Belphegor Addressed To Miss De Chammelay

By Jean de La Fontaine

    YOUR name with ev'ry pleasure here I place,     The last effusions of my muse to grace.     O charming Phillis! may the same extend     Through time's dark night: our praise together blend;     To this we surely may pretend to aim     Your acting and my rhymes attention claim.     Long, long in mem'ry's page your fame shall live;     You, who such ecstacy so often give;     O'er minds, o'er hearts triumphantly you reign:     In Berenice, in Phaedra, and Chimene,     Your tears and plaintive accents all engage:     Beyond compare in proud Camilla's rage;     Your voice and manner auditors delight;     Who strong emotions can so well excite?     No fine eulogium from my pen expect:     With you each air and grace appear correct     My first of Phillis's you ought to be;     My sole affection had been placed on thee;     Long since, had I presumed the truth to tell;     But he who loves would fain be loved as well.     NO hope of gaining such a charming fair,     Too soon, perhaps, I ceded to despair;     Your friend, was all I ventured to be thought,     Though in your net I more than half was caught.     Most willingly your lover I'd have been;     But time it is our story should be seen.     ONE, day, old Satan, sov'reign dread of hell;     Reviewed his subjects, as our hist'ries tell;     The diff'rent ranks, confounded as they stood,     Kings, nobles, females, and plebeian blood,     Such grief expressed, and made such horrid cries,     As almost stunned, and filled him with surprise.     The monarch, as he passed, desired to know     The cause that sent each shade to realms below.     Some said - my HUSBAND; others WIFE replied;     The same was echoed loud from ev'ry side.     His majesty on this was heard to say:     If truth these shadows to my ears convey,     With ease our glory we may now augment:     I'm fully bent to try th' experiment.     With this design we must some demon send,     Who wily art with prudence well can blend;     And, not content with watching Hymen's flock,     Must add his own experience to the stock.     THE sable senate instantly approved     The proposition that the monarch moved;     Belphegor was to execute the work;     The proper talent in him seemed to lurk:     All ears and eyes, a prying knave in grain     In short, the very thing they wished to gain.     THAT he might all expense and cost defray,     They gave him num'rous bills without delay,     And credit too, in ev'ry place of note,     With various things that might their plan promote.     He was, besides, the human lot to fill,     Of pleasure and of pain: - of good and ill;     In fact, whate'er for mortals was designed,     With his legation was to be combined.     He might by industry and wily art,     His own afflictions dissipate in part;     But die he could not, nor his country see,     Till he ten years complete on earth should be.     BEHOLD him trav'lling o'er th' extensive space;     Between the realms of darkness and our race.     To pass it, scarcely he a moment took;     On Florence instantly he cast a look; -     Delighted with the beauty of the spot,     He there resolved to fix his earthly lot,     Regarding it as proper for his wiles,     A city famed for wanton freaks and guiles.     Belphegor soon a noble mansion hired,     And furnished it with ev'ry thing desired;     As signor Roderick he designed to pass;     His equipage was large of ev'ry class;     Expense anticipating day by day,     What, in ten years, he had to throw away.     HIS noble entertainments raised surprise;     Magnificence alone would not suffice;     Delightful pleasures he dispensed around,     And flattery abundantly was found,     An art in which a demon should excel:     No devil surely e'er was liked so well.     His heart was soon the object of the FAIR;     To please Belphegor was their constant care.     WHO lib'rally with presents smoothes the road,     Will meet no obstacles to LOVE'S abode.     In ev'ry situation they are sweet,     I've often said, and now the same repeat:     The primum mobile of human kind,     Are gold and silver, through the world we find.     OUR envoy kept two books, in which he wrote     The names of all the married pairs of note;     But that assigned to couples satisfied,     He scarcely for it could a name provide,     Which made the demon almost blush to see,     How few, alas! in wedlock's chains agree;     While presently the other, which contained     Th' unhappy - not a leaf in blank remained.     No other choice Belphegor now had got,     Than - try himself the hymeneal knot.     In Florence he beheld a certain fair,     With charming face and smart engaging air;     Of noble birth, but puffed with empty pride;     Some marks of virtue, though not much beside.     For Roderick was asked this lofty dame;     The father said Honesta* (such her name)     Had many eligible offers found;     But, 'mong the num'rous band that hovered round,     Perhaps his daughter, Rod'rick's suit might take,     Though he should wish for time the choice to make.     This approbation met, and Rod'rick 'gan     To use his arts and execute his plan.     THE entertainments, balls, and serenades,     Plays, concerts, presents, feasts, and masquerades,     Much lessened what the demon with him brought;     He nothing grudged: - whate'er was wished he bought.     The dame believed high honour she bestowed,     When she attention to his offer showed;     And, after prayers, entreaties, and the rest,     To be his wife she full assent expressed.     BUT first a pettifogger to him came,     Of whom (aside) Belphegor made a game;     What! said the demon, is a lady gained     just like a house? - these scoundrels have obtained     Such pow'r and sway, without them nothing's done;     But hell will get them when their course is run.     He reasoned properly; when faith's no more,     True honesty is forced to leave the door;     When men with confidence no longer view     Their fellow-mortals, - happiness adieu!     The very means we use t' escape the snare,     Oft deeper plunge us in the gulph of care;     Avoid attorneys, if you comfort crave     Who knows a PETTIFOGGER, knows a KNAVE;     Their contracts, filled with IFS and FORS, appear     The gate through which STRIFE found admittance here.     In vain we hope again the earth 'twill leave     Still STRIFE remains, and we ourselves deceive:     In spite of solemn forms and laws we see,     That LOVE and HYMEN often disagree.     The heart alone can tranquilize the mind;     In mutual passion ev'ry bliss we find.     HOW diff'rent things in other states appear!     With friends - 'tis who can be the most sincere;     With lovers - all is sweetness, balm of life;     While all is IRKSOMENESS with man and wife.     We daily see from DUTY springs disgust,     And PLEASURE likes true LIBERTY to trust.     ARE happy marriages for ever flown?     On full consideration I will own,     That when each other's follies couples bear;     They then deserve the name of HAPPY PAIR.     