That Night When I Came To The Grange

By Madison Julius Cawein

    The trees took on fantastic shapes     That night when I came to the grange;     The very bushes seemed to change;     This seemed a hag's head, that an ape's:     The road itself seemed darkly strange     That night when I came to the grange.     The storm had passed, but still the night     Cloaked with deep clouds its true intent,     And moody on its way now went     With muttered thunder and the light,     Torch-like, of lightning that was spent     Flickering the mask of its intent.     Like some hurt thing that bleeds to death,     Yet never moves nor heaves a sigh,     Some last drops shuddered from the sky:     The darkness seemed to hold its breath     To see the sullen tempest die,     That never moved nor heaved a sigh.     Within my path, among the weeds,     The glow-worm, like an evil eye,     Glared malice; and the boughs on high     Flung curses at me, menaced deeds     Of darkness if I passed them by:     They and the glow-worm's glaring eye.     The night-wind rose, and raved at me,     Hung in the tree beside the gate;     The gate that snarled its iron hate     Above the gravel, grindingly,     And set its teeth to make me wait,     Beside the one tree near the gate.     The next thing that I knew a bat     Out of the rainy midnight swept     An evil blow: and then there crept,     Malignant with its head held flat,     A hiss before me as I stept,     A fang, that from the midnight swept.     I drew my dagger then, the blade     That never failed me in my need;     'Twere well to be prepared; indeed,     Who knew what waited there? what shade,     Or substance, banded to impede     My entrance of which there was need.     The blade, at least, was tangible     Among the shadows I must face;     Its touch was real; and in case     Hate waylaid me, would serve me well;     I needed something in that place     Among the shadows I must face.     The dead thorn took me by surprise,     A hag-like thing with twisted clutch;     From o'er the wall I felt it touch     My brow with talons; at my eyes     It seemed to wave a knotted crutch,     A hag-like thing with twisted clutch.     A hound kept howling in the night;     He and the wind were all I heard:     The wind that maundered some dark word     Of wrong, that nothing would make right,     To every rain-drop that it stirred:     The hound and wind were all I heard.     The grange was silent as the dead:     I looked at the dark face of it:     Nowhere was any candle lit:     It looked like some huge nightmare head     With death's-head eyes. I paused a bit     To study the dark face of it.     And then I rang and knocked: I gave     The great oak door loud blow on blow:     No servant answered: wild below     The echoes clanged as in a cave:     The evil mansion seemed to know     Who struck the door with blow on blow.     Silence: no chink of light to say     That he and his were living there,     That sinful man with snow-white hair,     That creature, I had come to slay;     That wretched thing, who did not dare     Reveal that he was hiding there.     I broke my dagger on the door,     Yet woke but echoes in the hall:     Then set my hands unto the wall     And clomb the ivy as before     In boyhood, to a window tall,     That was my room's once in that hall.     At last I stood again where he,     That vile man with the sneering face,     That fiend, that foul spot on our race,     Had sworn none of our family     Should ever stand again: the place     Was dark as his own devil's face.     I stood, and felt as if some crime     Closed in on me, hedged me around:     It clutched at me from closets; bound     Its arms around me; time on time     I turned and grasped; but nothing found,     Only the blackness all around.     The darkness took me by the throat:     I could not hear but felt it hiss     "Take this, you hound! and this! and this!"     Then, all at once, afar, remote,     I heard a door clang. Murder is     More cautious yet, whose was that hiss?     Oh, for a light! The blackness jeered     And mouthed at me; its sullen face     Was as a mask on all the place,     From which two sinister sockets leered;     A death's-head, that my eyes could trace,     That stared me sullen in the face.     Then silence packed the hall and stair     And crammed the rooms from attic down,     Since that far door had clanged; its frown     Upon the darkness, everywhere,     Had settled; like a graveyard gown     It clothed the house from attic down.     And then I heard a groan and one     Long sigh then silence. Who was near?     Was it the darkness at my ear     That mocked me with a deed undone?     Or was it he, who waited here,     To kill me when I had drawn near?     I drew my sword then: stood and stared     Into the night, that was a mask     To all the house, that made my task     A hopeless one. Ah! had it bared     Its teeth at me what more to ask!     My sword had gone through teeth and mask!     It was not fair to me; my cause!     The villain darkness bound my eyes.     Why, even the moon refused to rise.     It might have helped me in that pause,     Before I groped the room, whose size     Seemed monstrous to my night-bound eyes.     What was it that I stumbled on?     God! for a light that I might see!     There! something sat that stared at me     Some loathsome, twisted thing the spawn     Of hell and midnight. Was it he?     God! for a light that I might see!     And then the moon! thank Heaven! the moon     Broke through the clouds, a face chalk-white:     Now then, at last, I had a light!     And then I saw the thing seemed hewn     From marble at the moment's sight,     Bathed in the full moon's wistful white.     He sat, or rather crouched, there dead:     Her dagger in his heart that girl's:     His open eyes as white as pearls     Malignant staring overhead:     One hand clutched full of torn-out curls.     Her dagger in his heart that girl's.     I knew the blade. Why, I had seen     The thing stuck in her gipsy hair,     Worn as they wear them over there     In Spain: its gold hilt crusted green     With jade-like gems of cruel glare.     She wore it in her gipsy hair.     She called it her"green wasp, " and smiled     As if of some such deed she dreamed:     And yet to me she always seemed     A child, a little timid child,     Who at a mouse has often screamed     And yet of deeds like this she dreamed.     Where was she now? Some pond or pool     Would yield her body up some day.     Poor little waif, that'd gone astray!     And I! oh God! how great a fool     To know so long and yet delay!     Some pond would yield her up some day.     The world was phantomed with the mist     That night when I came from the grange.     So, she had stabbed him. It was strange.     Who would have thought that she who kiss'd     Would kill him too! Well, women change.     Their curse is on the lonely grange!

