At The Ball Game

By Eugene Field

    What gods or heroes, whose brave deeds none can dispute,     Will you record, O Clio, on the harp and flute?     What lofty names shall sportive Echo grant a place     On Pindus' crown or Helicon's cool, shadowy space?     Sing not, my Orpheus, sweeping oft the tuneful strings,     Of gliding streams and nimble winds and such poor things;     But lend your measures to a theme of noble thought,     And crown with laurel these great heroes, as you ought.     Now steps Ryanus forth at call of furious Mars,     And from his oaken staff the sphere speeds to the stars;     And now he gains the tertiary goal, and turns,     While whiskered balls play round the timid staff of Burns.     Lo! from the tribunes on the bleachers comes a shout,     Beseeching bold Ansonius to line 'em out;     And as Apollo's flying chariot cleaves the sky,     So stanch Ansonius lifts the frightened ball on high.     Like roar of ocean beating on the Cretan cliff,     The strong Komiske gives the panting sphere a biff;     And from the tribunes rise loud murmurs everywhere,     When twice and thrice Mikellius beats the mocking air.     And as Achilles' fleet the Trojan waters sweeps,     So horror sways the throng,--Pfefferius sleeps!     And stalwart Konnor, though by Mercury inspired,     The Equus Carolus defies, and is retired.     So waxes fierce the strife between these godlike men;     And as the hero's fame grows by Virgilian pen,     So let Clarksonius Maximus be raised to heights     As far above the moon as moon o'er lesser lights.     But as for me, the ivy leaf is my reward,     If you a place among the lyric bards accord;     With crest exalted, and O "People," with delight,     I'll proudly strike the stars, and so be out of sight.

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Poem Details

Language: English
Keywords: Public Domain
Source: Public Domain Collection
Rights/Permissions: Public Domain

Analysis & Notes:
This poem offers a whimsical blending of classical mythology and what appears to be a contemporary (for the poet) sports event, probably a baseball game. The first four lines invoke the muse Clio, traditionally associated with history, implying the significance of the events to follow. The poem’s tone is playful and grandiose, with the poet elevating the sportsmen to the status of gods and heroes, invoking Mars (God of War) and Mercury (God of speed and trade), among others, to bolster their heroic aura.

There is a deft use of literary devices throughout. The poet employs the technique of hyperbole, exaggerating the sportsmen's prowess to epic, divine proportions. This is particularly evident in lines such as "Ryanus...speeds to the stars" and "Ansonius lifts the frightened ball on high." The poet also uses alliteration, as in "whiskered balls play round the timid staff of Burns," which lends a musical quality to the verses, enhancing their epic feel.

The structure of the poem is consistent, with each stanza comprising four lines and a regular rhyme scheme. This gives the poem a rhythm and predictability akin to the progression of a sports game itself. The poem concludes by drawing attention back to the poet, who modestly requests recognition as a lyric bard and, in a final touch of humor and self-deprecation, plans to "strike the stars, and so be out of sight." This cleverly mirrors the sportsmen who, in the poem, strive to hit their balls to the stars. The poem thus cleverly bridges the worlds of sport and poetry, bringing a touch of the divine to the mundane.

Exploring Narrative Poetry

Narrative poetry is a form of poetry that tells a story, often making use of the voices of a narrator and characters as well. Unlike lyric poetry, which focuses on emotions and thoughts, narrative poetry is dedicated to storytelling, weaving tales that captivate readers through plot and character development.


Narrative poems are unique in their ability to combine the depth of storytelling with the expressive qualities of poetry. Here are some defining characteristics:

  • Structured Plot: Narrative poems typically have a clear beginning, middle, and end, following a plot that might involve conflict, climax, and resolution, much like a short story or novel.
  • Character Development: Characters in narrative poems are often well-developed, with distinct voices and personalities that drive the story forward.
  • Descriptive Language: The language used in narrative poetry is vivid and descriptive, painting a clear picture of the scenes and events, while also conveying the emotions and atmosphere of the story.

From ancient epics like "The Iliad" and "The Odyssey" to more modern narrative poems, this form continues to engage readers by blending the art of storytelling with the beauty and rhythm of poetry.