Chapter Headings - The Naulahka

By Rudyard Kipling

    There was a strife twixt man and maid     Oh that was at the birth of time!     But what befall twixt man and maid,,     Oh thats beyond the grip of rhyme.     Twas, Sweet, I must not bide with you,     And Love, I cannot bide alone;     For both were young and both were true,     And both were hard as the nether stone.     Beware the man whos crossed in love;     For pent-up steam must find its vent.     Stand back when he is on the move,     And lend him all the Continent.     Your patience, Sirs. The Devil took me up     To the burned mountain over Sicily     (Fit place for me) and thence I saw my Earth,     (Not all Earths splendour, twas beyond my need, )     And that one spot I love, all Earth to me,     And her I love, my Heaven. What said I?     My love was safe from all the powers of Hell,     For you, een you, acquit her of my guilt,     But Sula, nestling by our sail-specked sea,     My city, child of mine, my heart, my home,     Mine and my pride, evil might visit there!     It was for Sula and her naked port,     Prey to the galleys of the Algerine,     Our city Sula, that I drove my price,     For love of Sula and for love of her.     The twain were woven, gold on sackcloth, twined     Past any sundering till God shall judge     The evil and the good.     Now it is not good for the Christians health to hustle the Aryan brown,     For the Christian riles, and the Aryan smiles and he weareth the Christian down;     And the end of the fight is a tombstone white with the name of the late deceased,     And the epitaph drear: A Fool lies here who tried to hustle the East.     There is pleasure in the wet, wet clay,     When the artists hand is potting it;     There is pleasure in the wet, wet lay;     When the poets pad is blotting it;     There is pleasure in the shine of your picture on the line     At the Royal Acade-my;     But the pleasure felt in these is as chalk to Cheddar cheese     When it comes to a well-made Lie.,     To a quite unwreckable Lie,     To a most impeccable Lie!     To a watertight, fire-proof, angle-iron, sunk-hinge, time-lock, steel-faced Lie!     Not a private hansom Lie,     But a pair-and-brougham Lie,     Not a little-place-at-Tooting, but a country-house-with shooting     And a ring-fence-deer-park Lie.     When a lover hies abroad     Looking for his love,     Azrael smiling sheathes his sword,     Heaven smiles above.     Earth and sea     His servants be,     And to lesser compass round,     That his love be sooner found!     We meet in an evil land     That is near to the gates of hell.     I wait for thy command     To serve, to speed or withstand.     And thou sayest, I do not well?     Oh Love, the flowers so red     Are only tongues of flame,     The earth is full of the dead,     The new-killed, restless dead.     There is danger beneath and oerhead.     And I guard thy gates in fear     Of words thou canst not hear,     Of peril and jeopardy,     Of signs thou canst not see,     And thou sayest tis ill that I came?     This I saw when the rites were done,     And the lamps were dead and the Gods alone,     And the grey snake coiled on the altar stone,     Ere I fled from a Fear that I could not see,     And the Gods of the East made mouths at me.     Beat off in our last fight were we?     The greater need to seek the sea.     For Fortune changeth as the moon     To caravel and picaroon.     Then Eastward Ho! or Westward Ho!     Whichever wind may meetest blow.     Our quarry sails on either sea,     Fat prey for such bold lads as we,     And every sun-dried buccaneer     Must hand and reef and watch and steer,     And bear great wrath of sea and sky     Before the plate-ships wallow by.     Now, as our tall bows take the foam,     Let no man turn his heart to home,     Save to desire treasure more,     And larger warehouse for his store,     When treasure won from Santos Bay     Shall make our sea-washed village gay.     Because I sought it far from men,     In deserts and alone,     I found it burning overhead,     The jewel of a Throne.     Because I sought, I sought it so     And spent my days to find,     It blazed one moment ere it left     The blacker night behind.     We be the Gods of the East,     Older than all,     Masters of Mourning and Feast,     How shall we fall?     Will they gape for the husks that ye proffer     Or yearn to your song?     And we, have we nothing to offer     Who ruled them so long,     In the fume of the incense, the clash of the cymbals, the blare of the conch and the gong?     Over the strife of the schools     Low the day burns,     Back with the kine from the pools     Each one returns     To the life that he knows where the altar-flame glows and the tulsi is trimmed in the urns.

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Poem Details

Language: English
Keywords: Public Domain
Source: Public Domain Collection
Rights/Permissions: Public Domain

Analysis & Notes:
This is an epic poem that meanders through a multitude of themes, exploring profound questions of love, power, fate, and human nature. The dominant theme is the struggle between man and woman, and, more broadly, between humans and their environment. The poet's tone ranges from reflective to impassioned, creating an emotionally resonant narrative that captivates the reader.

The structure of the poem is quite fluid, with the poet frequently shifting perspectives and employing different narrative voices. This serves to create a sense of dynamism and unpredictability, mirroring the themes of turmoil and conflict that pervade the poem. One notable literary device used by the poet is the use of vivid, evocative imagery, which serves to bring the poem's themes to life and immerse the reader in its world. For example, the "grey snake coiled on the altar stone" and the "jewel of a Throne" burning overhead are powerful images that convey a sense of danger and grandeur, respectively.

In terms of interpretation, the poem appears to be a meditation on the human condition, exploring the struggles and joys that define our existence. It's a rich, complex work that rewards close reading and thoughtful interpretation.

Understanding Satirical Poetry

Satirical poems use wit, irony, exaggeration, and ridicule to expose folly—personal, social, or political. The aim isn’t just laughter: it’s critique that nudges readers toward insight or change.


Common characteristics of satirical poetry:

  • Targeted Critique: Focuses on specific behaviors, institutions, or ideas—often timely, sometimes timeless.
  • Tools of Irony: Uses sarcasm, parody, understatement, and hyperbole to sharpen the point.
  • Voice & Persona: Speakers may be unreliable or exaggerated to reveal contradictions and hypocrisy.
  • Form Flexibility: Appears in couplets, tercets, quatrains, blank verse, or free verse—music serves the mockery.
  • Moral Pressure: Beneath the humor lies ethical pressure—satire seeks reform, not merely amusement.
  • Public & Personal: Can lampoon public figures and trends or needle private vanities and everyday pretenses.

The best satire balances bite with craft: memorable lines that entertain while revealing the gap between how things are and how they ought to be.