Beltenebros At Miraflores.

By Madison Julius Cawein

             I.     The quickening East climbs to yon star,      That, cradled, rocks herself in morn;     The liquid silver broad'ning far      Dawn drencheth cliff, holt, down and tarn.     The trembling splendors gild the sky,      Breath'd from her tawny champion's lips;     The clear green dews above me lie,      Their lustre the dark eyelash tips         Of Oriana sitting by.     The crested cock 'mid his stout dames      Crows from the purple-clover hill;     His glossy coat the morn enflames,      And all his leaping heart doth thrill.     His curving tail sickles the plume      That rosy nods against his eye.     Laughs from deep beds of twinkling bloom      The lilied East when wand'reth nigh         My Oriana in the gloom.     The rooks swarm clatt'ring 'round the tow'rs;      The falcon jingles in the air;     The bursting dawn around him show'rs      A clinging glory of wan glare.     From the green knoll the shouting hunt      With swollen cheeks clangs his alarms;     Mayhap I hear the bristler's grunt:      But where my Oriana charms         The wood, hushed is its ev'ry haunt.     The willowed lake is cool with cloud      Breaking and dimming into shreds,     Which gauze the azure, thinly crowd      The mist-pink West with hazy threads.     A wild swan ruffles o'er the mere      Soft as the drifting of a soul;     A double swan she doth appear      In mirage fixed 'twixt pole and pole         When Oriana singeth near.              II.     Spring high into the shuddering stars,      O florid sunset, burning gold!     Flash on our eyeballs lurid bars      To beam them with air-fires cold!     The blowing dingles soak with light,      The purple coppice hang with blaze;     But where we stand a meeker white      Bloom on us thro' the hill's soft haze,         For Oriana stars the night!     Float from the East, O silver world,      Unto the ocean of the West;     And the foam-sparkles upward hurled,      That fringe the twilight's surging crest,     Snatch up and gather 'round thy brow      In lustrous twine of rosy heat,     And rain on us its starry glow, -      O fragment of the evetide's sheet, -         And Oriana's eyes o'erflow.     O courting cricket, with thy pipe      Now shrill true love thro' the warm grain     O feathered buds, that nodding stripe      The blue glen's night, sigh love again!     Thou glimmering bird, that aye doth wail      From some wind-wavered branch of snow,     Sweep down the moonlit, hay-sweet dale      Thy bubbled anguish, swooning low,         For Oriana walks the vale!     The moon comes sowing all the eve      With myriad star-grains of her light;     The torrent on the crag doth grieve;      The glittering lake is smooth with night.     O mellow lights that o'er us slide,      O wrinkled woods that ridge the steep,     O bearded stems that billowing glide,      With laughing night-dews happy weep,         For Oriana'll be my bride!

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Poem Details

Language: English
Keywords: Public Domain
Source: Public Domain Collection
Rights/Permissions: Public Domain

Analysis & Notes:
This sweeping, evocative poem is a romantic paean to nature and a beloved figure named Oriana. The poem’s beauty lies in its vivid descriptions and images, with a focus on the natural world and the changing times of day, from dawn to dusk. The tone is one of deep admiration and reverence, both for nature and for Oriana, who seems to embody the natural world's beauty and magic.

The poem is structured in two distinct parts, with each part drawing attention to various elements of nature and how they relate to Oriana. The first part leans towards the morning and daylight, highlighting the vitality and brightness of the natural world, while the second part shifts towards dusk and night, imbuing the poem with a sense of tranquility and peace. Throughout both sections, the repetition of Oriana's name works as a refrain, tying together the various images and landscapes. The poet frequently uses personification, attributing human characteristics to natural elements like the dawn, the rooks, and the moon. This technique serves to imbue the natural world with a sense of emotion and agency, further deepening the connection between Oriana and nature. The poem encapsulates a kind of pantheistic reverence, where the beloved and the natural world are intertwined in a spiritual, almost mystical, unity.

Exploring Lyric Poetry

Lyric poetry is a powerful and intimate form of expression, characterized by its focus on the personal emotions and thoughts of the poet. Often musical in nature, lyric poems resonate with readers through their vivid language and rhythmic flow, capturing moments of intense feeling.


Here are some key characteristics that define lyric poetry:

  • Expressive Language: Lyric poems use rich and evocative language to convey deep emotions, often painting a vivid picture of the poet's inner world.
  • Personal Perspective: Typically written in the first person, these poems offer a window into the poet's personal experiences, thoughts, and reflections.
  • Musicality: Lyric poems often feature a rhythmic structure, with meter and rhyme that give them a song-like quality, enhancing the emotional impact.

From ancient odes to contemporary free verse, lyric poetry remains a beloved and enduring form, celebrated for its ability to articulate the nuances of human emotion in a way that resonates deeply with readers.