The Stoddards

By Eugene Field

    When I am in New York, I like to drop around at night,     To visit with my honest, genial friends, the Stoddards hight;     Their home in Fifteenth street is all so snug, and furnished so,     That, when I once get planted there, I don't know when to go;     A cosy cheerful refuge for the weary homesick guest,     Combining Yankee comforts with the freedom of the west.     The first thing you discover, as you maunder through the hall,     Is a curious little clock upon a bracket on the wall;     'T was made by Stoddard's father, and it's very, very old--     The connoisseurs assure me it is worth its weight in gold;     And I, who've bought all kinds of clocks, 'twixt Denver and the Rhine,     Cast envious eyes upon that clock, and wish that it were mine.     But in the parlor. Oh, the gems on tables, walls, and floor--     Rare first editions, etchings, and old crockery galore.     Why, talk about the Indies and the wealth of Orient things--     They couldn't hold a candle to these quaint and sumptuous things;     In such profusion, too--Ah me! how dearly I recall     How I have sat and watched 'em and wished I had 'em all.     Now, Mr. Stoddard's study is on the second floor,     A wee blind dog barks at me as I enter through the door;     The Cerberus would fain begrudge what sights it cannot see,     The rapture of that visual feast it cannot share with me;     A miniature edition this--this most absurd of hounds--     A genuine unique, I'm sure, and one unknown to Lowndes.     Books--always books--are piled around; some musty, and all old;     Tall, solemn folios such as Lamb declared he loved to hold;     Large paper copies with their virgin margins white and wide,     And presentation volumes with the author's comps. inside;     I break the tenth commandment with a wild impassioned cry:     Oh, how came Stoddard by these things? Why Stoddard, and not I?     From yonder wall looks Thackeray upon his poet friend,     And underneath the genial face appear the lines he penned;     And here, gadzooks, ben honge ye prynte of marvaillous renowne     Yt shameth Chaucers gallaunt knyghtes in Canterbury towne;     And still more books and pictures. I'm dazed, bewildered, vexed;     Since I've broke the tenth commandment, why not break the eighth one next?     And, furthermore, in confidence inviolate be it said     Friend Stoddard owns a lock of hair that grew on Milton's head;     Now I have Gladstone axes and a lot of curious things,     Such as pimply Dresden teacups and old German wedding-rings;     But nothing like that saintly lock have I on wall or shelf,     And, being somewhat short of hair, I should like that lock myself.     But Stoddard has a soothing way, as though he grieved to see     Invidious torments prey upon a nice young chap like me.     He waves me to an easy chair and hands me out a weed     And pumps me full of that advice he seems to know I need;     So sweet the tap of his philosophy and knowledge flows     That I can't help wishing that I knew a half what Stoddard knows.     And so we sit for hours and hours, praising without restraint     The people who are thoroughbreds, and roasting the ones that ain't;     Happy, thrice happy, is the man we happen to admire,     But wretched, oh, how wretched he that hath provoked our ire;     For I speak emphatic English when I once get fairly r'iled,     And Stoddard's wrath's an Ossa upon a Pelion piled.     Out yonder, in the alcove, a lady sits and darns,     And interjects remarks that always serve to spice our yarns;     She's Mrs. Stoddard; there's a dame that's truly to my heart:     A tiny little woman, but so quaint, and good, and smart     That, if you asked me to suggest which one I should prefer     Of all the Stoddard treasures, I should promptly mention her.     O dear old man, how I should like to be with you this night,     Down in your home in Fifteenth street, where all is snug and bright;     Where the shaggy little Cerberus dreams in its cushioned place,     And the books and pictures all around smile in their old friend's face;     Where the dainty little sweetheart, whom you still were proud to woo,     Charms back the tender memories so dear to her and you.

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Poem Details

Language: English
Keywords: Public Domain
Source: Public Domain Collection
Rights/Permissions: Public Domain

Analysis & Notes:
At the heart of the poem lies a beautifully painted portrait of a home and its inhabitants, steeped in the richness of history, culture, and warm hospitality. The narrator offers an intimate tour of the Stoddards' residence, their cherished belongings, and their company, with a tone of admiration, envy, and affection. The recurring theme of the poem is an appreciation for the past—the antiquities, the books, the "old crockery galore"—all serving as markers of time and memory, giving the poem a nostalgic and sentimental tone.

The structure of the poem, with its consistent rhyme scheme and rhythm, creates a pleasing sense of continuity and rhythm, mirroring the steady, comforting atmosphere of the Stoddard household. The use of humor and playful language, such as the reference to breaking commandments out of envy for Stoddard’s possessions, contributes to the poem's engaging and personable tone. There is a notable use of vivid imagery and detailed description, where everyday objects like clocks, books, and even a lock of hair are rendered as precious treasures, highlighting the poet's ability to find beauty and value in the ordinary. The poem culminates with a heartfelt tribute to the Stoddards, particularly Mrs. Stoddard, who is presented as the most precious 'treasure' of all, underlining the enduring theme of appreciating human connection above material possessions.

Exploring Narrative Poetry

Narrative poetry is a form of poetry that tells a story, often making use of the voices of a narrator and characters as well. Unlike lyric poetry, which focuses on emotions and thoughts, narrative poetry is dedicated to storytelling, weaving tales that captivate readers through plot and character development.


Narrative poems are unique in their ability to combine the depth of storytelling with the expressive qualities of poetry. Here are some defining characteristics:

  • Structured Plot: Narrative poems typically have a clear beginning, middle, and end, following a plot that might involve conflict, climax, and resolution, much like a short story or novel.
  • Character Development: Characters in narrative poems are often well-developed, with distinct voices and personalities that drive the story forward.
  • Descriptive Language: The language used in narrative poetry is vivid and descriptive, painting a clear picture of the scenes and events, while also conveying the emotions and atmosphere of the story.

From ancient epics like "The Iliad" and "The Odyssey" to more modern narrative poems, this form continues to engage readers by blending the art of storytelling with the beauty and rhythm of poetry.