Love-Laurel

By Victor James Daley

(In Memory of Henry Kendall)     Ah! that God once would touch my lips with song     To pierce, as prayer doth heaven, earths breast of iron,     So that with sweet mouth I might sing to thee,     O sweet dead singer buried by the sea,     A song, to woo thee, as a wooing siren,     Out of that silent sleep which seals too long     Thy mouth of melody.     For, if live lips might speak awhile to dead,     Or any speech could reach the sad world under     This world of ours, song surely should awake     Thee who didst dwell in shadow for songs sake!     Alas! thou canst not hear the voice of thunder,     Nor low dirge over thy low-lying head     The winds of morning make.     Down through the clay there comes no sound of these;     Down in the grave there is no sign of Summer,     Nor any knowledge of the soft-eyed Spring;     But Death sits there, with outspread ebon wing,     Closing with dust the mouth of each new-comer     To that mute land, where never sound of seas     Is heard, and no birds sing.     Now thou hast found the end of all thy days     Hast thou found any heart a vigil keeping     For thee among the dead, some heart that heard     Thy singing when thou wert a brown, sweet bird     Gray ons gone, in some old forest sleeping     Beneath the seas long since? in Deaths dim ways     Has thy heart any word?     For surely those in whom the deathless spark     Of song is kindled, sang from the beginning     If life were always? But the old desires,     Do they exist when sad-eyed Hope expires?     How live the dead? what crowns have they for winning?     Have they, to warm them in the dreamless dark,     For sun earths central fires?     Are the dead dead indeed whom we call dead?     Has God no life but this of ours for giving?     When that they took thee by each well-known place,     Stark in thy coffin with a cold white face,     What thought, O Brother, hadst thou of the living?     What of the sun that round thee glory shed?     What of the fair days grace?     Is thy new life made up of memories     Or dreams that lull the dead, bright visions bringing     Of Spring above! Are thy days short or long?     Thou who wert master of our singing throng     Mayhap in death thou hast not lost thy singing,     But chauntst unheard, beside the moaning sea,     A solitary song.     The chance spade turns up skulls. God help the dead     And thee whose singing days have all passed over,     Thee, whom the gold-haired Spring shall seek in vain     When at the glad years doors she stands again,     Remembering the song-garlands thou hast wove her     In years gone by: but all these years have fled     With all their joy and pain.     .     .     .     .     .     My soul laughed out to hear my heart speak so,     And sprang forth skyward, as an eagle, hoping     To look upon thy soul with living eyes,     Until it came to where our dim life dies,     And dead suns darkly for a grave are groping     Through cycles of immeasurable woe,     Stone-blind in the blind skies.     The stars walk shuddering on that awful verge     From which my soul, with swift and fearless motion,     Clove the black depths, and sought for God and thee;     But God dwells where nor stars nor suns there be,     No shore there is to His Eternal Ocean;     A thousand systems are a fringe of surge     On that great starless sea.     And thou wert not. So that, with weary plumes,     My soul through the great void its way came winging     To earth again. What hope for him who sings     Is there? it sighed. Death ends all sweetest things.     When lo! there came a swell of mighty singing,     Flooding all space, and swift athwart the glooms     A flash of sudden wings.     .     .     .     .     .     Dreamer of dreams, thy songs and dreams are done.     Down where thou sleepest in earths secret bosom     There is no sorrow and no joy for thee,     Who canst not see what stars at eve there be,     Nor evermore at morn the green dawn blossom     Into the golden king-flower of the sun     Across the golden sea.     But haply there shall come in days to be     One who shall hear his own heart beating faster,     Plucking a rose sprung from thy heart beneath,     And from his soul, as sword from out its sheath,     Song shall leap forth where now, O silent master,     On thy lone grave beside the sounding sea,     I lay this laurel-wreath.

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Poem Details

Language: English
Keywords: Public Domain
Source: Public Domain Collection
Rights/Permissions: Public Domain

Analysis & Notes:
This elegiac poem is a profound meditation on mortality, memory, and the enduring power of art. The poem mourns the loss of Henry Kendall, a fellow poet, using vivid imagery and a melancholic tone to capture the sorrow of loss and the silence left in the wake of death. Yet, it also explores the potential immortality granted through artistic creation, hinting at the enduring power of Kendall's words, even as his physical form is lost to the earth.

The poem is structured in a series of quatrains, creating a rhythmic ebb and flow that mirrors the cycles of life and death, the changing seasons, and the ceaseless motion of the sea - a recurring motif throughout the verses. The poet's voice alternates between mournful lament and philosophical rumination, often posing profound questions about the nature of death and the afterlife. The use of rhetorical questions enhances the introspective nature of the piece, provoking the reader to engage with these existential quandaries.

The poem employs potent metaphors and similes, painting a vivid picture of the finality of death, yet also alluding to the potential for rebirth or transcendence through art. The image of the "chance spade" turning up skulls is particularly striking, highlighting the inevitability of mortality. Yet, the final stanzas hint at a hopeful possibility - that Kendall's spirit may live on in the hearts and voices of future poets, just as a rose might spring "from thy heart beneath".

In this way, the poem embodies a poignant paradox: it is a lamentation for the inevitability of death, but also a testament to the potential immortality of artistic creation. It is a beautiful, melancholic tribute to a fellow poet, and a contemplation on the power of words to transcend our mortal coil.

Understanding Elegy

An elegy is a form of poetry that expresses sorrow or lamentation, often for someone who has died. This type of poetry serves as a tribute to the deceased, reflecting on their life and the grief left behind.


Elegies are deeply emotional and personal, exploring themes of loss, mourning, and remembrance. Here are some defining characteristics:

  • Mournful Tone: Elegies are characterized by a tone of sadness and reflection, as the poet grapples with the pain of loss.
  • Tribute to the Deceased: The subject of an elegy is often someone who has passed away, with the poem serving as a memorial that honors their life and legacy.
  • Personal Reflection: Elegies often include personal reflections on the impact of the deceased on the poet's life, as well as broader musings on mortality and the human condition.
  • Structure and Form: While elegies can vary in form, they often follow a traditional structure that includes an expression of grief, praise for the deceased, and a sense of consolation or acceptance.

From ancient times to the present, elegies have provided a way for poets to navigate the complexities of grief and loss, offering solace and a means of preserving the memory of those who have passed.