The Animals Sick Of The Plague.

By Jean de La Fontaine

[1]      The sorest ill that Heaven hath      Sent on this lower world in wrath, -      The plague (to call it by its name,)      One single day of which      Would Pluto's ferryman enrich, -      Waged war on beasts, both wild and tame.      They died not all, but all were sick:      No hunting now, by force or trick,      To save what might so soon expire.      No food excited their desire;      Nor wolf nor fox now watch'd to slay      The innocent and tender prey.      The turtles fled;      So love and therefore joy were dead.      The lion council held, and said:      'My friends, I do believe      This awful scourge, for which we grieve,      Is for our sins a punishment      Most righteously by Heaven sent.      Let us our guiltiest beast resign,      A sacrifice to wrath divine.      Perhaps this offering, truly small,      May gain the life and health of all.      By history we find it noted      That lives have been just so devoted.      Then let us all turn eyes within,      And ferret out the hidden sin.      Himself let no one spare nor flatter,      But make clean conscience in the matter.      For me, my appetite has play'd the glutton      Too much and often upon mutton.      What harm had e'er my victims done?      I answer, truly, None.      Perhaps, sometimes, by hunger press'd,      I've eat the shepherd with the rest.      I yield myself, if need there be;      And yet I think, in equity,      Each should confess his sins with me;      For laws of right and justice cry,      The guiltiest alone should die.'      'Sire,' said the fox, 'your majesty      Is humbler than a king should be,      And over-squeamish in the case.      What! eating stupid sheep a crime?      No, never, sire, at any time.      It rather was an act of grace,      A mark of honour to their race.      And as to shepherds, one may swear,      The fate your majesty describes,      Is recompense less full than fair      For such usurpers o'er our tribes.'      Thus Renard glibly spoke,      And loud applause from flatterers broke.      Of neither tiger, boar, nor bear,      Did any keen inquirer dare      To ask for crimes of high degree;      The fighters, biters, scratchers, all      From every mortal sin were free;      The very dogs, both great and small,      Were saints, as far as dogs could be.      The ass, confessing in his turn,      Thus spoke in tones of deep concern: -      'I happen'd through a mead to pass;      The monks, its owners, were at mass;      Keen hunger, leisure, tender grass,      And add to these the devil too,      All tempted me the deed to do.      I browsed the bigness of my tongue;      Since truth must out, I own it wrong.'      On this, a hue and cry arose,      As if the beasts were all his foes:      A wolf, haranguing lawyer-wise,      Denounced the ass for sacrifice -      The bald-pate, scabby, ragged lout,      By whom the plague had come, no doubt.      His fault was judged a hanging crime.      'What? eat another's grass? O shame!      The noose of rope and death sublime,'      For that offence, were all too tame!      And soon poor Grizzle felt the same.      Thus human courts acquit the strong,      And doom the weak, as therefore wrong.

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Poem Details

Language: English
Keywords: Public Domain
Source: Public Domain Collection
Rights/Permissions: Public Domain

Analysis & Notes:
The poem is a fable reminiscent of Aesop, employing animals to explore the themes of justice, hypocrisy, and societal power dynamics. The story unfolds amidst a plague, a symbol of divine punishment, which forces the animal kingdom into a state of introspection and confession. The tone is satirical, shining a light on the inherent flaws of the justice system and the self-serving nature of those in power.

The structure of the poem is consistent, with a clear narrative arc that moves from the initial crisis to the council held by the animals, to the final, unfair judgement. The use of animals as characters allows for a layer of detachment through which the poet can critique human society.

Various literary devices are employed throughout the poem. Irony is prevalent, particularly in the lion's confession of his 'sins' and the fox's subsequent flattery, painting the act of predation as honorable. This is a pointed commentary on how those in power can distort morality to serve their own interests. Meanwhile, the ass, a symbol of the powerless and innocent, is unjustly punished for a minor transgression, illuminating the biased nature of the justice system.

Overall, the poem is a poignant critique of societal injustice, using the allegorical animal kingdom to spotlight the failings of human systems and authority figures. The narrative paints a picture of a society where power and cunning outweigh truth and morality, a message that remains relevant to contemporary audiences.

Understanding Fables

A fable is a timeless form of storytelling, typically featuring animals as characters that embody human traits, all while conveying a moral lesson. These short narratives have been used throughout history to impart wisdom, offering insights that remain relevant across generations.


Fables stand out for their simplicity and clarity, often concluding with a lesson that is easy to understand and remember. Here are some defining characteristics:

  • Animal Characters: The main characters are often animals that represent human behaviors and characteristics, making the stories both engaging and relatable.
  • Concise Narrative: Fables are brief and focused, with each story centering around a single event or interaction that leads to a moral conclusion.
  • Moral Lesson: The purpose of a fable is to teach a lesson, which is usually stated clearly at the end, offering practical advice or ethical guidance.

From Aesop's ancient tales to modern adaptations, fables continue to be a powerful tool for education and moral reflection, resonating with audiences of all ages.