ENOUGH of this: - no sooner had our wight     The belle possessed, and passed the month's delight;     But he perceived what marriage must be here,     With such a demon in our nether sphere.     For ever jars and discords rang around;     Of follies, ev'ry class our couple found;     Honesta often times such noise would make,     Her screams and cries the neighbours kept awake,     Who, running thither, by the wife were told: -     Some paltry tradesman's daughter, coarse and bold,     He should have had: - not one of rank like me;     To treat me thus, what villain he must be!     A wife so virtuous, could he e'er deserve!     My scruples are too great, or I should swerve;     Indeed, without dispute, 'twould serve him right: -     We are not sure she nothing did in spite;     These prudes can make us credit what they please:     Few ponder long when they can dupe with ease.     THIS wife and husband, as our hist'ries say,     Each moment squabbled through the passing day;     Their disagreements often would arise     About a petticoat, cards, tables, pies,     Gowns, chairs, dice, summer-houses, in a word,     Things most ridiculous and quite absurd.     WELL might this spouse regret his Hell profound,     When he considered what he'd met on ground.     To make our demon's wretchedness complete,     Honesta's relatives, from ev'ry street,     He seemed to marry, since he daily fed     The father, mother, sister (fit to wed,)     And little brother, whom he sent to school;     While MISS he portioned to a wealthy fool.     His utter ruin, howsoe'er, arose     From his attorney-steward that he chose.     What's that? you ask - a wily sneaking knave,     Who, while his master spends, contrives to save;     Till, in the end, grown rich, the lands he buys,     Which his good lord is forced to sacrifice.     IF, in the course of time, the master take     The place of steward, and his fortune make,     'Twould only to their proper rank restore,     Those who become just what they were before.     POOR Rod'rick now no other hope had got,     Than what the chance of traffick might allot;     Illusion vain, or doubtful at the best: -     Though some grow rich, yet all are not so blessed.     'Twas said our husband never would succeed;     And truly, such it seemed to be decreed.     His agents (similar to those we see     In modern days) were with his treasure free;     His ships were wrecked; his commerce came to naught;     Deceived by knaves, of whom he well had thought;     Obliged to borrow money, which to pay,     He was unable at th' appointed day,     He fled, and with a farmer shelter took,     Where he might hope the bailiffs would not look.     HE told to Matthew, (such the farmer's name,)     His situation, character, and fame:     By duns assailed, and harassed by a wife,     Who proved the very torment of his life,     He knew no place of safety to obtain,     Like ent'ring other bodies, where 'twas plain,     He might escape the catchpole's prowling eye,     Honesta's wrath, and all her rage defy.     From these he promised he would thrice retire;     Whenever Matthew should the same desire:     Thrice, but no more, t'oblige this worthy man,     Who shelter gave when from the fiends he ran.     THE AMBASSADOR commenced his form to change: -     From human frame to frame he 'gan to range;     But what became his own fantastick state,     Our books are silent, nor the facts relate.     AN only daughter was the first he seized,     Whose charms corporeal much our demon pleased;     But Matthew, for a handsome sum of gold,     Obliged him, at a word, to quit his hold.     This passed at Naples - next to Rome he came,     Where, with another fair, he did the same;     But still the farmer banished him again,     So well he could the devil's will restrain;     Another weighty purse to him was paid     Thrice Matthew drove him out from belle and maid.     THE king of Naples had a daughter fair,     Admired, adored: - her parents' darling care;     In wedlock oft by many princes sought;     Within her form, the wily demon thought     He might be sheltered from Honesta's rage;     And none to drive him thence would dare engage.     NAUGHT else was talked of, in or out of town,     But devils driven by the cunning clown;     Large sums were offered, if, by any art,     He'd make the demon from the fair depart.     AFFLICTED much was Matthew, now to lose     The gold thus tendered, but he could not choose,     For since Belphegor had obliged him thrice,     He durst not hope the demon to entice;     Poor man was he, a sinner, who, by chance,     (He knew not how, it surely was romance,)     Had some few devils, truly, driven out:     Most worthy of contempt without a doubt.     But all in vain: - the man they took by force;     Proceed he must, or hanged he'd be of course.     THE demon was before our farmer placed;     The sight was by the prince in person graced;     The wond'rous contest numbers ran to see,     And all the world spectators fain would be.     IF vanquished by the devil: - he must swing;     If vanquisher: - 'twould thousands to him bring:     The gallows was, no doubt, a horrid view;     Yet, at the purse, his glances often flew;     The evil spirit laughed within his sleeve,     To see the farmer tremble, fret, and grieve.     He pleaded that the wight he'd thrice obeyed;     The demon was by Matthew often prayed;     But all in vain, - the more he terror showed,     The more Belphegor ridicule bestowed.     AT length the clown was driven to declare,     The fiend he was unable to ensnare;     Away they Matthew to the gallows led;     But as he went, it entered in his head,     And, in a sort of whisper he averred     (As was in fact the case) a drum he heard.     THE demon, with surprise, to Matthew cried;     What noise is that? Honesta, he replied,     Who you demands, and every where pursues,     The spouse who treats her with such vile abuse.     THESE words were thunder to Belphegor's ears,     Who instantly took flight, so great his fears;     To hell's abyss he fled without delay,     To tell adventures through the realms of day.     Sire, said the demon, it is clearly true,     Damnation does the marriage knot pursue.     Your highness often hither sees arrive,     Not squads, but regiments, who, when alive,     By Hymen were indissolubly tied: -     In person I the fact have fully tried.     Th' institution, perhaps, most just could be:     Past ages far more happiness might see;     But ev'ry thing, with time, corruption shows;     No jewel in your crown more lustre throws.     BELPHEGOR'S tale by Satan was believed;     Reward he got: the term, which-sorely grieved,     Was now reduced; indeed, what had he done,     That should prevent it? - If away he'd run,     Who would not do the same who weds a shrew?     Sure worse below the devil never knew!     A brawling woman's tongue, what saint can bear?     E'en Job, Honesta would have taught despair.     WHAT is the inference? you ask: - I'll tell; -     Live single, if you know you are well;     But if old Hymen o'er your senses reign,     Beware Honestas, or you'll rue the chain.     * By this character La Fontaine is supposed to have meant his own wife.

