The Cat And The Old Rat

By Jean de La Fontaine

[1]      A story-writer of our sort      Historifies, in short,      Of one that may be reckon'd      A Rodilard the Second, - [2]      The Alexander of the cats,      The Attila,[3] the scourge of rats,      Whose fierce and whisker'd head      Among the latter spread,      A league around, its dread;      Who seem'd, indeed, determined      The world should be unvermined.      The planks with props more false than slim,      The tempting heaps of poison'd meal,      The traps of wire and traps of steel,      Were only play compared with him.      At length, so sadly were they scared.      The rats and mice no longer dared      To show their thievish faces      Outside their hiding-places,      Thus shunning all pursuit; whereat      Our crafty General Cat      Contrived to hang himself, as dead,      Beside the wall with downward head,      Resisting gravitation's laws      By clinging with his hinder claws      To some small bit of string.      The rats esteem'd the thing      A judgment for some naughty deed,      Some thievish snatch,      Or ugly scratch;      And thought their foe had got his meed      By being hung indeed.      With hope elated all      Of laughing at his funeral,      They thrust their noses out in air;      And now to show their heads they dare;      Now dodging back, now venturing more;      At last upon the larder's store      They fall to filching, as of yore.      A scanty feast enjoy'd these shallows;      Down dropp'd the hung one from his gallows,      And of the hindmost caught.      'Some other tricks to me are known,'      Said he, while tearing bone from bone,      'By long experience taught;      The point is settled, free from doubt,      That from your holes you shall come out.'      His threat as good as prophecy      Was proved by Mr. Mildandsly;      For, putting on a mealy robe,      He squatted in an open tub,      And held his purring and his breath; -      Out came the vermin to their death.      On this occasion, one old stager,      A rat as grey as any badger,      Who had in battle lost his tail,      Abstained from smelling at the meal;      And cried, far off, 'Ah! General Cat,      I much suspect a heap like that;      Your meal is not the thing, perhaps,      For one who knows somewhat of traps;      Should you a sack of meal become,      I'd let you be, and stay at home.'      Well said, I think, and prudently,      By one who knew distrust to be      The parent of security.

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Poem Details

Language: English
Keywords: Public Domain
Source: Public Domain Collection
Rights/Permissions: Public Domain

Analysis & Notes:
This intriguing narrative poem uses anthropomorphism to deliver a tale of cunning and survival. The poem's protagonist, a cat, is depicted as a strategic and formidable predator, feared by the rats he hunts. The cat's characterization as "The Alexander of the cats," and "the Attila, the scourge of rats," establishes a tone of reverence and fear, alluding to historical figures known for their dominance and conquests.

The poem's structure and rhythm contribute to its storytelling nature, with the rhymed quatrains creating a cadence akin to a nursery rhyme or fable. This, combined with the use of colloquial language, gives the poem an air of simplicity that belies its deeper themes. The poem explores themes of deception, survival, and the wisdom that comes with experience. The cat's various strategies to lure out the rats, including feigning death and disguising himself as a sack of meal, highlight the theme of cunning and deception as survival tactics. The poem concludes with the old, wise rat refusing to fall for the cat's traps, a testament to the wisdom of experience. The poem's final lines underscore the importance of distrust as a protective measure, adding a layer of philosophical depth to this seemingly simple tale. The use of imagery and metaphor throughout the poem further enriches the narrative, painting vivid pictures of the cat's plots and the rats' fear.

Understanding Fables

A fable is a timeless form of storytelling, typically featuring animals as characters that embody human traits, all while conveying a moral lesson. These short narratives have been used throughout history to impart wisdom, offering insights that remain relevant across generations.


Fables stand out for their simplicity and clarity, often concluding with a lesson that is easy to understand and remember. Here are some defining characteristics:

  • Animal Characters: The main characters are often animals that represent human behaviors and characteristics, making the stories both engaging and relatable.
  • Concise Narrative: Fables are brief and focused, with each story centering around a single event or interaction that leads to a moral conclusion.
  • Moral Lesson: The purpose of a fable is to teach a lesson, which is usually stated clearly at the end, offering practical advice or ethical guidance.

From Aesop's ancient tales to modern adaptations, fables continue to be a powerful tool for education and moral reflection, resonating with audiences of all ages.