Wattle and Myrtle

By James Lister Cuthbertson

    Gold of the tangled wilderness of wattle,     Break in the lone green hollows of the hills,     Flame on the iron headlands of the ocean,     Gleam on the margin of the hurrying rills.     Come with thy saffron diadem and scatter     Odours of Araby that haunt the air,     Queen of our woodland, rival of the roses,     Spring in the yellow tresses of thy hair.     Surely the old gods, dwellers on Olympus,     Under thy shining loveliness have strayed,     Crowned with thy clusters, magical Apollo,     Pan with his reedy music may have played.     Surely within thy fastness, Aphrodite,     She of the sea-ways, fallen from above,     Wandered beneath thy canopy of blossom,     Nothing disdainful of a mortal’s love.     Aye, and Her sweet breath lingers on the wattle,     Aye, and Her myrtle dominates the glade,     And with a deep and perilous enchantment     Melts in the heart of lover and of maid.

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Poem Details

Language: English
Keywords: Public Domain
Source: Public Domain Collection
Rights/Permissions: Public Domain

Analysis & Notes:
The poem is an exuberant ode to the wattle, a golden-flowered Australian shrub, whose vibrant beauty is mythologized into a divine presence. Through its flowing iambic meter and unrhymed yet musically cadenced lines, the poem transforms the natural landscape into a sacred space where classical gods and goddesses wander, drawn by the wattle’s radiant allure. The absence of strict rhyme allows the imagery to breathe, while alliteration (tangled wilderness, iron headlands) and assonance (gleam on the margin of the hurrying rills) create a lyrical rhythm that mirrors the wattle’s golden glow. The poem shifts from description to invocation, addressing the wattle as a queenly figure whose presence summons the fragrances of Araby and the enchantment of ancient deities. The final stanza deepens this reverence, suggesting the wattle’s enduring connection to divine love, where Aphrodite’s breath lingers and melts the hearts of mortals. The poem’s power lies in its ability to elevate the humble wattle into a symbol of transcendence, blending the Australian landscape with classical mythology in a seamless, almost incantatory, flow. [/B_INST]

Understanding Free Verse

Free verse is poetry that avoids fixed meter and end-rhyme schemes. Its rhythm grows from natural speech, image patterns, and line breaks rather than strict form.


While unconstrained by traditional structures, strong free verse still relies on deliberate craft. Hallmarks include:

  • No fixed meter or rhyme: Lines aren’t bound to iambs or end-rhyme; sound comes from repetition, consonance, and cadence.
  • Line breaks with purpose: Breaks create emphasis, pace, surprise, and double-meanings; enjambment is common.
  • Speech-like rhythm: The poem’s music arises from phrasing, sentence length, and breath—more spoken than sung.
  • Image and pattern: Recurring images, motifs, or syntactic patterns provide structure in place of meter.
  • Flexible stanzas & punctuation: Stanza length varies; punctuation may be traditional, sparse, or omitted to guide flow.

Free verse invites clarity and precision: with fewer formal constraints, every line break, image, and silence carries weight.