Ghost Stories

By Madison Julius Cawein

    When the hoot of the owl comes over the hill,     At twelve o'clock when the night is still,     And pale on the pools, where the creek-frogs croon,     Glimmering gray is the light o' the moon;     And under the willows, where waters lie,     The torch of the firefly wanders by;     They say that the miller walks here, walks here,     All covered with chaff, with his crooked staff,     And his horrible hobble and hideous laugh;     The old lame miller hung many a year:     When the hoot of the owl comes over the hill,     He walks alone by the rotting mill.     When the bark of the fox comes over the hill,     At twelve o'clock when the night is shrill,     And faint, on the ways where the crickets creep,     The starlight fails and the shadows sleep;     And under the willows, that toss and moan,     The glow-worm kindles its lanthorn lone;     They say that a woman floats dead, floats dead,     In a weedy space that the lilies lace,     A curse in her eyes and a smile on her face,     The miller's young wife with a gash in her head:     When the bark of the fox comes over the hill,     She floats alone by the rotting mill.     When the howl of the hound comes over the hill,     At twelve o'clock when the night is ill,     And the thunder mutters and forests sob,     And the fox-fire glows like the lamp of a Lob;     And under the willows, that gloom and glance,     The will-o'-the-wisps hold a devils' dance;     They say that that crime is re-acted again,     And each cranny and chink of the mill doth wink     With the light o' hell or the lightning's blink,     And a woman's shrieks come wild through the rain:     When the howl of the hound comes over the hill,     That murder returns to the rotting mill.

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Poem Details

Language: English
Keywords: Public Domain
Source: Public Domain Collection
Rights/Permissions: Public Domain

Analysis & Notes:
This poem is deeply atmospheric, marked by a haunting and eerie tone that's established through its vivid exploration of the night and its associated creatures. Each stanza begins and ends with the same lines, creating a cyclical structure that mirrors the repetitive nature of the haunting events described within the poem. This also serves to create a chilling sense of inevitability, underlining the notion that these events are doomed to repeat themselves eternally.

The poet uses a range of sound devices, such as alliteration, assonance, and consonance, to add to the poem's haunting melody and enhance the eerie atmosphere. The poem is also rich in imagery, particularly visual and auditory, which brings the night scene and its associated horrors vividly to life. The poet's choice to anthropomorphize animals and elements of nature imbues the poem with a sense of the supernatural, while the use of the recurring "willows" serves to anchor the poetic narrative in a specific, physical location. The themes explored include guilt, death, and revenge, with the violent death of the miller's wife serving as a grim centerpiece for the poem's exploration of these topics. This poem is a chilling, haunting exploration of the darker side of human nature and the lingering effects of past sins.

Understanding Ballads

A ballad is a form of verse, often a narrative set to music, that has been a cornerstone of storytelling across various cultures. Traditionally passed down orally, ballads are known for their rhythmic structure and often tell tales of love, adventure, and heroism.


Ballads are characterized by their strong rhythm and repetition, making them both memorable and engaging. Here are some defining features:

  • Narrative Structure: Ballads typically tell a story, often a dramatic or emotional tale that unfolds in a straightforward, chronological order.
  • Quatrain Stanzas: Most ballads are composed of quatrains (four-line stanzas) with a rhyme scheme of ABAB or ABCB, which adds to the musicality of the verse.
  • Repetition: Refrains or repeated lines are common in ballads, helping to emphasize key themes or emotions and making the ballad easier to remember.
  • Oral Tradition: Many ballads originated from oral traditions, which means they were passed down through generations by word of mouth before being written down.

From medieval minstrels to contemporary songwriters, ballads have continued to evolve, remaining a beloved form of expression that captures the human experience in a way that is both poetic and accessible.