Apple-Pie And Cheese

By Eugene Field

    Full many a sinful notion     Conceived of foreign powers     Has come across the ocean     To harm this land of ours;     And heresies called fashions     Have modesty effaced,     And baleful, morbid passions     Corrupt our native taste.     O tempora! O mores!     What profanations these     That seek to dim the glories     Of apple-pie and cheese!     I'm glad my education     Enables me to stand     Against the vile temptation     Held out on every hand;     Eschewing all the tittles     With vanity replete,     I'm loyal to the victuals     Our grandsires used to eat!     I'm glad I've got three willing boys     To hang around and tease     Their mother for the filling joys     Of apple-pie and cheese!     Your flavored creams and ices     And your dainty angel-food     Are mighty fine devices     To regale the dainty dude;     Your terrapin and oysters,     With wine to wash 'em down,     Are just the thing for roisters     When painting of the town;     No flippant, sugared notion     Shall my appetite appease,     Or bate my soul's devotion     To apple-pie and cheese!     The pie my Julia makes me     (God bless her Yankee ways!)     On memory's pinions takes me     To dear Green Mountain days;     And seems like I see Mother     Lean on the window-sill,     A-handin' me and brother     What she knows 'll keep us still;     And these feelings are so grateful,     Says I, "Julia, if you please,     I'll take another plateful     Of that apple-pie and cheese!"     And cheese! No alien it, sir,     That's brought across the sea,--     No Dutch antique, nor Switzer,     Nor glutinous de Brie;     There's nothing I abhor so     As mawmets of this ilk--     Give me the harmless morceau     That's made of true-blue milk!     No matter what conditions     Dyspeptic come to feaze,     The best of all physicians     Is apple-pie and cheese!     Though ribalds may decry 'em,     For these twin boons we stand,     Partaking thrice per diem     Of their fulness out of hand;     No enervating fashion     Shall cheat us of our right     To gratify our passion     With a mouthful at a bite!     We'll cut it square or bias,     Or any way we please,     And faith shall justify us     When we carve our pie and cheese!     De gustibus, 't is stated,     Non disputandum est.     Which meaneth, when translated,     That all is for the best.     So let the foolish choose 'em     The vapid sweets of sin,     I will not disabuse 'em     Of the heresy they're in;     But I, when I undress me     Each night, upon my knees     Will ask the Lord to bless me     With apple-pie and cheese!

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Poem Details

Language: English
Keywords: Public Domain
Source: Public Domain Collection
Rights/Permissions: Public Domain

Analysis & Notes:
The poem is a spirited homage to tradition, authenticity, and simplicity, represented through the symbolic "apple-pie and cheese." The poet rejects foreign influences and modern fads, associating them with sin, heresy, and corruption. The tone is both nostalgic and defiant, with the narrator expressing fondness for his native customs while also challenging the infiltration of foreign or modern elements.

Structurally, the poem employs rhymed stanzas, which gives it a rhythmic, song-like quality. This rhythmic structure mirrors the poem's content, as it reinforces the idea of the narrator's steadfast fidelity to his traditional ways. In terms of literary devices, the poet uses vivid imagery to convey the narrator’s emotions and perspectives, such as "baleful, morbid passions" to describe the damaging influences, and "these feelings are so grateful" to express his emotional connection to traditional food.

The use of Latin phrases "O tempora! O mores!" and "De gustibus, 't is stated, Non disputandum est" lends an element of erudition to the poem, aligning with the narrator's claim of his education enabling him to resist modern temptations. The repeated refrains "Of apple-pie and cheese!" further emphasize the importance of these traditional foods as symbols of the narrator's identity and values. The poem, thus, effectively uses language, rhythm, and literary devices to convey its celebration of tradition and rejection of foreign influences and modern fashions.

Understanding Satirical Poetry

Satirical poems use wit, irony, exaggeration, and ridicule to expose folly—personal, social, or political. The aim isn’t just laughter: it’s critique that nudges readers toward insight or change.


Common characteristics of satirical poetry:

  • Targeted Critique: Focuses on specific behaviors, institutions, or ideas—often timely, sometimes timeless.
  • Tools of Irony: Uses sarcasm, parody, understatement, and hyperbole to sharpen the point.
  • Voice & Persona: Speakers may be unreliable or exaggerated to reveal contradictions and hypocrisy.
  • Form Flexibility: Appears in couplets, tercets, quatrains, blank verse, or free verse—music serves the mockery.
  • Moral Pressure: Beneath the humor lies ethical pressure—satire seeks reform, not merely amusement.
  • Public & Personal: Can lampoon public figures and trends or needle private vanities and everyday pretenses.

The best satire balances bite with craft: memorable lines that entertain while revealing the gap between how things are and how they ought to be.