Romaunt Of The Oak

By Madison Julius Cawein

    "I rode to death, for I fought for shame--     The Lady Maurine of noble name,     "The fair and faithless!--Though life be long     Is love the wiser?--Love made song     "Of all my life; and the soul that crept     Before, arose like a star and leapt:     "Still leaps with the love that it found untrue,     That it found unworthy.--Now run me through!     "Yea, run me through! for meet and well,     And a jest for laughter of fiends in hell,     "It is that I, who have done no wrong,     Should die by the hand of Hugh the Strong,     "Of Hugh her leman!--What else could be     When the devil was judge twixt thee and me?     "He splintered my lance, and my blade he broke--     Now finish me thou 'neath the trysting oak!" ...     The crest of his foeman,--a heart of white     In a bath of fire,--stooped i' the night;     Stooped and laughed as his sword he swung,     Then galloped away with a laugh on his tongue....     But who is she in the gray, wet dawn,     'Mid the autumn shades like a shadow wan?     Who kneels, one hand on her straining breast,     One hand on the dead man's bosom pressed?     Her face is dim as the dead's; as cold     As his tarnished harness of steel and gold.     O Lady Maurine! O Lady Maurine!     What boots it now that regret is keen?     That his hair you smooth, that you kiss his brow     What boots it now? what boots it now?...     She has haled him under the trysting oak,     The huge old oak that the creepers cloak.     She has stood him, gaunt in his battered arms,     In its haunted hollow.--"Be safe from storms,"     She laughed as his cloven casque she placed     On his brow, and his riven shield she braced.     Then sat and talked to the forest flowers     Through the lonely term of the day's pale hours.     And stared and whispered and smiled and wept,     While nearer and nearer the evening crept.     And, lo, when the moon, like a great gold bloom     Above the sorrowful trees did loom,     She rose up sobbing, "O moon, come see     My bridegroom here in the old oak-tree!     "I have talked to the flowers all day, all day,     For never a word had he to say.     "He would not listen, he would not hear,     Though I wailed my longing into his ear.     "O moon, steal in where he stands so grim,     And tell him I love him, and plead with him.     "Soften his face that is cold and stern     And brighten his eyes and make them burn,     "O moon, O moon, so my soul can see     That his heart still glows with love for me!" ...     When the moon was set, and the woods were dark,     The wild deer came and stood as stark     As phantoms with eyes of fire; or fled     Like a ghostly hunt of the herded dead.     And the hoot-owl called; and the were-wolf snarled;     And a voice, in the boughs of the oak-tree gnarled,--     Like the whining rush of the hags that ride     To the witches' sabboth,--crooned and cried.     And wrapped in his mantle of wind and cloud     The storm-fiend stalked through the forest loud.     When she heard the dead man rattle and groan     As the oak was bent and its leaves were blown,     And the lightning vanished and shimmered his mail,     Through the swirling sweep of the rain and hail,     She seemed to hear him, who seemed to call,--     "Come hither, Maurine, the wild leaves fall!     "The wild leaves rustle, the wild leaves flee;     Come hither, Maurine, to the hollow tree!     "To the trysting tree, to the tree once green;     Come hither, Maurine! come hither, Maurine!" ...     They found her closed in his armored arms--     Had he claimed his bride on that night of storms?

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Poem Details

Language: English
Keywords: Public Domain
Source: Public Domain Collection
Rights/Permissions: Public Domain

Analysis & Notes:
This poem showcases a vivid narrative of a tragic romance, marked by betrayal, death, and regret. The central theme appears to be a critique of love's folly, pointing out how love can lead to disastrous outcomes and yet remains an irresistible force. The poem is also a commentary on honor, sacrifice, and the destructive consequences of infidelity.

The tone is melancholic and dramatic, with the tragic fate of the characters evoking a sense of sorrow and despair. The poem is structured as a narrative, unfolding a tragic tale of a knight who meets a tragic end due to a love affair gone awry. The narrative is filled with vivid imagery and employs a rich, evocative language that brings the story to life. The repetition of certain phrases, particularly "O Lady Maurine" and "what boots it now", underscores the lingering regret and the futility of Maurine's actions after the protagonist's death.

The poem also makes use of various symbols and metaphors. The "trysting oak" symbolizes the place of their love and serves as a witness to the tragic events. The storm that roars through the woods when Maurine is with the dead knight adds a supernatural element and symbolizes the turbulent emotions and the tragic circumstances.

The poem effectively engages the reader with its gripping narrative, emotional depth, and thoughtful explorations of love, honor, and regret. Its dramatic tone, rich imagery, and the tragic end make it a compelling read.

Understanding Ballads

A ballad is a form of verse, often a narrative set to music, that has been a cornerstone of storytelling across various cultures. Traditionally passed down orally, ballads are known for their rhythmic structure and often tell tales of love, adventure, and heroism.


Ballads are characterized by their strong rhythm and repetition, making them both memorable and engaging. Here are some defining features:

  • Narrative Structure: Ballads typically tell a story, often a dramatic or emotional tale that unfolds in a straightforward, chronological order.
  • Quatrain Stanzas: Most ballads are composed of quatrains (four-line stanzas) with a rhyme scheme of ABAB or ABCB, which adds to the musicality of the verse.
  • Repetition: Refrains or repeated lines are common in ballads, helping to emphasize key themes or emotions and making the ballad easier to remember.
  • Oral Tradition: Many ballads originated from oral traditions, which means they were passed down through generations by word of mouth before being written down.

From medieval minstrels to contemporary songwriters, ballads have continued to evolve, remaining a beloved form of expression that captures the human experience in a way that is both poetic and accessible.