The Mates Story

By Arthur Hugh Clough

Mari Magno or Tales on Board The Mates Story     Ive often wondered how it is, at times     Good people do what are as bad as crimes.     A common person would have been ashamed     To do what once a family far-famed     For their religious ways was known to do.     Small harm befell, small thanks to them were due.     They from abroad, perhaps it cost them less,     Had brought a young French girl as governess,     A pretty, youthful thing as eer you saw;     She taught the children how to play and draw,     Of course, the language of her native land;     English she scarcely learnt to understand.     After a time they wanted her no more;     She must go home, but how to send her oer,     Far in the south of France she lived, and they     In Ireland there was more than they could say.     A monthly steamer, as they chanced to know,     From Liverpool went over to Bordeaux,     And would, they thought, exactly meet the case.     They wrote and got a friend to take a place;     And from her salary paid her money down.     A trading steamer from the sea-port town     Near which they lived, across the Channel plied,     And this, they said, a passage would provide.     With pigs, and with the Irish reaping horde,     This pretty tender girl was put on board;     And a rough time of it, no doubt, had she,     Tossing about upon the Irish Sea.     Arrived at last and set ashore, she found     The steamer gone for which she had been bound.     The pious people, in their careless way,     Had made some loose mistake about the day.     She stood; the passengers with whom she crossed     Went off, and she remained as one that s lost.     Think of the hapless creature standing here     Alone, beside her boxes on the pier.     Whither to turn, and where to try and go,     She knew not; nay, the language did not know.     So young a girl, so pretty too, set down     Here, in the midst of a great sea-port town,     What might have happened one may sadly guess,     Had not the captain, seeing her distress,     Made out the cause, and told her she could stay     On board the vessel till the following day.     Next day, he said the steamer to Bordeaux     Was gone no doubt, next month the next would go;     For this her passage-money she had paid,     But some arrangement could, he thought, be made,     If only she could manage to afford     To wait a month and pay for bed and board.     She sadly shook her head well, after all,     Twas a bad town, and mischief might befall,     Would she go back? Indeed twas but a shame,     To take her back to those from whom she came.     Theres one thing, Miss, said he, that you can do,     Its speaking somewhat sudden-like, its true,     But if youll marry me, Ill marry you.     May be you wont, but if you will you can.     This captain was a young and decent man,     And I suppose she saw no better way;     Marry they did, and married live this day.     Another friend, these previous nights away,     An officer of engineers, and round     By Halifax to far Bermuda bound,     Joined us this night; a rover he had been.     Many strange sights and many climes had seen,     And much of various life; his comment was, twas well     There was no further incident to tell.     Hed been afraid that ere the tale was oer,     Twould prove the captain had a wife before.     The poor French girl was luckier than she knew;     Soldiers and sailors had so often two.     And it was something, too, for men who went     From port to port to be with two content.     In every place the marriage rite supplied     A decent spouse to whom you were not tied.     Of course the women would at times suspect,     But felt their reputations were not wrecked.     One after night we took ourselves to task     For our neglect who had forborne to ask     The clergyman, who told his tale so well,.     Another tale for our behalf to tell.     He to a second had himself confessed,     Now, when to hear it eagerly we pressed,     He put us off; but, ere the night was done,     Told us his second, and his sadder one.

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Poem Details

Language: English
Keywords: Public Domain
Source: Public Domain Collection
Rights/Permissions: Public Domain

Analysis & Notes:
This lengthy narrative poem explores themes of betrayal, abandonment, and survival within societal and moral constraints. The poem tells the story of a French governess who is ill-treated by an ostensibly religious family, abandoned in a foreign land, and ultimately chooses to marry a kind stranger out of necessity. The poet employs a conversational tone, adding to the realism of the narrative and allowing readers to engage directly with the characters' experiences.

The narrative structure of the poem is noteworthy, with the poet using a third-person viewpoint to recount the story in a detailed, immersive manner. This vivid storytelling approach, combined with the use of rhyme, gives the poem a rhythmic flow that sustains interest despite its length. Irony is a significant literary device used in the poem, most notably in the portrayal of the 'religious' family that behaves unethically.

The poem’s tone fluctuates between critical and sympathetic, reflecting the complexity of human experiences. The poet criticizes the hypocritical actions of the family, but also expresses empathy for the young governess's plight. This duality creates a sense of tension and moral ambiguity throughout. The poem ultimately underscores the power of human resilience and the unpredictability of fate, as the governess finds an unexpected solution to her predicament.

Exploring Narrative Poetry

Narrative poetry is a form of poetry that tells a story, often making use of the voices of a narrator and characters as well. Unlike lyric poetry, which focuses on emotions and thoughts, narrative poetry is dedicated to storytelling, weaving tales that captivate readers through plot and character development.


Narrative poems are unique in their ability to combine the depth of storytelling with the expressive qualities of poetry. Here are some defining characteristics:

  • Structured Plot: Narrative poems typically have a clear beginning, middle, and end, following a plot that might involve conflict, climax, and resolution, much like a short story or novel.
  • Character Development: Characters in narrative poems are often well-developed, with distinct voices and personalities that drive the story forward.
  • Descriptive Language: The language used in narrative poetry is vivid and descriptive, painting a clear picture of the scenes and events, while also conveying the emotions and atmosphere of the story.

From ancient epics like "The Iliad" and "The Odyssey" to more modern narrative poems, this form continues to engage readers by blending the art of storytelling with the beauty and rhythm of poetry.