Vestigia Quinque Retrorsum - An Academic Poem

By Oliver Wendell Holmes

    While fond, sad memories all around us throng,     Silence were sweeter than the sweetest song;     Yet when the leaves are green and heaven is blue,     The choral tribute of the grove is due,     And when the lengthening nights have chilled the skies,     We fain would hear the song-bird ere be flies,     And greet with kindly welcome, even as now,     The lonely minstrel on his leafless bough.     This is our golden year, - its golden day;     Its bridal memories soon must pass away;     Soon shall its dying music cease to ring,     And every year must loose some silver string,     Till the last trembling chords no longer thrill, -     Hands all at rest and hearts forever still.     A few gray heads have joined the forming line;     We hear our summons, - "Class of 'Twenty-Nine!"     Close on the foremost, and, alas, how few!     Are these "The Boys" our dear old Mother knew?     Sixty brave swimmers. Twenty - something more -     Have passed the stream and reached this frosty shore!     How near the banks these fifty years divide     When memory crosses with a single stride!     'T is the first year of stern "Old Hickory" 's rule     When our good Mother lets us out of school,     Half glad, half sorrowing, it must be confessed,     To leave her quiet lap, her bounteous breast,     Armed with our dainty, ribbon-tied degrees,     Pleased and yet pensive, exiles and A. B.'s.     Look back, O comrades, with your faded eyes,     And see the phantoms as I bid them rise.     Whose smile is that? Its pattern Nature gave,     A sunbeam dancing in a dimpled wave;     KIRKLAND alone such grace from Heaven could win,     His features radiant as the soul within;     That smile would let him through Saint Peter's gate     While sad-eyed martyrs had to stand and wait.     Here flits mercurial Farrar; standing there,     See mild, benignant, cautious, learned Ware,     And sturdy, patient, faithful, honest Hedge,     Whose grinding logic gave our wits their edge;     Ticknor, with honeyed voice and courtly grace;     And Willard, larynxed like a double bass;     And Channing, with his bland, superior look,     Cool as a moonbeam on a frozen brook,     While the pale student, shivering in his shoes,     Sees from his theme the turgid rhetoric ooze;     And the born soldier, fate decreed to wreak     His martial manhood on a class in Greek,     Popkin! How that explosive name recalls     The grand old Busby of our ancient halls     Such faces looked from Skippon's grim platoons,     Such figures rode with Ireton's stout dragoons:     He gave his strength to learning's gentle charms,     But every accent sounded "Shoulder arms!"     Names, - empty names! Save only here and there     Some white-haired listener, dozing in his chair,     Starts at the sound he often used to hear,     And upward slants his Sunday-sermon ear.     And we - our blooming manhood we regain;     Smiling we join the long Commencement train,     One point first battled in discussion hot, -     Shall we wear gowns? and settled: We will not.     How strange the scene, - that noisy boy-debate     Where embryo-speakers learn to rule the State!     This broad-browed youth, sedate and sober-eyed,     Shall wear the ermined robe at Taney's side;     And he, the stripling, smooth of face and slight,     Whose slender form scarce intercepts the light,     Shall rule the Bench where Parsons gave the law,     And sphinx-like sat uncouth, majestic Shaw     Ah, many a star has shed its fatal ray     On names we loved - our brothers - where are they?     Nor these alone; our hearts in silence claim     Names not less dear, unsyllabled by fame.     How brief the space! and yet it sweeps us back     Far, far along our new-born history's track     Five strides like this; - the sachem rules the land;     The Indian wigwams cluster where we stand.     The second. Lo! a scene of deadly strife -     A nation struggling into infant life;     Not yet the fatal game at Yorktown won     Where failing Empire fired its sunset gun.     LANGDON sits restless in the ancient chair, -     Harvard's grave Head, - these echoes heard his prayer     When from yon mansion, dear to memory still,     The banded yeomen marched for Bunker's Hill.     Count on the grave triennial's thick-starred roll     What names were numbered on the lengthening scroll, -     Not unfamiliar in our ears they ring, -     Winthrop, Hale, Eliot, Everett, Dexter, Tyng.     Another stride. Once more at 'twenty-nine, -     GOD SAVE KING GEORGE, the Second of his line!     And is Sir Isaac living? Nay, not so, -     He followed Flainsteed two short years ago, -     And what about the little hump-backed man     Who pleased the bygone days of good Queen Anne?     What, Pope? another book he's just put out, -     "The Dunciad," - witty, but profane, no doubt.     Where's Cotton Mather? he was always here.     And so he would be, but he died last year.     Who is this preacher our Northampton claims,     Whose rhetoric blazes with sulphureous flames     And torches stolen from Tartarean mines?     Edwards, the salamander of divines.     A deep, strong nature, pure and undefiled;     Faith, firm as his who stabbed his sleeping child;     Alas for him who blindly strays apart,     And seeking God has lost his human heart!     Fall where they might, no flying cinders caught     These sober halls where WADSWORTH ruled and taught.     One footstep more; the fourth receding stride     Leaves the round century on the nearer side.     GOD SAVE KING CHARLES! God knows that pleasant knave     His grace will find it hard enough to save.     Ten years and more, and now the Plague, the Fire,     Talk of all tongues, at last begin to tire;     One fear prevails, all other frights forgot, -     White lips are whispering, - hark! The Popish Plot!     Happy New England, from such troubles free     In health and peace beyond the stormy sea!     No Romish daggers threat her children's throats,     No gibbering nightmare mutters "Titus Oates;"     Philip is slain, the Quaker graves are green,     Not yet the witch has entered on the scene;     Happy our Harvard; pleased her graduates four;     URIAN OAKES the name their parchments bore.     Two centuries past, our hurried feet arrive     At the last footprint of the scanty five;     Take the fifth stride; our wandering eyes explore     A tangled forest on a trackless shore;     Here, where we stand, the savage sorcerer howls,     The wild cat snarls, the stealthy gray wolf prowls,     The slouching bear, perchance the trampling moose     Starts the brown squaw and scares her red pappoose;     At every step the lurking foe is near;     His Demons reign; God has no temple here!     Lift up your eyes! behold these pictured walls;     Look where the flood of western glory falls     Through the great sunflower disk of blazing panes     In ruby, saffron, azure, emerald stains;     With reverent step the marble pavement tread     Where our proud Mother's martyr-roll is read;     See the great halls that cluster, gathering round     This lofty shrine with holiest memories crowned;     See the fair Matron in her summer bower,     Fresh as a rose in bright perennial flower;     Read on her standard, always in the van,     "TRUTH," - the one word that makes a slave a man;     Think whose the hands that fed her altar-fires,     Then count the debt we owe our scholar-sires!     Brothers, farewell! the fast declining ray     Fades to the twilight of our golden day;     Some lesson yet our wearied brains may learn,     Some leaves, perhaps, in life's thin volume turn.     How few they seem as in our waning age     We count them backwards to the title-page!     Oh let us trust with holy men of old     Not all the story here begun is told;     So the tired spirit, waiting to be freed,     On life's last leaf with tranquil eye shall read     By the pale glimmer of the torch reversed,     Not Finis, but The End of Volume First!

