A Truthful Song

By Rudyard Kipling

THE BRICKLAYER: I tell this tale, which is strictly true, Just by way of convincing you How very little, since things were made, Things have altered in building trade. A year ago, come the middle of March, We was building flats near the Marble Arch, When a thin young man with coal-black hair Came up to watch us working there. Now there wasn't a trick in brick or stone Which this young man hadn't seen or known; Nor there wasn't a tool from trowel to maul But this young man could use 'em all! Then up and spoke the plumbyers bold, Which was laying the pipes for the hot and cold: "Since you with us have made so free, Will you kindly say what your name might be? " The young man kindly answered them: "It might be Lot or Methusalem, Or it might be Moses (a man I hate), Whereas it is Pharaoh surnamed the Great. "Your glazing is new and your plumbing's strange, But otherwise I perceive no change; And in less than a month if you do as I bid I'd learn you to build me a Pyramid!" THE SAILOR: I tell this tale, which is stricter true, Just by way of convincing you How very little, since things was made, Things have altered in the shipwright's trade. In Blackwall Basin yesterday A China barque re-fitting lay, When a fat old man with snow-white hair Came up to watch us working there. Now there wasn't a knot which the riggers knew But the old man made it--and better too; Nor there wasn't a sheet, or a lift, or a brace, But the old man knew its lead and place. Then up and spoke the caulkyers bold, Which was packing the pump in the afterhold: "Since you with us have made so free, Will you kindly tell what your name might be? " The old man kindly answered them: "It might be Japheth, it might be Shem, Or it might be Ham (though his skin was dark), Whereas it is Noah, commanding the Ark. "Your wheel is new and your pumps are strange, But otherwise I perceive no change; And in less than a week, if she did not ground, I'd sail this hooker the wide world round! " BOTH: We tell these tales, which are strictest true, Just by way of convincing you How very little, since things was made, Any thing alters in any one's trade!

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Poem Details

Language: English
Keywords: Public Domain
Source: Public Domain Collection
Rights/Permissions: Public Domain

Analysis & Notes:
This poem employs a dual narrative to underscore its central theme: the consistency and unchanging nature of trades and craftsmanship, despite the passage of time. The narrative voices of the bricklayer and the sailor, each recounting an encounter with a figure from antiquity, serve to highlight this theme. The tone is conversational and light, with a touch of humor, making the poem accessible and engaging.

The poem's structure, based on parallel narratives, effectively underscores its message. The repetition of the lines "I tell this tale, which is stricter true, / Just by way of convincing you / How very little, since things was made, / Any thing alters in any one's trade!" in each narrative, as well as in the concluding stanza, emphasizes the theme of continuity in trade. The use of rhyme and meter adds a rhythmical quality, enhancing the storytelling aspect of the poem.

The poem employs the literary device of allusion, referencing biblical figures like Lot, Methusalem, Moses, Pharaoh, Japheth, Shem, and Noah, to add depth and nuance. This not only adds a layer of historical and cultural context but also serves to emphasize the timelessness of the crafts being discussed. The humorous tone of the poem is heightened by the casual, anachronistic insertion of these figures into the modern world of tradesmen. The overall effect is a charming and engaging commentary on the enduring nature of craftsmanship.

Understanding Satirical Poetry

Satirical poems use wit, irony, exaggeration, and ridicule to expose folly—personal, social, or political. The aim isn’t just laughter: it’s critique that nudges readers toward insight or change.


Common characteristics of satirical poetry:

  • Targeted Critique: Focuses on specific behaviors, institutions, or ideas—often timely, sometimes timeless.
  • Tools of Irony: Uses sarcasm, parody, understatement, and hyperbole to sharpen the point.
  • Voice & Persona: Speakers may be unreliable or exaggerated to reveal contradictions and hypocrisy.
  • Form Flexibility: Appears in couplets, tercets, quatrains, blank verse, or free verse—music serves the mockery.
  • Moral Pressure: Beneath the humor lies ethical pressure—satire seeks reform, not merely amusement.
  • Public & Personal: Can lampoon public figures and trends or needle private vanities and everyday pretenses.

The best satire balances bite with craft: memorable lines that entertain while revealing the gap between how things are and how they ought to be.