Fragment - Her Last Day

By Victor James Daley

    It was a day of sombre heat:     The still, dense air was void of sound     And life; no wing of bird did beat     A little breeze through it, the ground     Was like live ashes to the feet.     From the black hills that loomed around     The valley many a sudden spire     Of flame shot up, and writhed, and curled,     And sank again for heaviness:     And heavy seemed to men that day     The burden of the weary world.     For evermore the sky did press     Closer upon the earth that lay     Fainting beneath, as one in dire     Dreams of the night, upon whose breast     Sits a black phantom of unrest     That holds him down. The earth and sky     Appeared unto the troubled eye     A roof of smoke, a floor of fire.     There was no water in the land.     Deep in the night of each ravine     Men, vainly searching for it, found     Dry hollows in the gaping ground,     Like sockets where clear eyes had been,     Now burnt out with a burning brand.     There was no water in the land     But the salt sea tide, that did roll     Far past the places where, till then,     The sweet streams met and flung it back;     The beds of little brooks, that stole     In spring-time down each ferny glen,     And rippled over rock and sand,     Were drier than a cattle-track.     A dull, strange languor of disease,     That ever with the heat increased,     Fell upon man, and bird, and beast;     The thin-flanked cattle gasped for breath;     The birds dropped dead from drooping trees;     And men, who drank the muddy lees     From each near-dry though deep-dug well,     Grew faint; and over all things fell     A heavy stupor, dank as Death.     .         .         .         .         .     Fierce Nature, glaring with a face     Of savage scorn at my despair,     Withered my heart. From cone to base     The hills were full of hollow eyes     That rayed out darkness, dead and dull;     Gray rocks grinned under ridges bare,     Like dry teeth in a mouldered skull;     And ghastly gum-tree trunks did loom     Out of black clefts and rifts of gloom,     As sheeted spectres that arise     From yawning graves at dead of night     To fill the living with affright;     And, like to witches foul that bare     Their withered arms, and bend, and cast     Dread curses on the sleeping lands     In awful legends of the past,     Red gums, with outstretched bloody hands,     Shook maledictions in the air.     Fear was around me everywhere:     The wrinkled foreheads of the rocks     Frowned on me, and methought I saw,     Deep down in dismal gulfs of awe,     Where gray death-adders have their lair,     With the fiend-bat, the flying-fox,     And dim sun-rays, down-groping far,     Pale as a dead mans fingers are,     The grisly image of Decay,     That at the root of Life doth gnaw,     Sitting alone upon a throne     Of rotting skull and bleaching bone.     .         .         .         .         .     There is an end to all our griefs:     Little the red worm of the grave     Will vex us when our days are done.     So changed my thought: up-gazing then     On gray-piled stones that seemed the cairns     Of dead and long-forgotten chiefs,     The men of old, the poor wild men     Who, under dim lights, fought a brave,     Sad fight of Life, where hope was none,     In the vague, voiceless, far-off years,     It changed again to present pain,     And I saw Sorrow everywhere:     In blackened trees and rust-red ferns,     Blasted by bush-fires and the sun;     And by the salt-flood, salt as tears,     Where the wild apple-trees hung low,     And evermore stooped down to stare     At their drowned shadows in the wave,     Wringing their knotted hands of woe;     And the dark swamp-oaks, row on row,     Lined either bank, a sombre train     Of mourners with down-streaming hair.

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Poem Details

Language: English
Keywords: Public Domain
Source: Public Domain Collection
Rights/Permissions: Public Domain

Analysis & Notes:
This poem is a vivid exploration of nature's harsh and relentless power, painting a desolate landscape through vivid, sensory language and striking metaphors. The theme of despair runs through the piece, with elements of the natural world personified to underscore the sense of desolation and ruin. The repetition of phrases such as "There was no water in the land" emphasizes the harshness of the environment and the desperation of the creatures within it.

The poet employs a range of literary devices to create a stark, vivid picture of suffering. Particularly noteworthy are the anthropomorphic descriptions of the landscape: rocks grimace like "dry teeth in a mouldered skull," and gum trees rise like "sheeted spectres." These vivid metaphors evoke an overwhelming sense of dread, creating a landscape that is not just barren, but hostile and terrifying. The use of assonance, alliteration and rhythm add to the haunting quality of the poem, reinforcing its melancholy tone.

In terms of structure, the poem is composed of a series of detailed, descriptive stanzas that build on each other to create a cumulative sense of desolation and despair. The ellipses between stanzas suggest a passage of time, further emphasizing the relentless, unchanging harshness of the environment.

Overall, the poem is a powerful and evocative depiction of nature's unforgiving side, using vivid imagery and carefully chosen language to create a landscape that is both terrifyingly real and deeply symbolic.

Exploring Narrative Poetry

Narrative poetry is a form of poetry that tells a story, often making use of the voices of a narrator and characters as well. Unlike lyric poetry, which focuses on emotions and thoughts, narrative poetry is dedicated to storytelling, weaving tales that captivate readers through plot and character development.


Narrative poems are unique in their ability to combine the depth of storytelling with the expressive qualities of poetry. Here are some defining characteristics:

  • Structured Plot: Narrative poems typically have a clear beginning, middle, and end, following a plot that might involve conflict, climax, and resolution, much like a short story or novel.
  • Character Development: Characters in narrative poems are often well-developed, with distinct voices and personalities that drive the story forward.
  • Descriptive Language: The language used in narrative poetry is vivid and descriptive, painting a clear picture of the scenes and events, while also conveying the emotions and atmosphere of the story.

From ancient epics like "The Iliad" and "The Odyssey" to more modern narrative poems, this form continues to engage readers by blending the art of storytelling with the beauty and rhythm of poetry.