Catkins

By Madison Julius Cawein

I.     Misty are the far-off hills     And misty are the near;     Purple hazes dimly lie     Veiling hill and field and sky,     Marshes where the hylas cry,     Like a myriad bills     Piping, "Spring is here!" II.     A redbird flits,     Then sings and sits     And calls to his mate,     "She is late! she is late!     How long, how long must the woodland wait     For its emerald plumes     And its jewelled blooms?     She is late! she is late!" III.     Along the stream,     A cloudy gleam,     The pussy-willows, tufted white,     Make of each tree a mighty light;     Pearl and silver and glimmering gray     They tassel the boughs of the willow way;     And as they swing they seem to say,     With mouths of bloom     And warm perfume: IV.     "Awake! awake!     For young Spring's sake,     O little brown bees in hive and brake!     Awake! awake!     For sweet Spring's sake,     O butterflies whose wild wings ache     With colors rare     As flowers wear!     And hither, hither,     Before we wither!     Oh, come to us,     All amorous     With honey for your mouths to buss. V.     "Hearken! hearken!     Last night we heard     A wondrous word:     When dusk did darken     The rain and the wind sat in these boughs,     As in a great and shadowy house.     At first we deemed     We only dreamed,     And then it seemed     We heard them whisper of things to be,     The wind and the rain in the willow tree,     A sweet, delicious conspiracy,     To take the world with witchery:     They talked of the fairy brotherhoods     Of blooms and blossoms and leaves and buds,     That ambushed under the winter mold     And under the bark of the forest old:     And they took our breath     With the shibboleth,     The secret word that casts off death,     That word of life no man may guess;     That wondrous word     Which we then heard,     That bids life rise     Beneath the skies;     Rise up and fill     Far wood and hill     With myriad hosts of loveliness,     Invading beauty that love shall bless. VI.     "Then in our ears,     Our woolly ears,     Our little ears of willow bloom,     Like wild perfume     We seemed to hear dim woodland cheers     Of hosts of flowers     That soon would run     Through fields and bowers,     And to the sun     Lift high their banners of blue and gold,     And storm the ways of the woodland old. VII.     "Awake! awake!     For young Spring's sake,     O hylas sleeping in marsh and lake!     Tune up your pipes and play, play, play!     Tune, tune your reeds in ooze and clay,     And pipe and sing     Till everything     Knows, gladly knows,     Sowing the rose,     The lily and rose,     With her breast blown bare     And the wind in her hair,     And the birds around her everywhere,     The Spring, the Spring.     The young witch Spring,     With lilt and laughter, and rain and ray,     Comes swiftly, wildly up this way."

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Poem Details

Language: English
Keywords: Public Domain
Source: Public Domain Collection
Rights/Permissions: Public Domain

Analysis & Notes:
This poem is a vibrant ode to the emergence of spring, exploring the transformative power of nature. The poet uses vivid imagery to depict the landscape's gradual awakening, painting a picture of misty hills, singing redbirds, and blooming willow trees. The theme of rebirth and renewal is central, underscored by the recurring call to 'awake' and the anticipation of the blossoming spring.

The poem's tone is one of celebration and excitement, maintaining a rhythmic, musical quality that enhances the sense of growth and liveliness. The structure of the poem, divided into distinct sections, mirrors the progression of the seasons, each part marking a new stage in the spring's arrival. The use of repetition and rhyme further heightens the poem's energy and contributes to the overall sense of joy and anticipation. In terms of literary devices, the poet employs personification, giving voice to elements of nature – the redbird calling out for its mate, the pussy-willows whispering of the coming spring – which adds a sense of enchantment and wonder to the poem. This speaks to the overarching theme of interconnectedness within nature, as every creature and plant is seen to participate in the welcoming of spring.

Exploring Lyric Poetry

Lyric poetry is a powerful and intimate form of expression, characterized by its focus on the personal emotions and thoughts of the poet. Often musical in nature, lyric poems resonate with readers through their vivid language and rhythmic flow, capturing moments of intense feeling.


Here are some key characteristics that define lyric poetry:

  • Expressive Language: Lyric poems use rich and evocative language to convey deep emotions, often painting a vivid picture of the poet's inner world.
  • Personal Perspective: Typically written in the first person, these poems offer a window into the poet's personal experiences, thoughts, and reflections.
  • Musicality: Lyric poems often feature a rhythmic structure, with meter and rhyme that give them a song-like quality, enhancing the emotional impact.

From ancient odes to contemporary free verse, lyric poetry remains a beloved and enduring form, celebrated for its ability to articulate the nuances of human emotion in a way that resonates deeply with readers.