The Bells And Queen Victoria

By Rudyard Kipling

"Gay go up and gay go down To ring the Bells of London Town." When London Town's asleep in bed You'll hear the Bells ring overhead. In excelsis gloria! Ringing for Victoria, Ringing for their mighty mistress, ten years dead! The Bells: Here is more gain than Gloriana guessed, Then Gloriana guessed or Indies bring, Then golden Indies bring. A Queen confessed, A Queen confessed that crowned her people King. Her people King, and crowned a11 Kings above, Above a11 Kings have crowned their Queen their love, Have crowned their love their Queen, their Queen their love! Denying her, we do ourselves deny, Disowning her are we ourselves disowned. Mirror was she of our fidelity, And handmaid of our destiny enthroned; The very marrow of Youth's dream, and still Yoke-mate of wisest Age that worked her will! Our fathers had declared to us her praise, Her praise the years had proven past all speech. And past all speech our loyal hearts always, Always our hearts lay open, each to each, Therefore men gave the treasure of their blood To this one woman, for she understood! Four o' the clock! Now all the world is still. Oh, London Bells, to all the world declare The Secret of the Empire, read who will! The Glory of the People, touch who dare! The Bells: Power that has reached itself all kingly powers, St. Margaret's: By love o'erpowered, St. Martin's: By love o'erpowered, St. Clement Danes: By love o'erpowered, The greater power confers! The Bells: For we were hers, as she, as she was ours, Bow Bells: And she was ours, St. Paul's: And she was ours, Westminister: And she was ours, As we, even we, were hers! The Bells As we were hers!

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Poem Details

Language: English
Keywords: Public Domain
Source: Public Domain Collection
Rights/Permissions: Public Domain

Analysis & Notes:
This poem is a profound homage to a beloved figure, presumed to be Queen Victoria, and the deep bond between her and the people of London. The repeated reference to bells ringing throughout the poem serves as a metaphor for unity, celebration, and remembrance. The bells also establish a rhythmic structure within the poem, creating a musical quality that underscores the emotional resonance of the tribute.

The poem is rich in its exploration of themes, such as love, loyalty, power, and mutual respect. The line "A Queen confessed that crowned her people King" encapsulates the mutual admiration and respect between the Queen and her subjects, highlighting the poem's central theme of reciprocal love and devotion. The repetition of "By love o'erpowered" further emphasizes this point, suggesting that love is the most potent force, even more powerful than kingly powers.

The use of personification, particularly in the lines "Mirror was she of our fidelity, And handmaid of our destiny enthroned," attributes human qualities to the Queen, emphasizing her symbolic role as a reflection of the people's loyalty and her influence on their fate. The poem also uses anaphora, the repetition of phrases, to create a rhythm and emphasis on the shared ownership and unity between the Queen and her subjects.

The tone of the poem is one of reverence and nostalgia, with a deep sense of pride and love for the Queen. The closing lines leave the reader with a feeling of enduring unity and shared destiny, a powerful testament to the bond between a leader and her people. The poem is a poignant reminder of the power of love, loyalty, and unity in shaping a nation's history and its people's identity.

Understanding Ballads

A ballad is a form of verse, often a narrative set to music, that has been a cornerstone of storytelling across various cultures. Traditionally passed down orally, ballads are known for their rhythmic structure and often tell tales of love, adventure, and heroism.


Ballads are characterized by their strong rhythm and repetition, making them both memorable and engaging. Here are some defining features:

  • Narrative Structure: Ballads typically tell a story, often a dramatic or emotional tale that unfolds in a straightforward, chronological order.
  • Quatrain Stanzas: Most ballads are composed of quatrains (four-line stanzas) with a rhyme scheme of ABAB or ABCB, which adds to the musicality of the verse.
  • Repetition: Refrains or repeated lines are common in ballads, helping to emphasize key themes or emotions and making the ballad easier to remember.
  • Oral Tradition: Many ballads originated from oral traditions, which means they were passed down through generations by word of mouth before being written down.

From medieval minstrels to contemporary songwriters, ballads have continued to evolve, remaining a beloved form of expression that captures the human experience in a way that is both poetic and accessible.