The Mylora Elopement

By Banjo Paterson (Andrew Barton)

By the winding Wollondilly where the weeping willows weep, And the shepherd, with his billy, half awake and half asleed, Folds his fleecy flocks that linger homewards in the setting sun Lived my hero, Jim the Ringer, "cocky" on Mylora Run. Jimmy loved the super's daughter, Miss Amelia Jane McGrath. Long and earnestly he sought her, but he feared her stern papa; And Amelia loved him truly, but the course of love, if true, Never yet ran smooth or duly, as I think it ought to do. Pondering o'er his predilection, Jimmy watched McGrath, the boss, Riding past his lone selection, looking for a station 'oss That was running in the ranges with a mob of outlaws wild. Mac the time of day exchanges, off goes Jim to see his child; Says, "The old man's after Stager, which he'll find is no light job, And tomorrow I will wager he will try and yard the mob. Will you come with me tomorrow? I will let the parson know, And for ever, joy or sorrow, he will join us here below. "I will bring the nags so speedy, Crazy Jane and Tambourine, One more kiss, don't think I'm greedy, good-bye, lass, before I'm seen, Just one more, God bless you, dearie! Don't forget to meet me here, Life without you is but weary; now, once more, good-bye, my dear."     *     *     *     *     * The daylight shines on figures twain That ride across Mylora Plain, Laughing and talking, Jim and Jane. "Steady, darling. There's lots of time, Didn't we slip the old man prime! I knew he'd tackle that Bowneck mob, I reckon he'll find it too big a job. They've beaten us all. I had a try, But the Warrigal devils seem to fly. That Sambo's a real good but of stuff No doubt, but not quite good enough. He'll have to gallop the livelong day, To cut and come, to race and stay. I hope he yards 'em, 'twill do him good; To see us going I don't think would." A turn in the road and, fair and square, They meet the old man standing there. "What's up?" "Why, running away, of course," Says Jim, emboldened. The old man turned, His eye with wild excitement burned. "I've raced all day through the scorching heat After old Bowneck: and now I'm beat. But over that range I think you'll find The Bowneck mob all run stone-blind. Will you go, and leave the mob behind? Which will you do? Take the girl away, Or ride like a white man should today, And yard old Bowneck? Go or stay?" Says Jim, "I can't throw this away, We can bolt some other day, of course, Amelia Jane, get off that horse! Up you get, Old Man. Whoop, halloo! Here goes to put old Bowneck through!" Two distant specks om the mountain side, Two stockwhips echoing far and wide. . . . Amelia Jane sat down and cried.     *     *     *     *     * "Sakes, Amelia, what's up now? Leading old Sambo, too, I vow, And him deadbeat. Where have you been? 'Bolted with Jim!' What do you mean> 'Met the old man with Sambo, licked From running old Bowneck.' Well, I'm kicked, 'Ran 'em till Sambo nearly dropped?' What did Jim do when you were stopped? Did you bolt from father across the plain? 'Jim made you get off Crazy Jane! And father got on, and away again The two of 'em went to the ranges grim.' Good boy, Jimmy! Oh, well done, Jim! They're sure to get them now, of course, That Tambourine is a spanking horse. And Crazy Jane is good as gold. And Jim, they say, rides pretty bold, Not like your father, but very fair. Jim will have to follow the mare." "It never was yet in father's hide To best my Jim on the mountain side. Jim can rally, and Jim can ride." But here again Amelia cried.     *     *     *     *     * The sound of whip comes faint and far, A rattle of hoofs, and here they are, In all their tameless pride. The fleet wild horses snort and fear, And wheel and break as the yard draws near. Now, Jim the Ringer, ride! Wheel 'em! wheel 'em! Whoa back there, whoa! And the foam flakes fly like the driven snow, As under the whip the horses go Adown the mountain side. And Jim, hands down, and teeth firm set, On a horse that never has failed him yet, Is after them down the range. Well ridden! well ridden! they wheel, whoa back! And long and loud the stockwhips crack, Their flying course they change; "Steadily does it, let Sambo go! Open those sliprails down below. Smart! or you'll be too late.     *     *     *     *     * "They'll follow old Sambo up, look out! Whee! that black horse, give Sam a clout. They're in! Make fast the gate."     *     *     *     *     * The mob is safely in the yard! The old man mounts delighted guard. No thought has he but for his prize.     *     *     *     *     * Jim catches poor Amelia's eyes. "Will you come after all? The job is done, And Crazy Jane is fit to run For a prince's life, now don't say no; Slip on while the old man's down below At the inner yard, and away we'll go. Will you come, my girl?" "I will, you bet; We'll manage this here elopement yet."     *     *     *     *     * By the winding Wollondilly stands the hut of Ringer Jim. And his loving little Meely makes a perfect god of him. He has stalwart sons and daughters, and, I think, before he's done, There'll be numerous "Six-forty's" taken on Mylora Run.

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Poem Details

Language: English
Keywords: Public Domain
Source: Public Domain Collection
Rights/Permissions: Public Domain

Analysis & Notes:
The poem is a compelling narrative of romance, duty, and rural life. The setting is vividly rendered through a medley of imagery, capturing the idyllic and rugged Australian countryside. This is particularly evident in the first stanza with phrases like "winding Wollondilly" and "weeping willows weep". The poet uses alliteration, which adds a musical quality and enhances the imagery, making the setting almost tangible. The struggle between personal happiness and a sense of duty is a central theme demonstrated by the protagonist, Jim.

The poem's structure imitates a classic ballad, marked by a distinct rhythmic and rhyme pattern, which propels the plot forward and heightens the dramatic tension. The tone varies from romantic to suspenseful, mirroring Jim's emotional journey. The use of colloquial language and vernacular expressions adds authenticity and grounds the poem in its cultural context, providing a glimpse into Australian rural life.

The character of Jim is complex and engaging. Despite his initial plan to elope with Amelia, he chooses to help her father, demonstrating a strong sense of duty and responsibility. This choice propels the plot and deepens his character, revealing his integrity and courage. The ending, where Jim and Amelia finally live their life together, adds a touch of triumph and offers a satisfying resolution. The poem is a balanced blend of romantic ideals and hard realities, and it skillfully explores the dichotomy between personal desire and societal expectations.

Exploring Narrative Poetry

Narrative poetry is a form of poetry that tells a story, often making use of the voices of a narrator and characters as well. Unlike lyric poetry, which focuses on emotions and thoughts, narrative poetry is dedicated to storytelling, weaving tales that captivate readers through plot and character development.


Narrative poems are unique in their ability to combine the depth of storytelling with the expressive qualities of poetry. Here are some defining characteristics:

  • Structured Plot: Narrative poems typically have a clear beginning, middle, and end, following a plot that might involve conflict, climax, and resolution, much like a short story or novel.
  • Character Development: Characters in narrative poems are often well-developed, with distinct voices and personalities that drive the story forward.
  • Descriptive Language: The language used in narrative poetry is vivid and descriptive, painting a clear picture of the scenes and events, while also conveying the emotions and atmosphere of the story.

From ancient epics like "The Iliad" and "The Odyssey" to more modern narrative poems, this form continues to engage readers by blending the art of storytelling with the beauty and rhythm of poetry.