The Secret Of The Stars - From Readings Over The Teacups - Five Stories And A Sequel

By Oliver Wendell Holmes

    Is man's the only throbbing heart that hides     The silent spring that feeds its whispering tides?     Speak from thy caverns, mystery-breeding Earth,     Tell the half-hinted story of thy birth,     And calm the noisy champions who have thrown     The book of types against the book of stone!     Have ye not secrets, ye refulgent spheres,     No sleepless listener of the starlight hears?     In vain the sweeping equatorial pries     Through every world-sown corner of the skies,     To the far orb that so remotely strays     Our midnight darkness is its noonday blaze;     In vain the climbing soul of creeping man     Metes out the heavenly concave with a span,     Tracks into space the long-lost meteor's trail,     And weighs an unseen planet in the scale;     Still o'er their doubts the wan-eyed watchers sigh,     And Science lifts her still unanswered cry     "Are all these worlds, that speed their circling flight,     Dumb, vacant, soulless, - baubles of the night?     Warmed with God's smile and wafted by his breath,     To weave in ceaseless round the dance of Death?     Or rolls a sphere in each expanding zone,     Crowned with a life as varied as our own?"     Maker of earth and stars! If thou hast taught     By what thy voice hath spoke, thy hand hath wrought,     By all that Science proves, or guesses true,     More than thy poet dreamed, thy prophet knew, -     The heavens still bow in darkness at thy feet,     And shadows veil thy cloud-pavilioned seat!     Not for ourselves we ask thee to reveal     One awful word beneath the future's seal;     What thou shalt tell us, grant us strength to bear;     What thou withholdest is thy single care.     Not for ourselves; the present clings too fast,     Moored to the mighty anchors of the past;     But when, with angry snap, some cable parts,     The sound re-echoing in our startled hearts, -     When, through the wall that clasps the harbor round,     And shuts the raving ocean from its bound,     Shattered and rent by sacrilegious hands,     The first mad billow leaps upon the sands, -     Then to the Future's awful page we turn,     And what we question hardly dare to learn.     Still let us hope! for while we seem to tread     The time-worn pathway of the nations dead,     Though Sparta laughs at all our warlike deeds,     And buried Athens claims our stolen creeds,     Though Rome, a spectre on her broken throne,     Beholds our eagle and recalls her own,     Though England fling her pennons on the breeze     And reign before us Mistress of the seas, -     While calm-eyed History tracks us circling round     Fate's iron pillar where they all were bound,     Still in our path a larger curve she finds,     The spiral widening as the chain unwinds     Still sees new beacons crowned with brighter flame     Than the old watch-fires, like, but not the same     No shameless haste shall spot with bandit-crime     Our destined empire snatched before its time.     Wait, - wait, undoubting, for the winds have caught     From our bold speech the heritage of thought;     No marble form that sculptured truth can wear     Vies with the image shaped in viewless air;     And thought unfettered grows through speech to deeds,     As the broad forest marches in its seeds.     What though we perish ere the day is won?     Enough to see its glorious work begun!     The thistle falls before a trampling clown,     But who can chain the flying thistle-down?     Wait while the fiery seeds of freedom fly,     The prairie blazes when the grass is dry!     What arms might ravish, leave to peaceful arts,     Wisdom and love shall win the roughest hearts;     So shall the angel who has closed for man     The blissful garden since his woes began     Swing wide the golden portals of the West,     And Eden's secret stand at length confessed!     . . . . . . . . . . .     The reader paused; in truth he thought it time, -     Some threatening signs accused the drowsy rhyme.     The Mistress nodded, the Professor dozed,     The two Annexes sat with eyelids closed, -     Not sleeping, - no! But when one shuts one's eyes,     That one hears better no one, sure, denies.     The Doctor whispered in Delilah's ear,     Or seemed to whisper, for their heads drew near.     Not all the owner's efforts could restrain     The wild vagaries of the squinting brain, -     Last of the listeners Number Five alone     The patient reader still could call his own.     "Teacups, arouse!" 'T was thus the spell I broke;     The drowsy started and the slumberers woke.     "The sleep I promised you have now enjoyed,     Due to your hour of labor well employed.     Swiftly the busy moments have been passed;     This, our first 'Teacups,' must not be our last.     Here, on this spot, now consecrated ground,     The Order of 'The Teacups' let us found!     By winter's fireside and in summer's bower     Still shall it claim its ever-welcome hour,     In distant regions where our feet may roam     The magic teapot find or make a home;     Long may its floods their bright infusion pour,     Till time and teacups both shall be no more!"

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Poem Details

Language: English
Keywords: Public Domain
Source: Public Domain Collection
Rights/Permissions: Public Domain

Analysis & Notes:
This poem is a rich exploration of human curiosity and our relationship with the cosmos, history, and future. It grapples with existential questions about the nature of humanity and our place in the universe, juxtaposing the vastness of celestial bodies to the depth of human introspection. The poet invokes the divine, personifying Earth and the heavenly spheres, evoking a tone of reverence and awe. The poem also reflects on the passage of time, referencing past civilizations and pondering on the future, using historical references to point out the cyclical nature of human triumphs and failures.

The structure of the poem is traditional, with consistent rhyme and rhythm providing a formal framework. The poet masterfully utilizes imagery and metaphor throughout the piece, such as the "book of types against the book of stone", and the "fiery seeds of freedom". These literary devices evoke vivid mental pictures that enhance the themes and tone of the work. The poem concludes with a call to action, to found the "Order of 'The Teacups'", perhaps symbolizing a shared human experience or a society based on wisdom and shared understanding. This poem is a rich tapestry of historical reflection, cosmic contemplation, and a timeless call for unity and hope.

Exploring Narrative Poetry

Narrative poetry is a form of poetry that tells a story, often making use of the voices of a narrator and characters as well. Unlike lyric poetry, which focuses on emotions and thoughts, narrative poetry is dedicated to storytelling, weaving tales that captivate readers through plot and character development.


Narrative poems are unique in their ability to combine the depth of storytelling with the expressive qualities of poetry. Here are some defining characteristics:

  • Structured Plot: Narrative poems typically have a clear beginning, middle, and end, following a plot that might involve conflict, climax, and resolution, much like a short story or novel.
  • Character Development: Characters in narrative poems are often well-developed, with distinct voices and personalities that drive the story forward.
  • Descriptive Language: The language used in narrative poetry is vivid and descriptive, painting a clear picture of the scenes and events, while also conveying the emotions and atmosphere of the story.

From ancient epics like "The Iliad" and "The Odyssey" to more modern narrative poems, this form continues to engage readers by blending the art of storytelling with the beauty and rhythm of poetry.