Coltsfoot And Larkspur Speedwell

By Walter Crane

    In the race of the flowers that's run due,     As the HARTSTONGUE pants at the well     And the HOUNDSTONGUE laps the SUNDEW.     Here's VENUS'-COMBE for MAIDENHAIR:     While KING-CUPS drink BELLA-DONNA,     Glad in purple and gold so fair,     Though the DEADLY NIGHTSHADE'S upon her.     Behold LONDON PRIDE robed & crowned,     Ushered in by the GOLDEN ROD,     While a floral crowd press around,     Just to win from her crest a nod.     The FOXGLOVES are already on.     Not only in pairs but dozens;     They've come out to see all the fun,     With sisters and aunts and cousins.     The STITCHWORK looked up with a sigh     At BATCHELOR'S BUTTONS unsewn:     Single Daisies were not in her eye,     For the grass was just newly mown.     The HORSE-TAIL, 'scaped from WOLFE'S CLAW,     Rides off with a LADIES' LAGES.     The FRIAR'S-COWL hides a doctor of law,     And the BISHOP'S-WEED covers his grace's     The SNAPDRAGON opened his jaw,     But, at sight of Scotch THISTLE, turned pale:     He'd too many points of the law     For a dragon without a scale.     Little JENNY-CREEPER lay low,     Till happy thoughts made her gladder;     How to rise in the world she'd know,     So she climbed up JACOB'S LADDER     SWEET WILLIAM with MARYGOLD     Seek HEARTSEASE in the close box-border.     Where, starched in their ruff's stiff fold,     DUTCH DAHLIAS prim, keep order.     NARCISSUS bends over the brook,     Intent upon DAFFA-DOWN-DILLY:     While EYEBRIGHT observes from her nook,     And wonders he could be so silly.     A LANCE FOR A LAD 'gainst KING'S SPEAR.     When the BUGLE sounds for the play     A LADIES MANTLE flaunting there     Is the banner that leads the fray.     KNIGHT'S SPUR to the LADIES BOWER     To seek for the LADIES SLIPPER.     'Twas lost in the wood in a summer shower     When the CLOWN'S WORT tried to trip her.     TOAD-FLAX is spun for BUTTER-AND-EGGS     On a LADIES' CUSHION sits THRIFT     She never wastes, or steals, or begs,     But she can't give poor RAGWORT a lift.     QUEEN OF THE MEADS is MEADOWSWEET,     In the realm of grasses wide:     But not in all her court you meet     The turbaned TURK'S HEAD in his pride.     Fair BETHLEHEM' STAR shineth bright,     In a lowly place, as of old,     And through the green gloom glows the light     Of ST. JOHN'S-WORT--a nimbus of gold.     But the hours of the sun swift glide,     And the flowers with them are speeding.     Though LOVE-IN-A-MIST may hide.     When Time's in the garden weeding.     There's TRAVELLER'S JOY     To entwine,     At our journey's end for greeting,     We can talk over SOPS-IN-WINE,     And drink to our next merry meeting.

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Poem Details

Language: English
Keywords: Public Domain
Source: Public Domain Collection
Rights/Permissions: Public Domain

Analysis & Notes:
This poem is a delightful exploration of the natural world, specifically a garden, using a whimsical approach to anthropomorphize flowers and plants. The poet employs the clever device of personifying these botanical elements, attributing human behaviors and roles to them, and thus creating a lively and engaging narrative. The tone is light-hearted and playful, as the poet seems to invite readers into this charmingly imagined realm.

In terms of structure, the poem is composed of rhymed couplets, which lends a rhythmic and flowing quality to the piece. The myriad references to specific flowers and plants, all capitalized, serve as the poem's main characters, and their interactions mimic those of a human society, adding an element of satire. Moreover, the use of archaic language like 'tis and 'scaped adds a touch of antiquity, suggesting a pastoral or idyllic setting. The ending lines, evoking a sense of transience and the passage of time, add depth to the overall theme, reminding the reader of the fleeting nature of beauty, life, and indeed, the entire spectacle of the garden's 'race.' Overall, the poem is an enchanting and inventive portrayal of the natural world, underpinned by subtle commentary on human society and the impermanence of life.

Exploring Narrative Poetry

Narrative poetry is a form of poetry that tells a story, often making use of the voices of a narrator and characters as well. Unlike lyric poetry, which focuses on emotions and thoughts, narrative poetry is dedicated to storytelling, weaving tales that captivate readers through plot and character development.


Narrative poems are unique in their ability to combine the depth of storytelling with the expressive qualities of poetry. Here are some defining characteristics:

  • Structured Plot: Narrative poems typically have a clear beginning, middle, and end, following a plot that might involve conflict, climax, and resolution, much like a short story or novel.
  • Character Development: Characters in narrative poems are often well-developed, with distinct voices and personalities that drive the story forward.
  • Descriptive Language: The language used in narrative poetry is vivid and descriptive, painting a clear picture of the scenes and events, while also conveying the emotions and atmosphere of the story.

From ancient epics like "The Iliad" and "The Odyssey" to more modern narrative poems, this form continues to engage readers by blending the art of storytelling with the beauty and rhythm of poetry.