The River Maiden

By Victor James Daley

    Her gown was simple woven wool,     But, in repayment,     Her body sweet made beautiful     The simplest raiment:     For all its fine, melodious curves     With life a-quiver     Were graceful as the bends and swerves     Of her own river.     Her round arms, from the shoulders down     To sweet hands slender,     The sun had kissed them amber-brown     With kisses tender.     For though she loved the secret shades     Where ferns grow stilly,     And wild vines droop their glossy braids,     And gleams the lily,     And Nature, with soft eyes that glow     In gloom that glistens,     Unto her own heart, beating slow,     In silence listens:     She loved no less the meadows fair,     And green, and spacious;     The river, and the azure air,     And sunlight gracious.     I saw her first when tender, wan,     Green light enframed her;     And, in my heart, the Flower of Dawn     I softly named her.     The bright sun, like a king in state,     With banners streaming,     Rode through the fair auroral gate     In mail gold-gleaming.     The witch-eyed stars before him paled,     So high his scorning!     And round the hills the rose-clouds sailed,     And it was morning.     The light mimosas bended low     To do her honour,     As in that rosy morning glow     I gazed upon her.     My boat swung bowward to the stream     Where tall reeds shiver;     We floated onward, in a dream,     Far down the River.     The River that full oft has told     To Ocean hoary     A many-coloured, sweet, and old     Unending story:     The story of the tall, young trees,     For ever sighing     To sail some day the rolling seas     Neath banners flying.     The Ocean hears, and through his caves     Roars gusty laughter;     And takes the River, with his waves     To roll thereafter.     But Love deep waters cannot drown;     To its old fountains     The stream returns in clouds that crown     Its parent mountains.     The River was to her so dear     She seemed its daughter;     Her deep translucent eyes were clear     As sunlit water;     And in her bright veins seemed to run,     Pulsating, glowing,     The music of the wind and sun,     And waters flowing.     The secrets of the trees she knew:     Their growth, their gladness,     And, when their time of death was due,     Their stately sadness.     Gray gums, like old men warped by time,     She knew their story;     And theirs that laughed in pride of prime     And leafy glory;     And theirs that, where clear waters run,     Drooped dreaming, dreaming;     And theirs that shook against the sun     Their green plumes gleaming.     All things of gladness that exist     Did seem to woo her,     And well that woodland satirist,     The lyre-bird, knew her.     And there were hidden mossy dells     That she knew only,     Where Beauty born of silence dwells     Mysterious, lonely.     No sounds of toil their stillness taunt,     No hearth-smoke sullies     The air: the Mountain Muses haunt     Those lone, green gullies.     And there they weave a song of Fate     That never slumbers:     A song some bard shall yet translate     In golden numbers.     A blue haze veiled the hills huge shapes     A misty lustre,     Like rime upon the purple grapes,     When ripe they cluster:     Twas noon, and all the Vale was gold,     An El Dorado:     The damask river seaward rolled,     Through shine and shadow.     And, gazing on its changing glow,     I saw, half-sighing,     The wondrous Fairyland below     Its surface lying.     There all things shone with paler sheen:     More softly shimmered     The fern-fronds, and with softer green     The myrtles glimmered:     And, like that Fisher gazing in     The sea-depths, pining     For days gone by, who saw Julin     Beneath him shining,     With many a wave-washed corridor,     And sea-filled portal,     And plunged below, and nevermore     Was seen of mortal,     So I, long gazing at the gleam     Of fern and flower,     Felt drawn down to that World of Dream     By magic power:     For there, I knew, in silence sat,     With breasts slow-heaving,     Illusions Queen Rabesquerat,     Her web a-weaving.     But when the moon shone, large and low,     Against Orion,     Then, as from some pale portico     Might issue Dian,     She came through tall tree-pillars pale,     A silver vision,     A nymph strayed out of Idas vale     Or fields Elysian.     White stars shone out with mystic gleams     The woods illuming:     It seemed as if the trees in dreams     Once more were blooming.     And all beneath those starry blooms,     By bends and beaches,     We floated on through glassy glooms,     Down moonlit reaches.     Ah, that was in the glad years when     Joys neer were sifted,     But I on wilder floods since then     Have darkly drifted.     Yet, River of Romance, for me     With pictures glowing,     Through dim, green fields of Memory     Thou still art flowing.     And still I hear, thy shores along,     All faintly ringing,     The notes of ghosts of birds that long     Have ceased their singing.     Was she, who then my heart did use     To touch so purely,     A mortal maiden, or a Muse?     I know not, surely.     But still in dreams I see her stand,     A fairer Flora,     Serene, immortal, by the strand     Of clear Narora.

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Poem Details

Language: English
Keywords: Public Domain
Source: Public Domain Collection
Rights/Permissions: Public Domain

Analysis & Notes:
This poem presents a complex intertwining of nature and human beauty, revealing the profound connection between the two. The female subject of the poem is described in vivid, natural imagery, highlighting her simplicity, grace, and sweetness. Her beauty is repeatedly compared to various aspects of the natural world, from the river's graceful curves to the sun-kissed amber of her skin. This creates a sense of unity between the woman and the world around her, revealing the poem's central theme: the inherent beauty and value found in nature and the natural world.

The poem also employs a rhythmic, flowing structure that mirrors the movements of the river, further reinforcing the connection between the woman and her natural surroundings. The use of repetition and rhyme throughout the poem creates a soothing, melodic tone, which enhances the overall feeling of tranquility and harmony. Meanwhile, the use of metaphoric language and imagery—particularly the recurring motif of the river—allows the poem to explore deeper themes of life, love, and the passage of time. The river, with its unending flow, becomes a symbol for life's journey, with its ebbs and flows, twists and turns. The poem ends on a note of ambiguity, with the speaker questioning whether the woman was real or merely a figment of his imagination—a muse. This adds a layer of mystery and melancholy to the poem, suggesting a longing for a time and a love that are now out of reach.

Exploring Narrative Poetry

Narrative poetry is a form of poetry that tells a story, often making use of the voices of a narrator and characters as well. Unlike lyric poetry, which focuses on emotions and thoughts, narrative poetry is dedicated to storytelling, weaving tales that captivate readers through plot and character development.


Narrative poems are unique in their ability to combine the depth of storytelling with the expressive qualities of poetry. Here are some defining characteristics:

  • Structured Plot: Narrative poems typically have a clear beginning, middle, and end, following a plot that might involve conflict, climax, and resolution, much like a short story or novel.
  • Character Development: Characters in narrative poems are often well-developed, with distinct voices and personalities that drive the story forward.
  • Descriptive Language: The language used in narrative poetry is vivid and descriptive, painting a clear picture of the scenes and events, while also conveying the emotions and atmosphere of the story.

From ancient epics like "The Iliad" and "The Odyssey" to more modern narrative poems, this form continues to engage readers by blending the art of storytelling with the beauty and rhythm of poetry.