An Erring Woman's Love

By Ella Wheeler Wilcox

    PART I     She was a light and wanton maid:     Not one whom fickle Love betrayed,     For indolence was her undoer.     Fair, frivolous, and very poor,     She scorned the thought of toil, in youth,     And chose the path that leads from truth.     More women fall from want of gold     Than love leads wrong, if truth were told;     More women sin for gay attire     Than sin through passion's blinding fire.     Her god was gold:    and gold she saw     Prove mightier than the sternest law     With judge and jury, priest and king;     So, made herself an offering     At Mammon's shrine; and lived for power,     And ease, and pleasures of the hour.     Who looks beneath life's outer crust     Is satisfied that God is just;     Who looks not under, but about,     Finds much to make him sad with doubt.     For Virtue walks with feet worn bare,     While Sin rides by with coach and pair:     Men praise the modest heart and chaste,     And yet they let it go to waste,     And follow, fierce to have and hold,     Some creature, wanton, selfish, bold.     She saw but this, life's outer side,     No higher faith was hers to guide;     She worshipped gold, and hated toil,     And hence her youth with all its soil,     With all its sins too dark to name,     Of secret crimes and public shame,     With all its trail of broken lives,     Of ruined homes, neglected wives,     And weeping mothers.    Proud and gay     She went her devastating way     With untouched brow and fadeless grace.     Not time, but feeling, marks the face.     Sin on the outer being tells     Not till the startled soul rebels:     And she felt nothing but content.     She was too light and indolent     To worry over days to come.     This little earth held all life's sum,     She thought, and to be young and fair,     Well clothed, well fed, was all her care.     With pitying eyes and lifted head     She gazed on those who toiled for bread,     And laughed to scorn the talk she heard     Of punishment for those who erred,     And virtue's certain recompense.     She seemed devoid of moral sense,     An ignorant thing whose appetites     Bound her horizon of delights.     Men were her puppets to control;     Unconscious of a heart or soul     She lived, and gloried in the ease     She purchased by her power to please     The eye and senses.    Life's one woe     Which caused her pitying tears to flow     Was poverty.    Though hearts might break     And homes be ruined for her sake,     She showed no mercy.    But when need     Of gold she saw, her heart would bleed.     The lack of clothing, fire, and food     Was earth's one pain, she understood.     The suffering poor oft blest her name,     Nor questioned whence the ducats came,     She gave so freely.    Once she found     A fainting woman on the ground,     A wailing child clasped to her breast.     With her own hands she bathed and dressed     The weary waifs! gave food and gold     And clothed them warmly from the cold,     Nor guessed that one she lured from home     Had caused that suffering pair to roam     Unhoused, neglected.    Then one day,     Unheralded across her way,     The conqueror came.    She knew not why,     But with the first glance of his eye     A feeling, new and unexplained,     Woke in her what she oft had feigned.     And when his arm stole near her waist,     As startled maidens blush with chaste     Sweet fear at love's advances, so     She blushed from brow to breast of snow.     Strange, new emotions, fraught with joy     And pain commingled, made her coy;     But when he would have clasped her neck     With gems that might a queen bedeck     And offered gold, her lips grew white     With sudden anger at the sight     Of what had been her god for years.     She flung them from her.    Then such tears     As only spring from love's despair     Welled from her eyes.    "So, lady fair,     My gifts are scorned?" quoth he, and laughed.     "Like Cleopatra, you have quaffed     Such lordly pearls in draughts of wine,     You spurn poor simple gems like mine.     Well, well, fair queen, I'll bring to you     A richer gift next time.    Adieu."     His light words stung like lash of whip;     With gasping breath and ashen lip     She strove to speak, but he was gone     She kneeled and pressed her mouth upon     The latch his hand had touched, the floor     His foot had trod, and o'er and o'er     She sobbed his name, as children moan     A mother's name when left alone.     Out from the dim and roseate gloom     And subtle odours of her room     Accusing memories rose.    She felt     A loneliness that seemed to belt     The universe in its embrace.     It was as if from some high place     A giant hand had reached and hurled     To nothingness her petty world,     And left her staring, awed, alone,     Up into regions vast, unknown.     There is no other loneliness     That can so sadden and oppress     As when beside the burned-out fire     Of sated passion and desire     The wakening spirit, in a glance,     Beholds its lost inheritance.     She rose and turned the dim lights higher,     Brought forth rich gems and grand attire,     And robed herself in feverish haste;     Before the mirror posed and paced,     With jewels on her breast and wrists;     Then sudden clenched her little fists     And beat her face until it bled,     And tore her garments shred from shred,     Gazed in the mirror, spoke her name     And hissed a word that told her shame,     Then on her knees fell sobbing there.     There are sweet messengers of prayer     Who down through space on soft wings steal,     And offer aid to all who kneel.     Her lips, unused to pious phrase,     Recalled some words of bygone days,     And "Now I lay me down to sleep,     I pray the Lord my soul to keep,"     She whispered timidly, and then,     "Lord, let me be a child again     And grow up good."    The strange prayer said,     Like some o'er-weary child, her head     She pillowed on her arm, and wept     Low, shuddering sobs, until she slept     And dreamed; and in that dream she thought     She sat within a vine-wreathed cot;     An infant slumbered on her breast,     She crooned a lullaby, and pressed     Its waxen hand against her cheek,     While one, too proud and fond to speak,     The happy father of the child,     Stood near, and gazing on them, smiled.     She woke while still the lullaby     Was on her lips -then such a cry,     As souls in fabled realms below     Might utter, voiced her awful woe.     The mighty moral labour-pain     Of new-born conscience wracked her brain     And tore her soul.    She understood     The meaning now of womanhood,     And chastity, and o'er her came     The full, dark sense of all her shame.     As some poor drunken wretch, at night,     Wakes up to know his piteous plight,     And sees, while sinking in the mire,     Afar, his waiting hearth-light's fire;     So now she saw from depths of sin     The hearth-light of the might-have-been.     How beautiful, how like a star     That lost light shone, but ah, how far!     She reached her longing arms toward space,     And lifted up her tear-wet face.     "O God," she wailed, "I have been bad!     I see it all, and I am sad,     And long to be a good girl now.     Lord, Lord, will some one show me how?     