Ecclesiastical Sonnets - Part I. - XVII - Conversion

By William Wordsworth

Sonnet
Prompt transformation works the novel lore; The Council closed, the Priest in full career Rides forth, an armed man, and hurls a spear To desecrate the Fane which heretofore He served in folly. Woden falls, and Thor Is overturned; the mace, in battle heaved (So might they dream) till victory was achieved, Drops, and the God himself is seen no more. Temple and Altar sink, to hide their shame Amid oblivious weeds. “O come to me, Ye heavy laden!” such the inviting voice Heard near fresh streams; and thousands, who rejoice In the new right, the simpler rite proclaim. Shall we forsake the desolated tree For Christ’s glad tidings?—and they did not flee.
Written: 1822-01-01

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Poem Details

Date Written: 1822-01-01
Date Published: 1822-01-01
Language: English
Keywords: Ecclesiastical Sonnets, Reflection, Conversion, Christianity, Transformation
Source: Public Domain Collection
Publisher: W.Wordsworth
Rights/Permissions: Public Domain
Analysis & Notes:
A sonnet from the Ecclesiastical Sonnets series where Wordsworth reflects on the conversion to Christianity. The poem describes the dramatic transformation as old pagan symbols and practices are cast aside, and the people embrace the new faith with joy and conviction, symbolizing a significant cultural and spiritual shift.

Understanding the Sonnet

The sonnet is one of the most enduring and celebrated forms of poetry, known for its strict structure and profound themes. With a history spanning centuries, sonnets have been used to explore love, beauty, politics, and mortality, all within the confines of just 14 lines.

Sonnets are characterized by their precise form and rhyme scheme, which vary depending on the type of sonnet. Here’s a closer look:

  • Shakespearean (English) Sonnet: Composed of three quatrains followed by a final couplet, with a rhyme scheme of ABABCDCDEFEFGG. This form often builds a complex argument or narrative, culminating in a powerful closing statement.
  • Petrarchan (Italian) Sonnet: Divided into an octave (eight lines) and a sestet (six lines), with a typical rhyme scheme of ABBAABBA for the octave, followed by various patterns in the sestet such as CDECDE or CDCDCD. The octave usually presents a problem, with the sestet providing a resolution.
  • Meter: Sonnets are traditionally written in iambic pentameter, which gives the poem a rhythmic and melodic quality that enhances its emotional impact.

The sonnet’s enduring appeal lies in its ability to condense complex emotions and ideas into a small but potent package, making it a favorite form for poets seeking to explore profound themes with precision and elegance.