An Imperial Rescript

By Rudyard Kipling

Now this is the tale of the Council the German Kaiser decreed, To ease the strong of their burden, to help the weak in their need, He sent a word to the peoples, who struggle, and pant, and sweat, That the straw might be counted fairly and the tally of bricks be set. The Lords of Their Hands assembled; from the East and the West they drew Baltimore, Lille, and Essen, Brummagem, Clyde, and Crewe. And some were black from the furnace, and some were brown from the soil, And some were blue from the dye-vat; but all were wearied of toil. And the young King said: "I have found it, the road to the rest ye seek: The strong shall wait for the weary, the hale shall halt for the weak: With the even tramp of an army where no man breaks from the line, Ye shall march to peace and plenty in the bond of brotherhood sign!" The paper lay on the table, the strong heads bowed thereby, And a wail went up from the peoples: "Ay, sign give rest, for we die!" A hand was stretched to the goose-quill, a fist was cramped to scrawl, When the laugh of a blue-eyed maiden ran clear through the Council-hall. And each one heard Her laughing as each one saw Her plain Saidie, Mimi, or Olga, Gretchen, or Mary Jane. And the Spirit of Man that is in Him to the light of the vision woke; And the men drew back from the paper, as a Yankee delegate spoke: "There's a girl in Jersey City who works on the telephone; We're going to hitch our horses and dig for a house of our own, With gas and water connections, and steam-heat through to the top; And, W. Hohenzollern, I guess I shall work till I drop." And an English delegate thundered: "The weak an' the lame be blowed! I've a berth in the Sou'-West workshops, a home in the Wandsworth Road; And till the 'sociation has footed my buryin' bill, I work for the kids an' the missus. Pull up? I be damned if I will!" And over the German benches the bearded whisper ran: "Lager, der girls und der dollars, dey makes or dey breaks a man. If Schmitt haf collared der dollars, he collars der girl deremit; But if Schmitt bust in der pizness, we collars der girl from Schmitt." They passed one resolution: "Your sub-committee believe You can lighten the curse of Adam when you've lifted the curse of Eve. But till we are built like angels with hammer and chisel and pen, We will work for ourself and a woman, for ever and ever, amen." Now this is the tale of the Council the German Kaiser held The day that they razored the Grindstone, the day that the Cat was belled, The day of the Figs from Thistles, the day of the Twisted Sands, The day that the laugh of a maiden made light of the Lords of Their Hands.

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Poem Details

Language: English
Keywords: Public Domain
Source: Public Domain Collection
Rights/Permissions: Public Domain

Analysis & Notes:
The poem, rich in allegory and imagery, depicts a socio-political commentary on labor, gender, and human nature. The narrative, set in a council called by the German Kaiser, sees workers from diverse regions voicing their struggle and yearning for rest. The Kaiser represents authority and the working men reflect different aspects of the working class. The proposed solution of marching to 'peace and plenty' in unity underscores a socialist undertone.

The tone shifts dramatically when a maiden's laugh interrupts the solemn atmosphere, leading to an awakening amongst the council members. The workers' refusal to stop working for the sake of their families and personal goals, as highlighted by the "Yankee delegate" and the "English delegate," forms a counterpoint to the Kaiser's socialist proposition, suggesting a more capitalist viewpoint. This is further emphasized in the German benches' whispers, linking success, women, and money.

A striking literary device employed here is the anthropomorphization of cities, which are presented as weary workers, symbolizing the global nature of labor struggles. The recurring theme of the 'maiden' injects a gender perspective, culminating in the resolution that recognizes the 'curse of Eve' as a prerequisite to ease the 'curse of Adam', a reference to the role of women's liberation in achieving a just society.

Overall, this narrative poem explores complex themes of labor, socio-economic ideologies, and gender dynamics through vivid characterizations and engaging dialogue, highlighting the interconnectedness of these issues in shaping society. The blend of satirical and serious tones lends a nuanced depth to the narrative, making it a compelling critique of societal norms and structures.

Understanding Ballads

A ballad is a form of verse, often a narrative set to music, that has been a cornerstone of storytelling across various cultures. Traditionally passed down orally, ballads are known for their rhythmic structure and often tell tales of love, adventure, and heroism.


Ballads are characterized by their strong rhythm and repetition, making them both memorable and engaging. Here are some defining features:

  • Narrative Structure: Ballads typically tell a story, often a dramatic or emotional tale that unfolds in a straightforward, chronological order.
  • Quatrain Stanzas: Most ballads are composed of quatrains (four-line stanzas) with a rhyme scheme of ABAB or ABCB, which adds to the musicality of the verse.
  • Repetition: Refrains or repeated lines are common in ballads, helping to emphasize key themes or emotions and making the ballad easier to remember.
  • Oral Tradition: Many ballads originated from oral traditions, which means they were passed down through generations by word of mouth before being written down.

From medieval minstrels to contemporary songwriters, ballads have continued to evolve, remaining a beloved form of expression that captures the human experience in a way that is both poetic and accessible.