Billy Pringle

By Walter Crane

    Billy Pringle had a little pig,     When it was young it was not very big,     When it was old it lived in clover,     Now it's dead and that's all over.     Billy Pringle he lay down and died,     Betty Pringle she lay down and cried,     So there was an end of one, two, and three,     Billy Pringle he, Betty Pringle she, and the piggy wiggy wee.

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Poem Details

Language: English
Keywords: Public Domain
Source: Public Domain Collection
Rights/Permissions: Public Domain

Analysis & Notes:
This poem, traditional in structure and rhyming scheme, is a simple yet poignant reflection on life, death, and the cycle of existence. It uses the narrative of Billy Pringle, his wife Betty, and their pig to encapsulate the essence of life's transience and the inevitability of death. The tone is somewhat somber, yet there's a sense of acceptance and resignation to the natural order of things.

The poet uses the pig as a metaphor to underscore the fleeting nature of life. The pig's life, from its youth ("it was not very big") to its comfortable old age ("lived in clover"), and ultimately its death, mirrors human life. The repetition of "Pringle" reinforces the importance of family and shared experience. The poem ends on a note of finality ("So there was an end of one, two, and three") symbolizing the end of a shared life. The poet's language is simple, direct, and unembellished, which accentuates the poem's theme of mortality and the blunt reality of death. Despite its apparent simplicity, the poem speaks volumes about life, loss, and the acceptance of our finite existence.

Understanding Limerick

A limerick is a five-line poem known for its jaunty rhythm, playful tone, and a punchline twist. It’s built for humor—often sly, sometimes downright silly.


Common characteristics of limericks:

  • Five Lines & Rhyme: The standard scheme is AABBA—the first, second, and fifth lines rhyme; the shorter third and fourth lines rhyme with each other.
  • Bouncy Meter: Typically anapestic (two short, one long beat). Lines 1, 2, and 5 are longer; lines 3 and 4 are shorter.
  • Tone & Humor: Lighthearted, mischievous, and built around a final gag or reversal.
  • Subject & Setup: Often starts with “There once was a … from …,” setting place and character before the comic turn.
  • Sound Play: Internal rhyme, alliteration, and rhythmic snap heighten the joke’s delivery.

The best limericks land like a good toast: quick, musical, and clinched by a memorable last line.