Years Ago

By Victor James Daley

    The old dead flowers of bygone summers,     The old sweet songs that are no more sung,     The rose-red dawns that were welcome comers     When you and I and the world were young,     Are lost, O love, to the light for ever,     And seen no more of the moon or sun,     For seas divide, and the seasons sever,     And twain are we that of old were one.     O fair lost love, when the ship went sailing     Across the seas in the years agone,     And seaward-set were the eyes unquailing,     And landward-looking the faces wan,     My heart went back as a dove goes homeward     With wings aweary to seek its nest,     While fierce sea-eagles are flying foamward     And storm-winds whiten the surges crest;     And far inland for a farewell pardon     Flew on and on, while the ship went South,     The rose was red in the red-rose garden,     And red the rose of your laughing mouth.     But no word came on the wind in token     Of love that lasts till the end; and so     My heart returned to me bruised and broken,     From you, my love, of the long ago.     The green fields seemed in the distance growing     To silken squares on a weavers loom,     As oversea came the land-wind blowing     The faint sweet scent of the clover bloom.     A rarer odour to me it carried,     In subtle delicate way to tell     Of you, ere you and the world were married,     The lilac-odour you loved so well.     Again, I saw you beneath the blooms of     Those lilac-trees in the garden old.     Ah me! each tree is a mark for tombs of     Dead dreams and memories still and cold.     And Death comes there with his breath scent-laden,     And gathering gently the blossoms shed     (In guise of Autumn, the brown-browed maiden)     With your and my dead buries his dead.     O, fairer far than the fair ideal     Of him who imaged the foam-born Queen     In foam-white marble, a dream made real,     To me were you in those years, I ween.     Your lips were redder than night-shade berries     That burn in borders of hedgerowed lanes,     And sweeter far than the sweet wild cherries     The June sun flushes with crimson stains.     And gray your eyes as a gray doves wings were,     A gray soft-shadowing deeps profound,     Where thoughts that reached to the heart of things were,     And love lay dreaming though seeming drowned.     Twin-tulip-breasted like her the tread of     Whose feet made music in Paphos fair,     The world to me was not worth a thread of     Your brown, ambrosial, braided hair.     Mayhap you loved me at one time truly,     And I was jealous, and you were proud;     But mine the love of the king in Thule,     Till death; and yours, sleeps well in shroud.     So night came down like a sombre raven,     And southward ever the ship was borne,     Till glad green fields and lessening haven     Grew faint and faded like ghosts at morn.     As fields of Heaven eternal blooming,     Those flowerful fields of my mother-land     In midnight visions are still perfuming     All wild waste places and seas of sand.     And still in seasons of storm and thunder,     In strange lands under your land and mine,     And though our ways have been wide asunder,     In calm and tempest and shade and shine     Your face I see as I saw the last time,     As one borne space-ward on wings of light,     With eyes turned back to a sight of past time,     Beholds for ever that self-same sight.     But scorn has died on your lips, and through you     Shines out star-bright an immortal grace,     As though God then to His heaven drew you,     And sent an angel to take your place.     I plucked one rose from the tree you cherished,     My hearts blood ebbing has kept it red,     And all my hopes with its scent have perished;     Why mourn them now, are the dead not dead?     And yet, God knows, as this rose I kiss, you     May feel the kisses across the sea;     And soul to soul for the larger issue     Your soul may stand with the soul of me,     Unknown to you, for the strings of Being     Are not so easily snapped or torn;     And we may journey with eyes unseeing     On paths that meet in the years unborn.     Farewell, dear heart. Warm sighs may sever     Ripe lips of love like a rose-leaf curled,     But you remain unto me for ever     The one fair woman in all the world.

Share & Analyze This Poem

Spread the beauty of poetry or dive deeper into analysis

Analyze This Poem

Discover the literary devices, structure, and deeper meaning

Create Image

Transform this poem into a beautiful shareable image

Copy to Clipboard

Save this poem for personal use or sharing offline


Share the Love of Poetry

Poem Details

Language: English
Keywords: Public Domain
Source: Public Domain Collection
Rights/Permissions: Public Domain

Analysis & Notes:
This poem, an elaborate testament to lost love, is a convergence of nostalgia, longing, and the bittersweet acknowledgement of a love that once was. The poet deftly uses nature to symbolize the passage of time and the evolution of emotions, with imagery of 'old dead flowers', 'rose-red dawns', 'seas', and 'seasons'. The poem's structure, with its consistent rhyming pattern, gives it a rhythm that mirrors the cyclical nature of life and love.

The themes of separation, memory, and enduring affection are prevalent throughout. The poet presents an intriguing contrast between the tangible physical separation and the emotional connection that persists, suggesting a spiritual bond that transcends time and space. One of the most compelling literary devices used is the vivid and emotive imagery, which serves to illustrate the depth of the poet's feelings and experiences. The 'ship sailing across the seas', 'dove goes homeward', and 'land-wind blowing the faint sweet scent of the clover bloom' all evoke the heartache of separation, the longing for a return, and the poignant memories of shared experiences.

The tone of the poem is profoundly melancholic, yet there's an undercurrent of acceptance and even peace. The poet acknowledges the reality of their separation, the pain of unreciprocated love, and the futility of mourning what is dead. However, there is also the affirmation of love's enduring impact, the belief in an unseen connection, and the hope of a potential reunion in the future. This poem, while steeped in sorrow and loss, ultimately offers a complex and nuanced exploration of love's lasting imprint on the human heart.

Understanding Elegy

An elegy is a form of poetry that expresses sorrow or lamentation, often for someone who has died. This type of poetry serves as a tribute to the deceased, reflecting on their life and the grief left behind.


Elegies are deeply emotional and personal, exploring themes of loss, mourning, and remembrance. Here are some defining characteristics:

  • Mournful Tone: Elegies are characterized by a tone of sadness and reflection, as the poet grapples with the pain of loss.
  • Tribute to the Deceased: The subject of an elegy is often someone who has passed away, with the poem serving as a memorial that honors their life and legacy.
  • Personal Reflection: Elegies often include personal reflections on the impact of the deceased on the poet's life, as well as broader musings on mortality and the human condition.
  • Structure and Form: While elegies can vary in form, they often follow a traditional structure that includes an expression of grief, praise for the deceased, and a sense of consolation or acceptance.

From ancient times to the present, elegies have provided a way for poets to navigate the complexities of grief and loss, offering solace and a means of preserving the memory of those who have passed.