Author: Algernon Charles Swinburne
Praise of the knights of old May sleep: their tale is told, And no man cares: The praise which fires our lips is A knights whose fame eclipses All of theirs. The ruddiest light in heaven Blazed as his birth-star seven Long years ago: All glory crown that old year Which brought our stout small soldier With the snow! Each baby born has one Star, for his friends a sun, The first of stars: And we, the more we scan it, The more grow sure your planet, Child, was Mars. For each one flower, perchance, Blooms as his cognizance: The snowdrop chill, The violet unbeholden, For some: for you the golden Daffodil Erect, a fighting flower, It breasts the breeziest hour That ever blew, And bent or broke things brittle Or frail, unlike a little Knight like you. Its flower is firm and fresh And stout like sturdiest flesh Of children: all The strenuous blast that parches Spring hurts it not till March is Near his fall If winds that prate and fret Remark, rebuke, regret, Lament, or blame The brave plants martial passion, It keeps its own free fashion All the same. We that would fain seem wise Assume grave mouths and eyes Whose looks reprove Too much delight in battle: But your great heart our prattle Cannot move. We say, small children should Be placid, mildly good And blandly meek: Whereat the broad smile rushes Full on your lips, and flushes All your cheek. If all the stars that are Laughed out, and every star Could here be heard, Such peals of golden laughter We should not hear, as after Such a word. For all the storm saith, still, Stout stands the daffodil: For all we say, Howeer he look demurely, Our martialist will surely Have his way. We may not bind with bands Those large and liberal hands, Nor stay from fight, Nor hold them back from giving i No lean mean laws of living Bind a knight And always here of old Such gentle hearts and bold Our land has bred: How durst her eye rest else on The glory shed from Nelson Quick and dead? Shame were it, if but one Such once were born her son, That one to have borne, And brought him neer a brother: His praise should bring his mother Shame and scorn. A child high-souled as he Whose manhood shook the sea Smiles haply here: His face, where love lies basking, With bright shut mouth seems asking, What is fear? The sunshine-coloured fists Beyond his dimpling wrists Were never closed For saving or for sparing For only deeds of daring Predisposed Unclenched, the gracious hands Let slip their gifts like sands Made rich with ore That tongues of beggars ravish From small stout hands so lavish Of their store. Sweet hardy kindly hands Like these were his that stands With heel on gorge Seen trampling down the dragon On sign or flask or flagon, Sweet Saint George. Some tournament, perchance, Of hands that couch no lance, Might mark this spot Your lists, if here some pleasant Small Guenevere were present, Launcelot. My brave bright flower, you need No foolish song, nor heed It more than spring The sighs of winter stricken Dead when your haunts requicken Here, my king. Yet O, how hardly may The wheels of singing stay That whirl along Bright paths whence echo raises The phantom of your praises, Child, my song! Beyond all other things That give my words fleet wings, Fleet wings and strong, You set their jesses ringing Till hardly can I, singing, Stint my song. But all things better, friend, And worse must find an end: And, right or wrong, Tis time, lest rhyme should baffle, I doubt, to put a snaffle On my song. And never may your ear Aught harsher hear or fear, Nor wolfish night Nor dog-toothed winter snarling Behind your steps, my darling My delight! For all the gifts you give Me, dear, each day you live, Of thanks above All thanks that could be spoken Take not my song in token, Take my love.
Type of Poem: Reflective Poem
Date Written:
Date Published:
Language: English
Keywords: Public Domain
Source: Public Domain Collection
Publisher:
Rights/Permissions: Public Domain
Comments/Notes: This poem is a beautiful tribute to the spirit of youthful courage, resilience, and generosity, likening the subject to the enduring, vibrant daffodil and the martial planet, Mars. The child, presumably a boy, is celebrated in a vivacious and playful tone that speaks volumes about the poet's admiration and affection. The theme of knightly valor and chivalry is evident as the child is compared to a knight, whose fame outshines that of the knights of yore.
The structure of the poem is fairly consistent, allowing for a steady rhythm that complements its playful, yet profound, message. The poet makes extensive use of metaphors, similes, and personification, enhancing the overall imagery and emotional resonance of the piece. For instance, the child's laughter is compared to "peals of golden laughter" from the stars. The daffil's resilience against the storm is used to symbolize the child's indomitable spirit. Such literary devices contribute to the poem's overall charm and depth.
The poet's fondness for the child is clear, as is the child's joyful defiance of societal expectations for children to be "placid, mildly good and blandly meek." Through this poem, the poet lauds the child's vibrant spirit, resilience, and generosity, all while challenging traditional notions of childhood behavior and demeanor.
Reflective poetry is a form of verse that explores the thoughts, emotions, and meditations of the poet. It often delves into personal experiences, memories, and philosophical musings, offering a window into the poet's inner world.
Reflective poems are characterized by their introspective nature, allowing readers to connect with the poet’s contemplations on life, existence, and the human condition. Here are some defining characteristics:
Reflective poetry provides a unique avenue for exploring the poet’s inner world, inviting readers to engage in their own reflections as they journey through the verses.