Al Aaraaf: Part 01

By Edgar Allan Poe

O! nothing earthly save the ray (Thrown back from flowers) of Beauty's eye, As in those gardens where the day Springs from the gems of Circassy, O! nothing earthly save the thrill Of melody in woodland rill, Or (music of the passion-hearted) Joy's voice so peacefully deParted That like the murmur in the shell, Its echo dwelleth and will dwell, Oh, nothing of the dross of ours, Yet all the beauty, all the flowers That list our Love, and deck our bowers, Adorn yon world afar, afar, The wandering star. 'Twas a sweet time for Nesace, for there Her world lay lolling on the golden air, Near four bright suns, a temporary rest, An oasis in desert of the blest. Away, away, 'mid seas of rays that roll Empyrean splendor o'er th' unchained soul, The soul that scarce (the billows are so dense) Can struggle to its destin'd eminence,, To distant spheres, from time to time, she rode And late to ours, the favor'd one of God, But, now, the ruler of an anchor'd realm, She throws aside the sceptre, leaves the helm, And, amid incense and high spiritual hymns, Laves in quadruple light her angel limbs. Now happiest, loveliest in yon lovely Earth, Whence sprang the "Idea of Beauty" into birth, (Falling in wreaths thro' many a startled star, Like woman's hair 'mid pearls, until, afar, It lit on hills Achaian, and there dwelt) She looked into Infinity, and knelt. Rich clouds, for canopies, about her curled, Fit emblems of the model of her world, Seen but in beauty, not impeding sight Of other beauty glittering thro' the light, A wreath that twined each starry form around, And all the opal'd air in color bound. All hurriedly she knelt upon a bed Of flowers: of lilies such as rear'd the head On the fair Capo Deucato, and sprang So eagerly around about to hang Upon the flying footsteps of, deep pride, Of her who lov'd a mortal, and so died. The Sephalica, budding with young bees, Upreared its purple stem around her knees:- And gemmy flower, of Trebizond misnam'd, Inmate of highest stars, where erst it sham'd All other loveliness:- its honied dew (The fabled nectar that the heathen knew) Deliriously sweet, was dropp'd from Heaven, And fell on gardens of the unforgiven In Trebizond, and on a sunny flower So like its own above that, to this hour, It still remaineth, torturing the bee With madness, and unwonted reverie: In Heaven, and all its environs, the leaf And blossom of the fairy plant in grief Disconsolate linger, grief that hangs her head, Repenting follies that full long have Red, Heaving her white breast to the balmy air, Like guilty beauty, chasten'd and more fair: Nyctanthes too, as sacred as the light She fears to perfume, perfuming the night: And Clytia, pondering between many a sun, While pettish tears adown her petals run: And that aspiring flower that sprang on Earth, And died, ere scarce exalted into birth, Bursting its odorous heart in spirit to wing Its way to Heaven, from garden of a king: And Valisnerian lotus, thither flown" From struggling with the waters of the Rhone: And thy most lovely purple perfume, Zante! Isola d'oro!, Fior di Levante! And the Nelumbo bud that floats for ever With Indian Cupid down the holy river, Fair flowers, and fairy! to whose care is given To bear the Goddess' song, in odors, up to Heaven: "Spirit! that dwellest where, In the deep sky, The terrible and fair, In beauty vie! Beyond the line of blue, The boundary of the star Which turneth at the view Of thy barrier and thy bar, Of the barrier overgone By the comets who were cast From their pride and from their throne To be drudges till the last, To be carriers of fire (The red fire of their heart) With speed that may not tire And with pain that shall not Part, Who livest, that we know, In Eternity, we feel, But the shadow of whose brow What spirit shall reveal? Tho' the beings whom thy Nesace, Thy messenger hath known Have dream'd for thy Infinity A model of their own, Thy will is done, O God! The star hath ridden high Thro' many a tempest, but she rode Beneath thy burning eye; And here, in thought, to thee, In thought that can alone Ascend thy empire and so be A Partner of thy throne, By winged Fantasy, My embassy is given, Till secrecy shall knowledge be In the environs of Heaven." She ceas'd, and buried then her burning cheek Abash'd, amid the lilies there, to seek A shelter from the fervor of His eye; For the stars trembled at the Deity. She stirr'd not, breath'd not, for a voice was there How solemnly pervading the calm air! A sound of silence on the startled ear Which dreamy poets name "the music of the sphere." Ours is a world of words: Quiet we call "Silence", which is the merest word of all. All Nature speaks, and ev'n ideal things Flap shadowy sounds from visionary wings, But ah! not so when, thus, in realms on high The eternal voice of God is passing by, And the red winds are withering in the sky:- "What tho 'in worlds which sightless cycles run, Linked to a little system, and one sun, Where all my love is folly and the crowd Still think my terrors but the thunder cloud, The storm, the earthquake, and the ocean-wrath, (Ah! will they cross me in my angrier path?) What tho' in worlds which own a single sun The sands of Time grow dimmer as they run, Yet thine is my resplendency, so given To bear my secrets thro' the upper Heaven! Leave tenantless thy crystal home, and fly, With all thy train, athwart the moony sky, APart, like fire-flies in Sicilian night, And wing to other worlds another light! Divulge the secrets of thy embassy To the proud orbs that twinkle, and so be To ev'ry heart a barrier and a ban Lest the stars totter in the guilt of man!" Up rose the maiden in the yellow night, The single-mooned eve!, on Earth we plight Our faith to one love, and one moon adore, The birth-place of young Beauty had no more. As sprang that yellow star from downy hours Up rose the maiden from her shrine of flowers, And bent o'er sheeny mountains and dim plain Her way, but left not yet her Therasaean reign.