Why, men have trod the burning track     Of sin for years, and then gone back!     And cannot I for sin atone,     Or did Christ die for men alone?     I want to lead an honest life,     I want to be his own true wife     And hold upon my breast his child."     Then suddenly her voice grew wild,     "No, no," she cried, "it could not be -     Those infant eyes would torture me:     Though God condoned my sinful ways,     I could not meet my child's pure gaze."     She hid her face upon her knees,     And swayed as reeds sway in a breeze.     "O Christ," she moaned, "could I forget,     There might be something for me yet:     But though both God and man forgave,     And I should win the love I crave,     Why, memory would drive me mad."     When woman drifts from good to bad,     To make her final fall complete,     She puts her soul beneath her feet.     Man's dual selves seem separate;     He leaves his soul outside sin's gate,     And finds it waiting when he tires     Of carnal pleasures and desires,     Depleted, sickened, and depressed,     As souls must be with such a test,     Yet strong enough to help him grope     Back into happiness and hope.     But woman, far more complicate,     Can take no chances with her fate;     A subtle creature, finely spun,     Her body and her soul are one.     And now this erring woman wept     The soul she murdered while it slept.     She felt too stunned with pain to think.     She seemed to stand upon a brink;     Behind her loomed the sinful past,     Below her, rocks, beyond her, vast     And awful darkness.    Not one ray     Of sun or star to show the way!     She drew a long and shuddering breath;     "There is no other path but death     For me to tread," she sighed, "and so     I will prepare my house and go."     As housewives move with willing feet     And skilful hands to make things neat     And ready for some welcome one,     She toiled until her tasks were done.     Then, seated at her desk, she wrote,     With painful care, a tear-wet note.     The childish penmanship was rude,     Ill spelled the words, the phrasing crude;     Yet thought and feeling both were there,     And mighty love and great despair.     "Dear heart," it ran, "you did not know     How, from the first, I loved you so,     That sin grew hateful in my sight;     And so I leave it all to-night.     The kiss I gave, dear heart, to you     Was love's first kiss, as pure and true     As ever lips of maiden gave.     I think 'twill warm my lonely grave,     And light the pathway I must tread     Among the hapless, homeless dead.     "When God formed worlds, He failed to make     A path for erring feet to take     Back into light and peace again,     Unless they were the feet of men.     When woman errs, and then regrets,     Her sun of hope for ever sets,     And life is hung with deepest gloom.     In all the world there is no room     For such as she; and so I hold     That death itself is not so cold     As life has seemed, since by love's light     I saw there was a wrong and right,     And that my birthright had been sold,     By my own hands, for tarnished gold.     I hated labour, hence I fell;     But now I love you, dear, so well,     No greater boon my soul could crave     Than just to toil, a galley-slave,     Through burdened years and years of life,     If at the last you called me wife     For one supreme and honoured hour.     Alas! too late I learn love's power,     Too late I realise my loss,     And have no strength to bear my cross     Of loneliness and dark disgrace.     There cannot be another place     So desolate, so full of fear,     As earth to me, without you, dear.     "You will not understand, I know,     How one like me can love you so.     It was a strange, strange thing.    Love came     So like a swift, devouring flame     And burned my frail, fair-weather boat     And left me on the waves afloat,     With nothing but a broken spar.     The distant shores seem very far;     I cannot reach them, so I sink.     God will forgive my sins, I think,     Because I die for love, like One     The good Book tells about, His Son.     "For erring woman death can bring     No pain so keen as memory's sting.     Good-night, good-bye.    God bless you, dear,     And give you love, and joy, and cheer!     But sometimes, in the dark night, say     A prayer for one who went astray,     And found no pathway back, and died     For love of you -a suicide."     When morn his glorious pinions spread,     They found the erring woman, dead.     PART II     She woke as one wakes from a deep     And dreamless, yet exhausting, sleep.     A strange confusion filled her mind,     And sorrows vague and undefined,     Like half-remembered faces pressed     To memory's window, in her breast,     Gazed at her with reproachful eyes.     She felt a sudden, dazed surprise,     Commingled with a sense of dread,     "I did but sleep -I am not dead,     "The potion and the purpose failed,     And I still live," she wildly wailed.     "Nay, thou art dead, rash suicide,"     A sad voice spake:    and at her side     She saw a weird and shadowy crowd     With anguished lips, and shoulders bowed,     And orbs that seemed the wells of woe.     She shrieked and veiled her eyes.    "No, no!     "I am not dead!    I ache with life.     An earthly passion's hopeless strife     "Still tortures me."    "Yet thou art dead,"     The voice with sad insistence said.     "But love and sorrow and regret     All die with death.    I feel them yet."     "God bade thee live, and only He     Can say when thou shalt cease to be."     "But I was sin-sick, sad, alone -     I thought by death I could atone,     "And died that Christ might show me how."     "Christ bore His burden, why not thou?"     "Oh! lead me to His holy feet     And let my penance be complete."     "What! thinkest thou to find that path -     Thou who hast tempted Heaven's wrath     "By thy rash deed?    Nay, nay, not so,     'Tis but perfected spirits go     "To that supreme and final goal.     A self-sought death delays the soul.     "With yonder shuddering, woeful throng     Of suicides thy ways belong.     "Close to the earth a shadowy band,     Unseen, but seeing all, they stand     "Until their natural time to die,     As God intended, shall draw nigh.     "On earth, repentant, sick of sin,     A ministering angel thou hadst been     "Whose patient toil and deeds divine     Had rescued souls as sad as thine,     "Each deed a firm ascending stair     To lead beyond thy great despair.     "But now it is thy mournful fate     To linger here and meditate     "On thy dark past -to stand so near     The earthly plane that thou canst hear     "Thy lover's voice, while old desire     Shall burn within thee like a fire,     "And grief shall root thee to the spot     To find how soon thou art forgot.     "But since thou hast endured the woes     That only fragile woman knows,     "And loved as only woman can,     Thou shalt not suffer all that man     "Must suffer when he interferes     With God's great law.    In death's dim spheres     "That justice waits, which men refuse.     Thy sex shall in some part excuse     "Thy desperate deed.    When God shall send     A second death to be thy friend,     "Thou need'st not fear a darker fate -     Go forth with yonder throng, and wait."

