Contentment

By Oliver Wendell Holmes

    "Man wants but little here below"     Little I ask; my wants are few;     I only wish a hut of stone,     (A very plain brown stone will do,)     That I may call my own; -     And close at hand is such a one,     In yonder street that fronts the sun.     Plain food is quite enough for me;     Three courses are as good as ten; -     If Nature can subsist on three,     Thank Heaven for three. Amen     I always thought cold victual nice; -     My choice would be vanilla-ice.     I care not much for gold or land; -     Give me a mortgage here and there, -     Some good bank-stock, some note of hand,     Or trifling railroad share, -     I only ask that Fortune send     A little more than I shall spend.     Honors are silly toys, I know,     And titles are but empty names;     I would, perhaps, be Plenipo, -     But only near St. James;     I'm very sure I should not care     To fill our Gubernator's chair.     Jewels are baubles; 't is a sin     To care for such unfruitful things; -     One good-sized diamond in a pin, -     Some, not so large, in rings, -     A ruby, and a pearl, or so,     Will do for me; - I laugh at show.     My dame should dress in cheap attire;     (Good, heavy silks are never dear;) -     I own perhaps I might desire     Some shawls of true Cashmere, -     Some marrowy crapes of China silk,     Like wrinkled skins on scalded milk.     I would not have the horse I drive     So fast that folks must stop and stare;     An easy gait - two, forty-five -     Suits me; I do not care; -     Perhaps, for just a single spurt,     Some seconds less would do no hurt.     Of pictures, I should like to own     Titians and Raphaels three or four, -     I love so much their style and tone,     One Turner, and no more,     (A landscape, - foreground golden dirt, -     The sunshine painted with a squirt.)     Of books but few, - some fifty score     For daily use, and bound for wear;     The rest upon an upper floor; -     Some little luxury there     Of red morocco's gilded gleam     And vellum rich as country cream.     Busts, cameos, gems, - such things as these,     Which others often show for pride,     I value for their power to please,     And selfish churls deride; -     One Stradivarius, I confess,     Two Meerschaums, I would fain possess.     Wealth's wasteful tricks I will not learn,     Nor ape the glittering upstart fool; -     Shall not carved tables serve my turn,     But all must be of buhl?     Give grasping pomp its double share, -     I ask but one recumbent chair.     Thus humble let me live and die,     Nor long for Midas' golden touch;     If Heaven more generous gifts deny,     I shall not miss them much, -     Too grateful for the blessing lent     Of simple tastes and mind content!

Share & Analyze This Poem

Spread the beauty of poetry or dive deeper into analysis

Analyze This Poem

Discover the literary devices, structure, and deeper meaning

Create Image

Transform this poem into a beautiful shareable image

Copy to Clipboard

Save this poem for personal use or sharing offline


Share the Love of Poetry

Poem Details

Language: English
Keywords: Public Domain
Source: Public Domain Collection
Rights/Permissions: Public Domain

Analysis & Notes:
This poem is a satirical contemplation on materialism and the illusion of modesty. It presents a speaker who, with each stanza, professes a disdain for excess and a desire for simplicity, yet subtly reveals his own materialistic desires and superficiality. The recurring theme throughout the poem is the human tendency to mask greed and material desire with the guise of modesty and simplicity.

The tone of the poem is both humorous and ironic, as the speaker consistently undermines his own statements of simple desires with specific and luxurious requests. The poem is structured in rhymed couplets, which gives it a rhythmic and sing-song quality that further underscores the humor and irony.

One of the standout literary devices in this poem is irony. From the speaker's claim to want a simple "hut of stone" while specifying it must be in a desirable location, to expressing satisfaction with "plain food" but preferring it to be "vanilla-ice," the poet uses irony to highlight the speaker's hypocrisy. There's also a usage of metaphor, as seen in the line "Nor long for Midas' golden touch," which refers to the Greek myth of King Midas, who could turn anything he touched into gold, symbolizing the speaker's hidden desire for wealth.

Overall, the poem offers a critique of materialism and the hypocrisy often present in societal values, while using irony and humor to engage the reader in this exploration.

Understanding Satirical Poetry

Satirical poems use wit, irony, exaggeration, and ridicule to expose folly—personal, social, or political. The aim isn’t just laughter: it’s critique that nudges readers toward insight or change.


Common characteristics of satirical poetry:

  • Targeted Critique: Focuses on specific behaviors, institutions, or ideas—often timely, sometimes timeless.
  • Tools of Irony: Uses sarcasm, parody, understatement, and hyperbole to sharpen the point.
  • Voice & Persona: Speakers may be unreliable or exaggerated to reveal contradictions and hypocrisy.
  • Form Flexibility: Appears in couplets, tercets, quatrains, blank verse, or free verse—music serves the mockery.
  • Moral Pressure: Beneath the humor lies ethical pressure—satire seeks reform, not merely amusement.
  • Public & Personal: Can lampoon public figures and trends or needle private vanities and everyday pretenses.

The best satire balances bite with craft: memorable lines that entertain while revealing the gap between how things are and how they ought to be.