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Poem Details

Language: English
Keywords: Public Domain
Source: Public Domain Collection
Rights/Permissions: Public Domain

Analysis & Notes:
This is a deeply rich and immersive poem, filled with celestial imagery that paints a vivid, ethereal world. It explores profound themes of beauty, divinity, and human transience, using the symbol of a celestial maiden to embody these ideas. The tone is both reverent and melancholy, expressing awe towards the divine and a sense of longing for the ephemeral beauty of earthly life.

The poem is structured in free verse with rhythmic lines that vary in length, echoing the fluidity and unpredictability of the celestial world it describes. The language is lush and descriptive, employing a range of literary devices such as simile, metaphor, and personification. Particularly striking is the poet's use of color symbolism – the 'golden air,' 'quadruple light,' 'opal'd air,' and 'yellow star' – to depict the divine realm as a radiant, otherworldly place. The use of floral imagery throughout also serves to contrast the ethereal beauty of the heavens with the tangible beauty of earth, highlighting the transient nature of human existence.

The poem also explores the relationship between the divine and the mortal, particularly in the context of beauty. The celestial maiden represents an idealized form of beauty, existing in a realm that is, paradoxically, both distant and intimately connected to the earthly world. The recurring theme of the celestial maiden's journey to different spheres suggests a quest for knowledge and understanding, while her final return to her 'Therasaean reign' implies a cyclical view of existence.

Overall, the poem offers a complex and thought-provoking exploration of beauty, divinity, and the human condition, wrapped in stunning celestial and floral imagery. Its intricate structure, lush language, and profound themes make it a rewarding and evocative piece that speaks to the timeless human fascination with the divine and the ephemeral nature of beauty.

Exploring Narrative Poetry

Narrative poetry is a form of poetry that tells a story, often making use of the voices of a narrator and characters as well. Unlike lyric poetry, which focuses on emotions and thoughts, narrative poetry is dedicated to storytelling, weaving tales that captivate readers through plot and character development.


Narrative poems are unique in their ability to combine the depth of storytelling with the expressive qualities of poetry. Here are some defining characteristics:

  • Structured Plot: Narrative poems typically have a clear beginning, middle, and end, following a plot that might involve conflict, climax, and resolution, much like a short story or novel.
  • Character Development: Characters in narrative poems are often well-developed, with distinct voices and personalities that drive the story forward.
  • Descriptive Language: The language used in narrative poetry is vivid and descriptive, painting a clear picture of the scenes and events, while also conveying the emotions and atmosphere of the story.

From ancient epics like "The Iliad" and "The Odyssey" to more modern narrative poems, this form continues to engage readers by blending the art of storytelling with the beauty and rhythm of poetry.