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Poem Details

Language: English
Keywords: Public Domain
Source: Public Domain Collection
Rights/Permissions: Public Domain

Analysis & Notes:
This is a deeply nostalgic, retrospective poem, rich in thematic exploration and historical references. The poet creates a vivid tapestry of life's epochs, infusing a sense of nostalgia and melancholy through the reminiscence of past experiences. The poet's use of vivid imagery and historical allusions provide a rich context for the theme of the passage of time, underscoring the transitory nature of life.

The poem is structured with a rhythmic flow that enhances its nostalgic tone. The consistent rhyming scheme and the frequent use of enjambment create a smooth, uninterrupted flow of thoughts and memories, reflecting the continuous passage of time. The poet uses various literary devices such as personification and metaphor to enhance the evocative imagery of the poem.

The poem's tone oscillates between nostalgia and a mournful acceptance of mortality. This creates a poignant contrast between the vibrancy of youth and the inevitability of age and decay. The poet's reference to "our golden year," and the subsequent decay of this golden time, underscores this theme of mortality and the fleeting nature of life.

Finally, the poem ends on a note of hope and continuity, suggesting that life's journey continues beyond its apparent end. It concludes with the comforting thought that death might not be an end but merely a transition to a new journey. The poet's use of the metaphor of a book ending not with "Finis," but with "The End of Volume First," encapsulates this hopeful conclusion to the poem's contemplation of life, death, and the passage of time.

Understanding Reflective Poetry

Reflective poetry is a form of verse that explores the thoughts, emotions, and meditations of the poet. It often delves into personal experiences, memories, and philosophical musings, offering a window into the poet's inner world.


Reflective poems are characterized by their introspective nature, allowing readers to connect with the poet’s contemplations on life, existence, and the human condition. Here are some defining characteristics:

  • Personal Reflection: These poems often center on the poet's own thoughts and feelings, offering a deep dive into their emotional or intellectual state.
  • Philosophical Musings: Reflective poetry frequently addresses larger existential questions, providing a space for the poet to ponder life’s meaning, purpose, and the nature of reality.
  • Imagery and Symbolism: Poets use vivid imagery and rich symbolism to convey their reflections, often drawing on nature, art, or personal experiences to express complex ideas.
  • Quiet and Contemplative Tone: Reflective poems typically have a calm, meditative tone, inviting readers to pause and reflect alongside the poet.

Reflective poetry provides a unique avenue for exploring the poet’s inner world, inviting readers to engage in their own reflections as they journey through the verses.