The Virtuoso

By Mark Akenside

Whilom by silver Thames's gentle stream, In London town there dwelt a subtile wight; A wight of mickle wealth, and mickle fame, Book-learn'd and quaint: a Virtuoso hight. Uncommon things, and rare, were his delight; From musings deep his brain ne'er gotten ease, Nor ceased he from study, day or night; Until (advancing onward by degrees) He knew whatever breeds on earth, or air, or seas. He many a creature did anatomize, Almost unpeopling water, air, and land; Beasts, fishes, birds, snails, caterpillars, flies, Were laid full low by his relentless hand, That oft with gory crimson was distain'd: He many a dog destroy'd, and many a cat; Of fleas his bed, of frogs the marshes drain'd, Could tellen if a mite were lean or fat, And read a lecture o'er the entrails of a gnat. He knew the various modes of ancient times, Their arts and fashions of each different guise, Their weddings, funerals, punishments for crimes, Their strength, their learning eke, and rarities; Of old habiliments, each sort and size, Male, female, high and low, to him were known; Each gladiator-dress, and stage disguise; With learned, clerkly phrase he could have shown How the Greek tunic differ'd from the Roman gown. A curious medalist, I wot, he was, And boasted many a course of ancient coin; Well as his wife's he knewen every face, From Julius Caesar down to Constantine: For some rare sculpture he would oft pine, (As green-sick damosels for husbands do And when obtained, with enraptur'd eyne, He'd run it o'er and o'er with greedy view, And look, and look again, as he would look it thro'. His rich museum, of dimensions fair, With goods that spoke the owner's mind was fraught: Things ancient, curious, value-worth, and rare, From sea and land, from Greece and Rome were brought Which he with mighty sums of gold had bought: On these all tides with joyous eyes he por'd; And, sooth to say, himself he greater thought, When he beheld his cabinets thus stor'd, Than if he'd been of Albion's wealthy cities lord. Here in a corner stood a rich 'scrutoire, With many a curiosity replete; In seemly order furnished every drawer, Products of art or nature as was meet; Air-pumps and prisms were plac'd beneath his feet, A Memphian mummy-king hung o'er his head; Here phials with live insects small and great, There stood a tripod of the Pythian maid; Above, a crocodile diffus'd a grateful shade. Fast by the window did a table stand, Where hodiern and antique rarities, From Egypt, Greece, and Rome, from sea and land, Were thick-besprent of every sort and size: Here a Bahaman-spider's carcass lies, There a dire serpent's golden skin doth shine: Here Indian feathers, fruits, and glittering flies; There gums and amber found beneath the line, The beak of Ibis here, and there an Antonine. Close at his back, or whispering in his ear, There stood a spright ycleped Phantasy; Which, wheresoe'er he went, was always near: Her look was wild, and roving was her eye; Her hair was clad with flowers of every dye; Her glistering robes were of more various hue, Than the fair bow that paints the clouded sky, Or all the spangled drops of morning dew; Their colour changing still at every different view. Yet in this shape all tydes she did not stay, Various as the chameleon that she bore: Now a grand monarch with a crown of hay, Now mendicant in silks and golden ore: A statesman now, equipp'd to chase the boar, Or cowled monk, lean, feeble, and unfed; A clown-like lord, or swain of courtly lore; Now scribbling dunce in sacred laurel clad, Or papal father now, in homely weeds array'd. The wight whose brain this phantom's power doth fill, On whom she doth with constant care attend, Will for a dreadful giant take a mill, Or a grand palace in a hogsty find: (From her dire influence me may Heaven defend!) All things with vitiated sight he spies: Neglects his family, forgets his friend, Seeks painted trifles and fantastic toys, And eagerly pursues imaginary joys.

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Poem Details

Language: English
Keywords: Public Domain
Source: Public Domain Collection
Rights/Permissions: Public Domain

Analysis & Notes:
The poem showcases a brilliant exploration of the themes of obsession, knowledge, and the pursuit of material wealth. The poet describes a man of great intelligence and wealth, who is completely absorbed in his pursuit of knowledge and collection of objects of art, antiquities, and curiosities, to the point of neglecting his family and friends. The poem serves as a critique of materialism and the misplaced priorities that can potentially lead to a life of loneliness and disconnection from society.

The tone of the poem is both admiring and cautionary. While the man's intellect, diligence, and passion are praised, his obsession is simultaneously critiqued. This duality gives the poem a complex and nuanced tone. The structure is consistent, with regular rhyming patterns that provide a steady rhythm and flow to the poem, while the use of archaic language and complex sentence structures adds depth and richness to the narrative. Notable literary devices include the use of metaphor - comparing the man's obsession to a 'phantom' that distorts his view of reality, and the use of imagery - particularly in the description of the man's collections, which effectively convey his obsession and the extent of his wealth. The poem is a powerful reflection on the pursuit of knowledge and wealth, and the potential pitfalls of such an endeavor.

Exploring Narrative Poetry

Narrative poetry is a form of poetry that tells a story, often making use of the voices of a narrator and characters as well. Unlike lyric poetry, which focuses on emotions and thoughts, narrative poetry is dedicated to storytelling, weaving tales that captivate readers through plot and character development.


Narrative poems are unique in their ability to combine the depth of storytelling with the expressive qualities of poetry. Here are some defining characteristics:

  • Structured Plot: Narrative poems typically have a clear beginning, middle, and end, following a plot that might involve conflict, climax, and resolution, much like a short story or novel.
  • Character Development: Characters in narrative poems are often well-developed, with distinct voices and personalities that drive the story forward.
  • Descriptive Language: The language used in narrative poetry is vivid and descriptive, painting a clear picture of the scenes and events, while also conveying the emotions and atmosphere of the story.

From ancient epics like "The Iliad" and "The Odyssey" to more modern narrative poems, this form continues to engage readers by blending the art of storytelling with the beauty and rhythm of poetry.