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Poem Details

Language: English
Keywords: Public Domain
Source: Public Domain Collection
Rights/Permissions: Public Domain

Analysis & Notes:
This expansive narrative poem draws upon a plethora of themes such as sin, redemption, societal expectations, and the human struggle between material and spiritual desires. The poet's exploration of a woman's fall from grace due to her pursuit of material wealth over moral righteousness presents a critique of society's materialistic values and their impact on human lives. The elaborate use of imagery and metaphors effectively illustrates the protagonist's internal conflict and ultimate downfall, providing a stark depiction of the destructive power of greed and vanity.

The poem's structure, alternating between narrative passages and the protagonist's introspective musings, reflects her tumultuous inner journey. The tone shifts between melancholy and despair, mirroring her emotional state as she grapples with her actions and their consequences. The language is rich and evocative, employing a variety of poetic devices such as similes and metaphors to convey her deep regret and yearning for redemption.

The poem's conclusion, where the protagonist is condemned to a ghostly existence, filled with regret and longing for redemption, serves as a poignant commentary on the harsh societal judgement and the unyielding nature of remorse. This narrative choice not only underscores the theme of the spiritual consequences of moral transgressions but also emphasizes the weight of societal expectations and judgement on individual lives. The piece serves as a profound exploration of human nature, societal values, and the enduring quest for moral redemption.

Exploring Narrative Poetry

Narrative poetry is a form of poetry that tells a story, often making use of the voices of a narrator and characters as well. Unlike lyric poetry, which focuses on emotions and thoughts, narrative poetry is dedicated to storytelling, weaving tales that captivate readers through plot and character development.


Narrative poems are unique in their ability to combine the depth of storytelling with the expressive qualities of poetry. Here are some defining characteristics:

  • Structured Plot: Narrative poems typically have a clear beginning, middle, and end, following a plot that might involve conflict, climax, and resolution, much like a short story or novel.
  • Character Development: Characters in narrative poems are often well-developed, with distinct voices and personalities that drive the story forward.
  • Descriptive Language: The language used in narrative poetry is vivid and descriptive, painting a clear picture of the scenes and events, while also conveying the emotions and atmosphere of the story.

From ancient epics like "The Iliad" and "The Odyssey" to more modern narrative poems, this form continues to engage readers by blending the art of storytelling with the beauty and rhythm of poetry.