Author: Ella Wheeler Wilcox
In the old wars of the world there were camp followers, Women of ancient sins who gave themselves for hire, Women of weak wills and strong desire. And, like the poison ivy in the woods That winds itself about tall virile trees Until it smothers them, so these Ruined the bodies and the souls of men. More evil were they than Red War itself, Or Pestilence, or Famine. Now in this war - This last most awful carnage of the world - All the old wickedness exists as then: But as a foul stream from a festering fen Is met and scattered by a mountain brook Leaping along its beautiful, bright course, So now the force Of these new Followers of the camp has come Straight from God's Source To cleanse the world and cleanse the minds of men. Good women, of great courage and large hearts, Women whose slogan is self-sacrifice, Willing to pay the price God asks of pioneers, now play their parts In this stupendous drama of the age As Followers of the Camps. They come in the name of God our Father, They come in the name of Christ our Brother, They come in the name of All Humanity, To give their gold, their labour, and their love To help the suffering souls in this war-riddled earth, The New Women of the Race - The New Camp Followers - The Centuries shall do honour to their names.
Type of Poem: Narrative Poem
Date Written:
Date Published:
Language: English
Keywords: Public Domain
Source: Public Domain Collection
Publisher:
Rights/Permissions: Public Domain
Comments/Notes: This poem is a socio-political reflection on the evolution of women's roles during times of war, employing vivid imagery and metaphoric language to contrast the archetypal 'camp followers' of past wars with the 'new camp followers' of contemporary conflicts. The author uses the metaphor of 'poison ivy' to represent the destructive influence of the old camp followers, strategically juxtaposing it with the 'mountain brook' symbolising the empowering force of the new female figures.
The tone of the poem is sombre and reflective initially, transitioning to an uplifting and hopeful note towards the end. Structurally, the poem is divided into two main parts: the first part is rife with negative connotations and evokes a sense of despair, while the second part is filled with positive imagery, signifying hope and transformation. The shift from past to present, from despair to hope, is an effective literary device that underscores the poem's main message.
The poem's theme revolves around the transformative power of self-sacrifice and courage. The 'new followers of the camp' represent a departure from the old destructive forces, embodying resilience, sacrifice, and strength. Their selfless acts are not only seen as a source of cleansing but also as a beacon of hope for humanity. The poem concludes on a powerful note, highlighting the lasting legacy of these 'new camp followers', thereby underscoring the significance of their contribution. In its entirety, the poem provides a compelling commentary on the changing role of women in society, particularly in times of conflict.
Narrative poetry is a form of poetry that tells a story, often making use of the voices of a narrator and characters as well. Unlike lyric poetry, which focuses on emotions and thoughts, narrative poetry is dedicated to storytelling, weaving tales that captivate readers through plot and character development.
Narrative poems are unique in their ability to combine the depth of storytelling with the expressive qualities of poetry. Here are some defining characteristics:
From ancient epics like "The Iliad" and "The Odyssey" to more modern narrative poems, this form continues to engage readers by blending the art of storytelling with the beauty and rhythm of poetry.