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Poem Details

Language: English
Keywords: Public Domain
Source: Public Domain Collection
Rights/Permissions: Public Domain

Analysis & Notes:
The poem presents a vivid exploration of fear, revenge, and the supernatural. The overarching theme is one of confrontation with the unknown, as the speaker ventures into a foreboding grange. The setting is powerfully evoked through a plethora of gothic imagery, such as ominous trees, stormy skies, and a menacing mansion, which serve to create an atmosphere of unease and suspense. The relentless repetition of the phrase "That night when I came to the grange" underscores the ominous tone, reinforcing the sense of dread and anticipation.

The poem employs several literary devices to enhance its narrative and thematic depth. The use of personification is particularly striking, with inanimate elements of nature and the house imbued with menacing characteristics. For instance, the trees and bushes take on the forms of fantastical creatures, the wind raves and the gate snarls, and the darkness itself becomes an aggressive entity. This effectively blurs the line between the real and the supernatural, intensifying the speaker’s fear and isolation. The poem also employs an intricate rhyme scheme, maintaining a steady rhythm that further draws the reader into the narrative. The unexpected twist at the end, revealing that the intended victim has already been slain by a seemingly innocent character, adds a layer of complexity and irony to the narrative, highlighting themes of deception and the unexpected consequences of fear and hatred.

Understanding Ballads

A ballad is a form of verse, often a narrative set to music, that has been a cornerstone of storytelling across various cultures. Traditionally passed down orally, ballads are known for their rhythmic structure and often tell tales of love, adventure, and heroism.


Ballads are characterized by their strong rhythm and repetition, making them both memorable and engaging. Here are some defining features:

  • Narrative Structure: Ballads typically tell a story, often a dramatic or emotional tale that unfolds in a straightforward, chronological order.
  • Quatrain Stanzas: Most ballads are composed of quatrains (four-line stanzas) with a rhyme scheme of ABAB or ABCB, which adds to the musicality of the verse.
  • Repetition: Refrains or repeated lines are common in ballads, helping to emphasize key themes or emotions and making the ballad easier to remember.
  • Oral Tradition: Many ballads originated from oral traditions, which means they were passed down through generations by word of mouth before being written down.

From medieval minstrels to contemporary songwriters, ballads have continued to evolve, remaining a beloved form of expression that captures the human experience in a way that is both poetic and accessible.