Share & Analyze This Poem

Spread the beauty of poetry or dive deeper into analysis

Analyze This Poem

Discover the literary devices, structure, and deeper meaning

Copy to Clipboard

Save this poem for personal use or sharing offline


Share the Love of Poetry

Poem Details

Language: English
Keywords: Public Domain
Source: Public Domain Collection
Rights/Permissions: Public Domain

Analysis & Notes:
This long and intricately woven narrative poem employs a blend of humor, satire, and moral lessons to engage its reader. The primary theme revolves around the tribulations of marriage, specifically the dissatisfaction and discord that can arise within it, as personified in the characters of the demon Belphegor and his wife Honesta. It offers a cynical, yet humorous, view on the institution of marriage.

The poem is distinctive with its creative use of a supernatural character, Belphegor, a demon who experiences the wretchedness of a human marriage as a form of punishment. This narrative choice introduces an element of the fantastical and absurd, which serves to intensify the satirical critique of marriage. The poet cleverly inverts the traditional religious notion of Hell as punishment, suggesting that a brawling woman's tongue can make even a demon flee back to Hell.

The poem's tone fluctuates between comedic and despondent, reflecting the protagonist's struggle with his ill-fated marriage and emphasizing the message that wedded bliss can sometimes be an illusion. The structure of the poem is complex, with numerous vignettes and side stories that contribute to the overall narrative. This structure, along with the use of rhymed couplets, add a rhythmic and engaging element to the lengthy poem.

Literary devices such as irony, metaphor, and personification are used effectively throughout the poem. For example, the personification of Honesta as a tormenting force is a powerful metaphor for marital discord. The irony of a demon finding human marriage more torturous than Hell itself further underscores the poem's satirical critique.

Overall, the poem offers a thorough, if somewhat jaded, exploration of marriage, using humor and supernatural elements to keep the reader engaged while delivering its moral lesson: Beware the chains of marriage, or you might end up like Belphegor.

Exploring Narrative Poetry

Narrative poetry is a form of poetry that tells a story, often making use of the voices of a narrator and characters as well. Unlike lyric poetry, which focuses on emotions and thoughts, narrative poetry is dedicated to storytelling, weaving tales that captivate readers through plot and character development.


Narrative poems are unique in their ability to combine the depth of storytelling with the expressive qualities of poetry. Here are some defining characteristics:

  • Structured Plot: Narrative poems typically have a clear beginning, middle, and end, following a plot that might involve conflict, climax, and resolution, much like a short story or novel.
  • Character Development: Characters in narrative poems are often well-developed, with distinct voices and personalities that drive the story forward.
  • Descriptive Language: The language used in narrative poetry is vivid and descriptive, painting a clear picture of the scenes and events, while also conveying the emotions and atmosphere of the story.

From ancient epics like "The Iliad" and "The Odyssey" to more modern narrative poems, this form continues to engage readers by blending the art of storytelling with the beauty and rhythm of poetry.