To a Billy

By James Lister Cuthbertson

    Old Billy, battered, brown and black     With many days of camping,     Companion of the bulging sack,     And friend in all our tramping:     How often on the Friday night,     Your cubic measure testing,     With jam and tea we stuffed you tight     Before we started nesting!     How often, in the moonlight pale,     Through gums and gullies toiling,     We’ve been the first the hill to scale,     The first to watch you boiling;     When at the lane the tent was spread     The silver wattle under,     And early shafts of rosy red     Cleft sea-born mists asunder!     And so, old Billy, you recall     A host of sun-burnt faces,     And bring us back again to all     The best of camping places.     True flavour of the bush you bear,     Of camp and its surrounding,     Of freedom and of open air,     Of healthy life abounding.     You bring us more, with those we love     We watched you boil and bubble,     And in the sunny skies above     Forgot each schoolboy trouble     So not without a kindly glance     We eye you in the study,     Although you’ve met with some mischance,     Although you’re black and muddy!

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Poem Details

Language: English
Keywords: Public Domain
Source: Public Domain Collection
Rights/Permissions: Public Domain

Analysis & Notes:
This poem is an affectionate elegy for a battered camping kettle, using its rugged history to evoke nostalgia for the freedom and camaraderie of outdoor life. Structured in a single stanza of 32 lines, the poem adheres to a loose iambic rhythm with an ABAB rhyme scheme, creating a conversational yet lyrical tone. The voice is warmly familiar, addressing the kettle as a cherished companion, while vivid imagery of moonlight toil, rosy dawns, and sun-burnt faces grounds the poem in the sensory richness of the bush. A subtle volta occurs midway, shifting from shared memories to a broader meditation on the kettle's symbolic role as a vessel of fleeting youth and unburdened joy. The final lines soften into quiet reflection, acknowledging the kettle's worn state with a kindly glance that underscores the poem's central tension: the bittersweet contrast between the grit of the past and the comfort of its enduring legacy. The poem's power lies in its ability to transform a mundane object into a talisman of lost innocence, its rust and dents becoming badges of honor.

Understanding the Ode

An ode is a lyric poem of praise or deep meditation, traditionally addressed to a person, object, idea, or occasion. It blends heightened language with reflective thought, often celebrating its subject while considering its larger meaning.


Common features you’ll see in odes:

  • Direct address (apostrophe): The speaker often speaks to the subject—“O nightingale,” “Thou still unravish’d bride of quietness…”.
  • Elevated diction & imagery: Rich metaphors and formal tone heighten the sense of tribute or contemplation.
  • Structured stanzas: Many odes follow established patterns:
    • Pindaric: Triadic movement—strophe, antistrophe, epode; public/ceremonial energy.
    • Horatian: Regular, repeated stanza forms; more intimate and reflective.
    • Irregular: Flexible stanza lengths and rhyme; keeps the ode’s spirit without strict pattern.
  • Argument in stages: Odes often progress from praise → problem/tension → resolution or tempered insight.
  • Music of thought: Even without fixed meter, patterning in syntax, refrain, and sound creates a ceremonial cadence.

Whether public or personal, the ode elevates its subject and invites readers to dwell on what makes it worthy of honor.