The Old Australian Ways

By Banjo Paterson (Andrew Barton)

The London lights are far abeam Behind a bank of cloud, Along the shore the gaslights gleam, The gale is piping loud; And down the Channel, groping blind, We drive her through the haze Towards the land we left behind, The good old land of `never mind', And old Australian ways. The narrow ways of English folk Are not for such as we; They bear the long-accustomed yoke Of staid conservancy: But all our roads are new and strange, And through our blood there runs The vagabonding love of change That drove us westward of the range And westward of the suns. The city folk go to and fro Behind a prison's bars, They never feel the breezes blow And never see the stars; They never hear in blossomed trees The music low and sweet Of wild birds making melodies, Nor catch the little laughing breeze That whispers in the wheat. Our fathers came of roving stock That could not fixed abide: And we have followed field and flock Since e'er we learnt to ride; By miner's camp and shearing shed, In land of heat and drought, We followed where our fortunes led, With fortune always on ahead And always further out. The wind is in the barley-grass, The wattles are in bloom; The breezes greet us as they pass With honey-sweet perfume; The parakeets go screaming by With flash of golden wing, And from the swamp the wild-ducks cry Their long-drawn note of revelry, Rejoicing at the Spring. So throw the weary pen aside And let the papers rest, For we must saddle up and ride Towards the blue hill's breast; And we must travel far and fast Across their rugged maze, To find the Spring of Youth at last, And call back from the buried past The old Australian ways. When Clancy took the drover's track In years of long ago, He drifted to the outer back Beyond the Overflow; By rolling plain and rocky shelf, With stockwhip in his hand, He reached at last, oh lucky elf, The Town of Come-and-help-yourself In Rough-and-ready Land. And if it be that you would know The tracks he used to ride, Then you must saddle up and go Beyond the Queensland side, Beyond the reach of rule or law, To ride the long day through, In Nature's homestead, filled with awe You then might see what Clancy saw And know what Clancy knew.

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Poem Details

Language: English
Keywords: Public Domain
Source: Public Domain Collection
Rights/Permissions: Public Domain

Analysis & Notes:
This poem vividly contrasts the life of an Australian wanderer with the constrained existence of English city dwellers. The poet employs a candid tone to evoke a sense of nostalgia for the 'old Australian ways,' while subtly critiquing the 'staid conservancy' of English society. The themes of freedom, wanderlust, and longing for connection with nature are consistently reinforced throughout the poem.

The structure of the poem, composed in a series of eight-line stanzas, helps maintain a steady rhythm and flow, while the rhyme scheme creates a sense of familiarity and comfort, much like the 'old Australian ways' the poet yearns for. The poem is rich in vivid imagery, from the 'London lights' and 'gaslights gleam' to the 'wild birds making melodies.' These images create a strong sensory experience, transporting the reader between the contrasting environments.

The poet also employs the literary device of personification, making the wind, the breezes, and the spring of youth active participants in the narrative. This effectively underscores the deep connection between the wanderer and the natural world. The 'vagabonding love of change' that the poet speaks of is not just a personal trait, but a spirit of adventure and exploration that is presented as inherent to the Australian character. This exploration, both literal and metaphorical, is what the poem invites the reader to undertake.

Understanding Ballads

A ballad is a form of verse, often a narrative set to music, that has been a cornerstone of storytelling across various cultures. Traditionally passed down orally, ballads are known for their rhythmic structure and often tell tales of love, adventure, and heroism.


Ballads are characterized by their strong rhythm and repetition, making them both memorable and engaging. Here are some defining features:

  • Narrative Structure: Ballads typically tell a story, often a dramatic or emotional tale that unfolds in a straightforward, chronological order.
  • Quatrain Stanzas: Most ballads are composed of quatrains (four-line stanzas) with a rhyme scheme of ABAB or ABCB, which adds to the musicality of the verse.
  • Repetition: Refrains or repeated lines are common in ballads, helping to emphasize key themes or emotions and making the ballad easier to remember.
  • Oral Tradition: Many ballads originated from oral traditions, which means they were passed down through generations by word of mouth before being written down.

From medieval minstrels to contemporary songwriters, ballads have continued to evolve, remaining a beloved form of expression that captures the human experience in a way that is both poetic and accessible.