The Princess's Finger-Nail: A Tale Of Nonsense Land

By Ella Wheeler Wilcox

    All through the Castle of High-bred Ease,     Where the chief employment was do-as-you-please,     Spread consternation and wild despair.     The queen was wringing her hands and hair;     The maids of honour were sad and solemn;     The pages looked blank as they stood in column;     The court-jester blubbered, "Boo-hoo, boo-hoo"     The cook in the kitchen dropped tears in the stew     And all through the castle went sob and wail,     For the princess had broken her finger-nail:     The beautiful Princess Red-as-a-Rose,     Bride-elect of the Lord High-Nose,     Broken her finger-nail down to the quick -     No wonder the queen and her court were sick.     Never sorrow so dread before     Had dared to enter that castle door.     Oh! what would my Lord His-High-Nose say     When she took off her glove on her wedding-day?     The fairest princess in Nonsense Land,     With a broken finger-nail on her hand!     'Twas a terrible, terrible accident,     And they called a meeting of parliament;     And never before that royal Court     Had come such question of grave import     As "How could you hurry a nail to grow?"     And the skill of the kingdom was called to show.     They sent for Monsieur File-'em-off;     He smoothed down the corners so ragged and rough.     They sent for Madame la Diamond-Dust,     Who lived on the fingers of upper-crust;     They sent for Professor de Chamois-Skin,     Who took her powder and rubbed it in;     They sent for the pudgy nurse Fat-on-the-Bone     To bathe her finger in eau-de-Cologne;     And they called the court surgeon, Monsieur Red-Tape,     To hear what he thought of the new nail's shape,     Over the kingdom the telegrams flew     Which told how the finger-nail thrived and grew;     And all through the realm of Nonsense Land     They offered up prayers for the princess's hand.     At length the glad tidings were heard with a shout     What the princess's finger-nail had grown out:     Pointed and polished and pink and clean,     Befitting the hand of a some-day queen.     Salutes were fired all over the land     By the home-guard battery pop-gun band;     And great was the joy of my Lord High-Nose,     Who straightway ordered his wedding clothes,     And paid his tailor, Don Wait-for-aye,     Who died of amazement the self-same day.     My lord by a jury was judged insane;     For they said - and the truth of the saying was plain -     That a lord of such very high pedigree     Would never be paying his bills, you see,     Unless he was out of his head; and so     They locked him up without more ado.     And the beautiful Princess Red-as-a-Rose     Pined for her lover, my Lord High-Nose,     Till she entered a convent and took the veil -     And this is the end of my nonsense tale.

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Poem Details

Language: English
Keywords: Public Domain
Source: Public Domain Collection
Rights/Permissions: Public Domain

Analysis & Notes:
The poem is a satirical critique of high society, exploring themes of triviality, extravagance, and the absurdity of social norms. The narrative revolves around an overblown reaction to the princess's minor mishap, cleverly using hyperbole to highlight how trivial concerns can be magnified in a context where people are used to a life of unchallenged ease.

The tone is humorous and mocking, capturing the frivolity of the characters and their world. The structure of the poem is consistent, using a strong rhyme scheme to maintain a playful rhythm throughout. In terms of literary devices, the poem notably uses irony towards the end when the Lord High-Nose is deemed insane for paying his bills - a normal act that becomes suspicious in a context of reckless extravagance. Naming characters by their roles or physical attributes (like 'Princess Red-as-a-Rose', 'Lord High-Nose') also adds to the whimsy and absurdity of the poem, while reinforcing its satirical leanings.

The poem is a masterful satire that uses humor and absurdity to critique the extravagance and superficial concerns of high society. Despite its playful tone, it delivers a profound commentary on societal norms and expectations.

Exploring Narrative Poetry

Narrative poetry is a form of poetry that tells a story, often making use of the voices of a narrator and characters as well. Unlike lyric poetry, which focuses on emotions and thoughts, narrative poetry is dedicated to storytelling, weaving tales that captivate readers through plot and character development.


Narrative poems are unique in their ability to combine the depth of storytelling with the expressive qualities of poetry. Here are some defining characteristics:

  • Structured Plot: Narrative poems typically have a clear beginning, middle, and end, following a plot that might involve conflict, climax, and resolution, much like a short story or novel.
  • Character Development: Characters in narrative poems are often well-developed, with distinct voices and personalities that drive the story forward.
  • Descriptive Language: The language used in narrative poetry is vivid and descriptive, painting a clear picture of the scenes and events, while also conveying the emotions and atmosphere of the story.

From ancient epics like "The Iliad" and "The Odyssey" to more modern narrative poems, this form continues to engage readers by blending the art of storytelling with the beauty and rhythm of poetry.