The Road To Hogan's Gap

By Banjo Paterson (Andrew Barton)

Now look, you see, it's this way like, You cross the broken bridge And run the crick down, till you strike The second right-hand ridge. The track is hard to see in parts, But still it's pretty clear; There's been two Injun hawkers' carts Along that road this year. Well, run that right-hand ridge along, It ain't, to say, too steep, There's two fresh tracks might put you wrong Where blokes went out with sheep. But keep the crick upon your right, And follow pretty straight Along the spur, until you sight A wire and sapling gate. Well, that's where Hogan's old grey mare Fell off and broke her back; You'll see her carcass layin' there, Jist down below the track. And then you drop two mile, or three, It's pretty steep and blind; You want to go and fall a tree And tie it on behind. And then you pass a broken cart Below a granite bluff; And that is where you strike the part They reckon pretty tough. But by the time you've got that far It's either cure or kill, So turn your horses round the spur And face them up the hill. For look, if you should miss the slope And get below the track, You haven't got the slightest hope Of ever gettin' back. An' half way up you'll see the hide Of Hogan's brindled bull; Well, mind and keep the right-hand side. The left's too steep a pull. And both the banks is full of cracks; An' just about as dark You'll see the last year's bullock tracks Where Hogan drew the bark. The marks is old and pretty faint, O'ergrown with scrub and such; Of course the track to Hogan's ain't A road that's travelled much. But turn and run the tracks along For half a mile or more, And then, of course, you can't go wrong, You're right at Hogan's door. When first you come to Hogan's gate He mightn't show perhaps; He's pretty sure to plant, and wait To see it ain't the traps. I wouldn't call it good enough To let your horses out; There's some that's pretty extra rough Is livin' round about. It's likely, if your horses did Get feedin' near the track, It's going to cost at least a quid Or more to get them back. So, if you find they're off the place, It's up to you to go And flash a quid in Hogan's face, He'll know the blokes that know. But listen, if you're feelin' dry, Just see there's no one near, And go and wink the other eye And ask for ginger beer. The blokes come in from near and far To sample Hogan's pop; They reckon once they breast the bar They stay there till they drop. On Sundays you can see them spread Like flies around the tap. It's like that song "The Livin' Dead" Up there at Hogan's Gap. They like to make it pretty strong Whenever there's a chance; So when a stranger comes along They always hold a dance. There's recitations, songs, and fights, A willin' lot you'll meet. There's one long bloke up there recites; I'll tell you he's a treat. They're lively blokes all right up there, It's never dull a day. I'd go meself if I could spare The time to get away.             *             *             *             *             * The stranger turned his horses quick. He didn't cross the bridge; He didn't go along the crick To strike the second ridge; He didn't make the trip, because He wasn't feeling fit. His business up at Hogan's was To serve him with a writ. He reckoned, if he faced the pull And climbed the rocky stair, The next to come might find his hide A landmark on the mountain side, Along with Hogan's brindled bull And Hogan's old grey mare!

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Poem Details

Language: English
Keywords: Public Domain
Source: Public Domain Collection
Rights/Permissions: Public Domain

Analysis & Notes:
This poem employs a narrative structure, delivering a story in a conversational tone that adds to its charm. Thematically, it revolves around adventure, the resilience of rural life, and a sense of community through shared experiences. The poem's language and rhythm reflect the vernacular speech of rural folk, creating a vivid sense of place and character.

From the outset, the poem paints a detailed picture of the rugged and challenging journey to Hogan's place. This not only sets the stage for the narrative but also serves as a metaphor for life’s journey, filled with obstacles, wrong turns, and unexpected circumstances. The poet's use of imagery and specific details, such as "Hogan's brindled bull," "The broken cart below the granite bluff," and "wire and sapling gate," create a clear and vivid mental picture of the journey and the surrounding landscape.

The poem's twist at the end reveals the stranger's true intention, which was to serve Hogan with a writ. This unexpected turn adds a layer of humor to the poem, highlighting the harsh realities of life even in rural tranquillity. The poem concludes with a memorable image, suggesting the potential fate of the stranger should he venture into Hogan's world. The poet's playful warning suggests a sense of solidarity and protectiveness among the rural community, further emphasizing the themes of resilience and camaraderie.

The poem, with its strong narrative, detailed imagery, and unexpected humor, provides an engaging exploration of rural life and community spirit.

Exploring Narrative Poetry

Narrative poetry is a form of poetry that tells a story, often making use of the voices of a narrator and characters as well. Unlike lyric poetry, which focuses on emotions and thoughts, narrative poetry is dedicated to storytelling, weaving tales that captivate readers through plot and character development.


Narrative poems are unique in their ability to combine the depth of storytelling with the expressive qualities of poetry. Here are some defining characteristics:

  • Structured Plot: Narrative poems typically have a clear beginning, middle, and end, following a plot that might involve conflict, climax, and resolution, much like a short story or novel.
  • Character Development: Characters in narrative poems are often well-developed, with distinct voices and personalities that drive the story forward.
  • Descriptive Language: The language used in narrative poetry is vivid and descriptive, painting a clear picture of the scenes and events, while also conveying the emotions and atmosphere of the story.

From ancient epics like "The Iliad" and "The Odyssey" to more modern narrative poems, this form continues to engage readers by blending the art of storytelling with the beauty and rhythm of poetry.