A Dream Of Sunshine

By Eugene Field

    I'm weary of this weather and I hanker for the ways     Which people read of in the psalms and preachers paraphrase--     The grassy fields, the leafy woods, the banks where I can lie     And listen to the music of the brook that flutters by,     Or, by the pond out yonder, hear the redwing blackbird's call     Where he makes believe he has a nest, but hasn't one at all;     And by my side should be a friend--a trusty, genial friend,     With plenteous store of tales galore and natural leaf to lend;     Oh, how I pine and hanker for the gracious boon of spring--     For then I'm going a-fishing with John Lyle King!     How like to pigmies will appear creation, as we float     Upon the bosom of the tide in a three-by-thirteen boat--     Forgotten all vexations and all vanities shall be,     As we cast our cares to windward and our anchor to the lee;     Anon the minnow-bucket will emit batrachian sobs,     And the devil's darning-needles shall come wooing of our bobs;     The sun shall kiss our noses and the breezes toss our hair     (This latter metaphoric--we've no fimbriae to spare!);     And I--transported by the bliss--shan't do a plaguey thing     But cut the bait and string the fish for John Lyle King!     Or, if I angle, it will be for bullheads and the like,     While he shall fish for gamey bass, for pickerel, and for pike;     I really do not care a rap for all the fish that swim--     But it's worth the wealth of Indies just to be along with him     In grassy fields, in leafy woods, beside the water-brooks,     And hear him tell of things he's seen or read of in his books--     To hear the sweet philosophy that trickles in and out     The while he is discoursing of the things we talk about;     A fountain-head refreshing--a clear, perennial spring     Is the genial conversation of John Lyle King!     Should varying winds or shifting tides redound to our despite--     In other words, should we return all bootless home at night,     I'd back him up in anything he had a mind to say     Of mighty bass he'd left behind or lost upon the way;     I'd nod assent to every yarn involving piscine game--     I'd cross my heart and make my affidavit to the same;     For what is friendship but a scheme to help a fellow out--     And what a paltry fish or two to make such bones about!     Nay, Sentiment a mantle of sweet charity would fling     O'er perjuries committed for John Lyle King.     At night, when as the camp-fire cast a ruddy, genial flame,     He'd bring his tuneful fiddle out and play upon the same;     No diabolic engine this--no instrument of sin--     No relative at all to that lewd toy, the violin!     But a godly hoosier fiddle--a quaint archaic thing     Full of all the proper melodies our grandmas used to sing;     With "Bonnie Doon," and "Nellie Gray," and "Sitting on the Stile,"     "The Heart Bowed Down," the "White Cockade," and "Charming Annie Lisle"     Our hearts would echo and the sombre empyrean ring     Beneath the wizard sorcery of John Lyle King.     The subsequent proceedings should interest me no more--     Wrapped in a woolen blanket should I calmly dream and snore;     The finny game that swims by day is my supreme delight--     And not the scaly game that flies in darkness of the night!     Let those who are so minded pursue this latter game     But not repine if they should lose a boodle in the same;     For an example to you all one paragon should serve--     He towers a very monument to valor and to nerve;     No bob-tail flush, no nine-spot high, no measly pair can wring     A groan of desperation from John Lyle King!     A truce to badinage--I hope far distant is the day     When from these scenes terrestrial our friend shall pass away!     We like to hear his cheery voice uplifted in the land,     To see his calm, benignant face, to grasp his honest hand;     We like him for his learning, his sincerity, his truth,     His gallantry to woman and his kindliness to youth,     For the lenience of his nature, for the vigor of his mind,     For the fulness of that charity he bears to all mankind--     That's why we folks who know him best so reverently cling     (And that is why I pen these lines) to John Lyle King.     And now adieu, a fond adieu to thee, O muse of rhyme--     I do remand thee to the shades until that happier time     When fields are green, and posies gay are budding everywhere,     And there's a smell of clover bloom upon the vernal air;     When by the pond out yonder the redwing blackbird calls,     And distant hills are wed to Spring in veils of water-falls;     When from his aqueous element the famished pickerel springs     Two hundred feet into the air for butterflies and things--     Then come again, O gracious muse, and teach me how to sing     The glory of a fishing cruise with John Lyle King!

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Poem Details

Language: English
Keywords: Public Domain
Source: Public Domain Collection
Rights/Permissions: Public Domain

Analysis & Notes:
This poem is an affectionate, humorous, and vividly detailed tribute to a friend and shared experiences in nature. The speaker longs for the rejuvenating power of spring and the companionship of "John Lyle King," the person to whom the poem is dedicated. The narrative is largely structured around an anticipated fishing trip, which serves as a metaphor for the depth and joy of their friendship.

The poem’s tone is marked by a mixture of admiration, camaraderie, and gentle teasing, creating a sense of warmth and intimacy. The poet's use of playful, colloquial language and endearing exaggerations (like the pickerel leaping "two hundred feet into the air") adds to this friendly atmosphere. The poem also employs a variety of traditional poetic devices, such as rhymed quatrains, that lend it a nostalgic and rhythmical quality. The recurring theme of nature — from the "grassy fields" and "leafy woods" to the "banks" of the river — not only forms the backdrop for the friendship but is also portrayed as a healing, enchanting force that the speaker deeply yearns for.

The endearing portrayal of John Lyle King, with his "tuneful fiddle" and "wizard sorcery," is another key element of the poem. The speaker looks up to him, appreciates his company, and even jests about committing perjury for him, illustrating the profound bond between them. Ultimately, this poem is a celebration of friendship, nature, and shared experiences, told with humor, affection, and a touch of wistfulness.

Understanding Reflective Poetry

Reflective poetry is a form of verse that explores the thoughts, emotions, and meditations of the poet. It often delves into personal experiences, memories, and philosophical musings, offering a window into the poet's inner world.


Reflective poems are characterized by their introspective nature, allowing readers to connect with the poet’s contemplations on life, existence, and the human condition. Here are some defining characteristics:

  • Personal Reflection: These poems often center on the poet's own thoughts and feelings, offering a deep dive into their emotional or intellectual state.
  • Philosophical Musings: Reflective poetry frequently addresses larger existential questions, providing a space for the poet to ponder life’s meaning, purpose, and the nature of reality.
  • Imagery and Symbolism: Poets use vivid imagery and rich symbolism to convey their reflections, often drawing on nature, art, or personal experiences to express complex ideas.
  • Quiet and Contemplative Tone: Reflective poems typically have a calm, meditative tone, inviting readers to pause and reflect alongside the poet.

Reflective poetry provides a unique avenue for exploring the poet’s inner world, inviting readers to engage in their own reflections as they journey through the verses.