01

Date Published: 1822-01-01

Language: English

Keywords: Ecclesiastical Sonnets, Reflection, Seclusion, Nature, Solitude

Source: Public Domain Collection

Publisher: W.Wordsworth

Rights/Permissions: Public Domain

Comments/Notes: A sonnet from the Ecclesiastical Sonnets series where Wordsworth continues the theme of seclusion, imagining an idyllic hermitage in nature. The poem reflects on the peaceful and simple life that could be found in solitude, surrounded by the beauty of nature and free from the disturbances of the outside world.

Understanding the Sonnet

The sonnet is one of the most enduring and celebrated forms of poetry, known for its strict structure and profound themes. With a history spanning centuries, sonnets have been used to explore love, beauty, politics, and mortality, all within the confines of just 14 lines.


Sonnets are characterized by their precise form and rhyme scheme, which vary depending on the type of sonnet. Here’s a closer look:

  • Shakespearean (English) Sonnet: Composed of three quatrains followed by a final couplet, with a rhyme scheme of ABABCDCDEFEFGG. This form often builds a complex argument or narrative, culminating in a powerful closing statement.
  • Petrarchan (Italian) Sonnet: Divided into an octave (eight lines) and a sestet (six lines), with a typical rhyme scheme of ABBAABBA for the octave, followed by various patterns in the sestet such as CDECDE or CDCDCD. The octave usually presents a problem, with the sestet providing a resolution.
  • Meter: Sonnets are traditionally written in iambic pentameter, which gives the poem a rhythmic and melodic quality that enhances its emotional impact.

The sonnet’s enduring appeal lies in its ability to condense complex emotions and ideas into a small but potent package, making it a favorite form for poets seeking to explore profound themes with precision and elegance.