The Broken Men

By Rudyard Kipling

For things we never mention, For Art misunderstood, For excellent intention That did not turn to good; From ancient tales' renewing, From clouds we would not clear, Beyond the Law's pursuing We fled, and settled here. We took no tearful leaving, We bade no long good-byes. Men talked of crime and thieving, Men wrote of fraud and lies. To save our injured feelings 'Twas time and time to go, Behind was dock and Dartmoor, Ahead lay Callao! The widow and the orphan That pray for ten per cent, They clapped their trailers on us To spy the road we went. They watched the foreign sailings (They scan the shipping still), And that's your Christian people Returning good for ill! God bless the thoughtful islands Where never warrants come; God bless the just Republics That give a man a home, That ask no foolish questions, But set him on his feet; And save his wife and daughters From the workhouse and the street! On church and square and market The noonday silence falls; You'll hear the drowsy mutter Of the fountain in our halls. Asleep amid the yuccas The city takes her ease, Till twilight brings the land-wind To the clicking jalousies. Day long the diamond weather, The high, unaltered blue, The smell of goats and incense And the mule-bells tinkling through. Day long the warder ocean That keeps us from our kin, And once a month our levee When the English mail comes in. You'll find us up and waiting To treat you at the bar; You'll find us less exclusive Than the average English are. We'll meet you with a carriage, Too glad to show you round, But, we do not lunch on steamers, For they are English ground. We sail o' nights to England And join our smiling Boards, Our wives go in with Viscounts And our daughters dance with Lords, But behind our princely doings, And behind each coup we make, We feel there's Something Waiting, And, we meet It when we wake. Ah, God! One sniff of England, To greet our flesh and blood, To hear the traffic slurring Once more through London mud! Our towns of wasted honour, Our streets of lost delight! How stands the old Lord Warden? Are Dover's cliffs still white?

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Poem Details

Language: English
Keywords: Public Domain
Source: Public Domain Collection
Rights/Permissions: Public Domain

Analysis & Notes:
The poem is a powerful examination of exile, longing, and the dichotomy of home, exploring the themes with a sense of melancholic nostalgia and bitter realism. The poet uses a conversational tone, which makes the poem feel intimate and personal, as though the speaker is directly addressing the reader. This tone creates an atmosphere of shared understanding, as the speaker explores the complex emotions and experiences associated with exile and homecoming.

The poem's structure is regular, with each stanza following a similar pattern of rhyme and rhythm. This regularity creates a sense of continuity and flow, mirroring the speaker's ongoing struggle to reconcile their longing for home with their current circumstances. In terms of literary devices, the poet uses vivid imagery to evoke the physical and emotional landscapes of exile, from the "high, unaltered blue" of the sky to the "mule-bells tinkling through" the city. The contrast between the "ancient tales' renewing" and the "fraud and lies" of the present underscores the speaker's sense of dislocation and alienation. The repeated refrain, "God bless," serves as a plea for divine intervention and a reminder of the speaker's enduring hope, even in the face of hardship and uncertainty. In the final stanzas, the speaker's longing for England is made palpable through evocative descriptions of "London mud" and "Dover's cliffs still white," further emphasizing their exile's emotional toll.

Understanding Ballads

A ballad is a form of verse, often a narrative set to music, that has been a cornerstone of storytelling across various cultures. Traditionally passed down orally, ballads are known for their rhythmic structure and often tell tales of love, adventure, and heroism.


Ballads are characterized by their strong rhythm and repetition, making them both memorable and engaging. Here are some defining features:

  • Narrative Structure: Ballads typically tell a story, often a dramatic or emotional tale that unfolds in a straightforward, chronological order.
  • Quatrain Stanzas: Most ballads are composed of quatrains (four-line stanzas) with a rhyme scheme of ABAB or ABCB, which adds to the musicality of the verse.
  • Repetition: Refrains or repeated lines are common in ballads, helping to emphasize key themes or emotions and making the ballad easier to remember.
  • Oral Tradition: Many ballads originated from oral traditions, which means they were passed down through generations by word of mouth before being written down.

From medieval minstrels to contemporary songwriters, ballads have continued to evolve, remaining a beloved form of expression that captures the human experience in a way that is both poetic and accessible.