The Miser & His Gold

By Walter Crane

    He buried his Gold in a hole.     One saw, and the treasure he stole.     Said another, "What matter?     Don't raise such a clatter,     You can still go & sit by the hole."     Use Alone Gives Value

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Poem Details

Language: English
Keywords: Public Domain
Source: Public Domain Collection
Rights/Permissions: Public Domain

Analysis & Notes:
This quirky piece of verse employs both humor and a distinct moral lesson, using the limerick form to deliver its message. The theme revolves around the possession and loss of material wealth, and how the true value of an object is derived from its use, rather than its mere existence. The tone is light-hearted, yet incisive, using a casual, conversational style to relay a deeper philosophical message.

The poem’s structure plays a significant role in its effectiveness. The traditional limerick form, with its firm AABBA rhyme scheme, adds a certain whimsy to the narrative, while the short, punchy lines keep the reader’s attention and underscore the poem's lesson. This clever use of structure serves to contrast the frivolity of the limerick with the seriousness of the message. The poem also employs irony effectively—with the twist that the man who buried his gold can still sit by the hole, emphasizing the folly of coveting possessions over their practical use. The standalone line at the end, "Use Alone Gives Value", serves as an aphoristic conclusion, neatly encapsulating the poem's central theme.

Understanding Limerick

A limerick is a five-line poem known for its jaunty rhythm, playful tone, and a punchline twist. It’s built for humor—often sly, sometimes downright silly.


Common characteristics of limericks:

  • Five Lines & Rhyme: The standard scheme is AABBA—the first, second, and fifth lines rhyme; the shorter third and fourth lines rhyme with each other.
  • Bouncy Meter: Typically anapestic (two short, one long beat). Lines 1, 2, and 5 are longer; lines 3 and 4 are shorter.
  • Tone & Humor: Lighthearted, mischievous, and built around a final gag or reversal.
  • Subject & Setup: Often starts with “There once was a … from …,” setting place and character before the comic turn.
  • Sound Play: Internal rhyme, alliteration, and rhythmic snap heighten the joke’s delivery.

The best limericks land like a good toast: quick, musical, and clinched by a memorable last line.