Airy Tongues

By Madison Julius Cawein

I. I hear a song the wet leaves lisp When Morn comes down the woodland way; And misty as a thistle-wisp Her gown gleams windy gray; A song, that seems to say, "Awake! 'tis day!" I hear a sigh, when Day sits down Beside the sunlight-lulled lagoon; While on her glistening hair and gown The rose of rest is strewn; A sigh, that seems to croon, "Come sleep! 'tis noon!" I hear a whisper, when the stars, Upon some evening-purpled height, Crown the dead Day with nenuphars Of dreamy gold and white; A voice, that seems t' invite, "Come love! 'tis night!" II. Before the rathe song-sparrow sings Among the hawtrees in the lane, And to the wind the locust flings Its early clusters fresh with rain; Beyond the morning-star, that swings Its rose of fire above the spire, Between the morning's watchet wings, A voice that rings o'er brooks and boughs "Arouse! arouse!" Before the first brown owlet cries Among the grape-vines on the hill, And in the dam with half-shut eyes The lilies rock above the mill; Beyond the oblong moon, that flies Its pearly flower above the tower, Between the twilight's primrose skies, A voice that sighs from east to west "To rest! to rest!"

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Poem Details

Language: English
Keywords: Public Domain
Source: Public Domain Collection
Rights/Permissions: Public Domain

Analysis & Notes:
This poem presents an immersive journey through the cycle of a day, using striking natural imagery and auditory language to capture the essence of dawn, noon, and night as well as the transitions between them. The themes are as consistent as the cycle it describes - renewal, rest, and romance or love, each tied to a specific time of day. The tone is contemplative and serene, encouraging the reader to tune into the rhythm of nature and the emotions it evokes.

The structure consists of two parts. The first part features three stanzas, each devoted to a specific time of day and associated activity: awakening with the day, resting at noon, and loving at night. The second part consists of two stanzas, further elaborating on the call to action at dawn and the beckoning to rest at twilight. The use of repetition, such as "Awake! 'tis day!" and "Come sleep! 'tis noon!" adds a musical quality to the poem and emphasizes the cyclical nature of time.

The poet's use of rich, evocative language stands out. Phrases like "sunlight-lulled lagoon," "evening-purpled height," and "morning's watchet wings" not only paint vivid pictures but also evoke specific moods associated with various times of day. The use of personification enhances the sense of nature as a living, breathing entity that communicates with us. Meanwhile, the consistent use of auditory phrases ("I hear a song," "I hear a sigh," "I hear a whisper") ties the entire poem together and emphasizes the sensory experience it invites. This poem is a masterful exploration of the passing of time, the rhythm of nature, and the human emotions intertwined with these cycles.

Exploring Lyric Poetry

Lyric poetry is a powerful and intimate form of expression, characterized by its focus on the personal emotions and thoughts of the poet. Often musical in nature, lyric poems resonate with readers through their vivid language and rhythmic flow, capturing moments of intense feeling.


Here are some key characteristics that define lyric poetry:

  • Expressive Language: Lyric poems use rich and evocative language to convey deep emotions, often painting a vivid picture of the poet's inner world.
  • Personal Perspective: Typically written in the first person, these poems offer a window into the poet's personal experiences, thoughts, and reflections.
  • Musicality: Lyric poems often feature a rhythmic structure, with meter and rhyme that give them a song-like quality, enhancing the emotional impact.

From ancient odes to contemporary free verse, lyric poetry remains a beloved and enduring form, celebrated for its ability to articulate the nuances of human emotion in a way that resonates deeply with readers.