A Pin

By Ella Wheeler Wilcox

    Oh! I know a certain woman who is reckoned with the good,     But she fills me with more terror than a raging lion could.     The little chills run up and down my spine whene'er we meet,     Though she seems a gentle creature and she's very trim and neat.     And she has a thousand virtues and not one acknowledged sin,     But she is the sort of person you could liken to a pin.     And she pricks you, and she sticks you, in a way that can't be said -     When you seek for what has hurt you, why, you cannot find the head.     But she fills you with discomfort and exasperating pain -     If anybody asks you why, you really can't explain.     A pin is such a tiny thing - of that there is no doubt -     Yet when it's sticking in your flesh, you're wretched till it's out!     She is wonderfully observing.    When she meets a pretty girl     She is always sure to tell her if her "bang" is out of curl.     And she is so sympathetic; to her friend who's much admired,     She is often heard remarking: "Dear, you look so worn and tired!"     And she is a careful critic; for on yesterday she eyed     The new dress I was airing with a woman's natural pride,     And she said: "Oh, how becoming!" and then softly added, "It     Is really a misfortune that the basque is such a fit."     Then she said: "If you had heard me yestereve, I'm sure, my friend,     You would say I am a champion who knows how to defend."     And she left me with a feeling - most unpleasant, I aver -     That the whole world would despise me if it hadn't been for her.     Whenever I encounter her, in such a nameless way     She gives me the impression I am at my worst that day;     And the hat that was imported (and that cost me half a sonnet)     With just one glance from her round eyes becomes a Bowery bonnet.     She is always bright and smiling, sharp and shining for a thrust;     Use does not seem to blunt her point, nor does she gather rust.     Oh!    I wish some hapless specimen of mankind would begin     To tidy up the world for me, by picking up this pin.

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Poem Details

Language: English
Keywords: Public Domain
Source: Public Domain Collection
Rights/Permissions: Public Domain

Analysis & Notes:
The poem presents a vivid exploration of the theme of passive aggression through its central metaphor of a woman likened to a pin. The tone is a mix of ironic humor and frustration, reflecting the speaker's inner turmoil towards the woman's subtle yet piercing actions. The poem employs an AABB rhyme scheme and maintains a consistent rhythm, offering an enjoyable read while underscoring the relentless and predictable nature of the woman's pinprick criticisms.

In terms of literary devices, the poet effectively uses imagery and simile to portray the woman’s characteristics, specifically relating her to a pin that pricks and causes discomfort. This metaphor is extended throughout the poem, emphasizing the woman's apparent harmlessness that masks her ability to inflict pain. The poet also employs irony, particularly in the descriptions of the woman's 'sympathetic' remarks and 'careful' criticisms that reveal her underhanded antagonism. The final stanza, with its plea for someone to "pick up this pin," underscores the speaker's desire for relief from this understated torment. Overall, the poem provides a poignant commentary on the damaging impacts of veiled hostility and the desire for genuine, straightforward interactions.

Understanding Satirical Poetry

Satirical poems use wit, irony, exaggeration, and ridicule to expose folly—personal, social, or political. The aim isn’t just laughter: it’s critique that nudges readers toward insight or change.


Common characteristics of satirical poetry:

  • Targeted Critique: Focuses on specific behaviors, institutions, or ideas—often timely, sometimes timeless.
  • Tools of Irony: Uses sarcasm, parody, understatement, and hyperbole to sharpen the point.
  • Voice & Persona: Speakers may be unreliable or exaggerated to reveal contradictions and hypocrisy.
  • Form Flexibility: Appears in couplets, tercets, quatrains, blank verse, or free verse—music serves the mockery.
  • Moral Pressure: Beneath the humor lies ethical pressure—satire seeks reform, not merely amusement.
  • Public & Personal: Can lampoon public figures and trends or needle private vanities and everyday pretenses.

The best satire balances bite with craft: memorable lines that entertain while revealing the gap between how things are and how they ought to be.