The Visit

By John Frederick Freeman

    I reached the cottage. I knew it from the card     He had given me--the low door heavily barred,     Steep roof, and two yews whispering on guard.     Dusk thickened as I came, but I could smell     First red wallflower and an early hyacinth bell,     And see dim primroses. "O, I can tell,"     I thought, "they love the flowers he loved." The rain     Shook from fruit bushes in new showers again     As I brushed past, and gemmed the window pane.     Bare was the window yet, and the lamp bright.     I saw them sitting there, streamed with the light     That overflowed upon the enclosing night.     "Poor things, I wonder why they've lit up so,"     A voice said, passing on the road below.     "Who are they?" asked another. "Don't you know?"     Their voices crept away. I heard no more     As I crossed the garden and knocked at the door.     I waited, then knocked louder than before,     And thrice, and still in vain. So on the grass     I stepped, and tap-tapped on the rainy glass.     Then did a girl without turning towards me pass     From the room. I heard the heavy barred door creak,     And a voice entreating from the doorway speak,     "Will you come this way?"--a voice childlike and quick.     The way was dark. I followed her white frock,     Past the now-chiming, sweet-tongued unseen clock,     Into the room. One figure like a rock     Draped in an unstarred night--his mother--bowed     Unrising and unspeaking. His aunt stood     And took my hand, murmuring, "So good, so good!"     Never such quiet people had I known.     Voices they scarcely needed, they had grown     To talk less by the word than muted tone.     "We'll soon have tea," the girl said. "Please sit here."     She pushed a heavy low deep-seated chair     I knew at once was his; and I sat there.     I could not look at them. It seemed I made     Noise in that quietness. I was afraid     To look or speak until the aunt's voice said,     "You were his friend." And that "You were!" awoke     My sense, and nervousness found voice and spoke     Of what he had been, until a bullet broke     A too-brief friendship. The rock-like mother kept     Night still around her. The aunt silently wept,     And the girl into the screen's low shadow stept.     "You were great friends," said with calm voice the mother.     I answered, "Never friend had such another."     Then the girl's lips, "Nor sister such a brother."     Her words were like a sounding pebble cast     Into a hollow silence; but at last     She moved and bending to my low chair passed     Swift leaf-like fingers o'er my face and said,     "You are not like him." And as she turned her head     Into full light beneath the lamp's green shade     I saw the sunken spaces of her eyes.     Then her face listening to my dumb surprise.     "Forgive," she said, "a blind girl's liberties."     "You were his friend; I wanted so to see     The friends my brother had. Now let's have tea."     She poured, and passed a cup and cakes to me.     "These are my cakes," she smiled; and as I ate     She talked, and to the others cup and plate     Passed as they in their shadow and silence sat.     "Thanks, we are used to each other," she said when I     Rose in the awkwardness of seeing, shy     Of helping and of watching helplessly.     And from the manner of their hands 'twas clear     They too were blind; but I knew they could hear     My pitiful thoughts as I sat aching there.     ... I needs must talk, until the girl was gone     A while out of the room. The lamp shone on,     But the true light out of the room was gone.     "Rose loved him so!" her mother said, and sighed.     "He was our eyes, he was our joy and pride,     And all that's left is but to say he died."     She ceased as Rose returned. Then as before     We talked and paused until, "Tell me once more,     What was it he said?" And I told her once more.     She listened: in her face was pride and pain     As in her mind's eye near he stood and plain....     Then the thin leaves fell on my cheek again     And on my hands. "He must have loved you well,"     She whispered, as her hands from my hands fell.     Silence flowed back with thoughts unspeakable.     It was a painful thing to leave them there     Within the useless light and stirless air.     "Let me show you the way. Mind, there's a stair     "Here, then another stair ten paces on....     Isn't there a moon? Good-bye."     And she was gone.     Full moon upon the drenched fruit garden shone.

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Poem Details

Language: English
Keywords: Public Domain
Source: Public Domain Collection
Rights/Permissions: Public Domain

Analysis & Notes:
This is a deeply poignant and emotive narrative poem that explores themes of loss, grief, memory, and the human capacity for resilience in the face of tragedy. The speaker embarks on a journey to a cottage, and the details of the journey and the cottage itself are rendered with such vivid and sensory detail that it lends an air of hyper-realism to the narrative. The speaker's encounter with the cottage's inhabitants - the bereaved family of a friend - unfolds with a kind of quiet, heartrending dignity.

The use of indirect dialogue and the carefully crafted visual imagery heighten the sense of melancholy and longing, while the lush natural scenery that surrounds the cottage serves as a stark contrast to the grief and despair inside. The tone of the poem is elegiac, and the narrative structure lends a sense of immediacy and intimacy to the reader’s experience. The poem is also marked by its use of sound and silence, which are used effectively to underscore the heavy atmosphere of grief. One of the standout literary devices in the poem is the use of light and darkness as metaphors for vision and blindness, presence and absence, knowledge and ignorance. The tragic revelation that the family is blind adds another layer of pathos to the narrative, increasing the emotional impact of the poem. The poet's sensitive and nuanced portrayal of the family's experience of grief, loss and resilience is deeply moving and thought-provoking, leaving the reader with a sense of the profound and enduring impact of personal relationships and the human capacity to endure in the face of loss.

Exploring Narrative Poetry

Narrative poetry is a form of poetry that tells a story, often making use of the voices of a narrator and characters as well. Unlike lyric poetry, which focuses on emotions and thoughts, narrative poetry is dedicated to storytelling, weaving tales that captivate readers through plot and character development.


Narrative poems are unique in their ability to combine the depth of storytelling with the expressive qualities of poetry. Here are some defining characteristics:

  • Structured Plot: Narrative poems typically have a clear beginning, middle, and end, following a plot that might involve conflict, climax, and resolution, much like a short story or novel.
  • Character Development: Characters in narrative poems are often well-developed, with distinct voices and personalities that drive the story forward.
  • Descriptive Language: The language used in narrative poetry is vivid and descriptive, painting a clear picture of the scenes and events, while also conveying the emotions and atmosphere of the story.

From ancient epics like "The Iliad" and "The Odyssey" to more modern narrative poems, this form continues to engage readers by blending the art of storytelling with the beauty and rhythm of poetry.