Young Blood

By Stephen Vincent Benet

    "But, sir," I said, "they tell me the man is like to die!"     The Canon shook his head indulgently. "Young blood, Cousin," he boomed.     "Young blood! Youth will be served!" -- D'Hermonville's Fabliaux.     He woke up with a sick taste in his mouth     And lay there heavily, while dancing motes     Whirled through his brain in endless, rippling streams,     And a grey mist weighed down upon his eyes     So that they could not open fully. Yet     After some time his blurred mind stumbled back     To its last ragged memory -- a room;     Air foul with wine; a shouting, reeling crowd     Of friends who dragged him, dazed and blind with drink     Out to the street; a crazy rout of cabs;     The steady mutter of his neighbor's voice,     Mumbling out dull obscenity by rote;     And then... well, they had brought him home it seemed,     Since he awoke in bed -- oh, damn the business!     He had not wanted it -- the silly jokes,     "One last, great night of freedom ere you're married!"     "You'll get no fun then!" "H-ssh, don't tell that story!     He'll have a wife soon!" -- God! the sitting down     To drink till you were sodden!...         Like great light     She came into his thoughts. That was the worst.     To wallow in the mud like this because     His friends were fools.... He was not fit to touch,     To see, oh far, far off, that silver place     Where God stood manifest to man in her....     Fouling himself.... One thing he brought to her,     At least. He had been clean; had taken it     A kind of point of honor from the first...     Others might do it... but he didn't care     For those things....     Suddenly his vision cleared.     And something seemed to grow within his mind....     Something was wrong -- the color of the wall --     The queer shape of the bedposts -- everything     Was changed, somehow... his room. Was this his room?     ... He turned his head -- and saw beside him there     The sagging body's slope, the paint-smeared face,     And the loose, open mouth, lax and awry,     The breasts, the bleached and brittle hair... these things.     ... As if all Hell were crushed to one bright line     Of lightning for a moment. Then he sank,     Prone beneath an intolerable weight.     And bitter loathing crept up all his limbs.

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Poem Details

Language: English
Keywords: Public Domain
Source: Public Domain Collection
Rights/Permissions: Public Domain

Analysis & Notes:
This poem employs a lyrical, introspective voice to explore the speaker's disorienting and disturbing experience after a night of heavy drinking. The poem's structure, with its irregular line lengths and stanza pattern, contributes to its sense of disjointedness and confusion. The use of enjambment and caesura adds to the sense of urgency and fragmentation, mirroring the speaker's racing thoughts. The poem's meter is largely free-verse, but it incorporates elements of traditional forms, such as the rhyme scheme in the first stanza, which serves as a jarring contrast to the rest of the poem's loose structure. The poem's tone shifts dramatically from the opening lines, which convey a sense of concern and worry, to the latter sections, which are marked by a growing sense of horror and revulsion. The speaker's vision of the sagging body's slope and paint-smeared face is a particularly striking example of this tonal shift, and serves as a stark reminder of the consequences of the speaker's actions. The final image of the speaker sunk, / Prone beneath an intolerable weight is a powerful expression of the poem's central theme: the crushing weight of one's own guilt and shame.

Exploring Narrative Poetry

Narrative poetry is a form of poetry that tells a story, often making use of the voices of a narrator and characters as well. Unlike lyric poetry, which focuses on emotions and thoughts, narrative poetry is dedicated to storytelling, weaving tales that captivate readers through plot and character development.


Narrative poems are unique in their ability to combine the depth of storytelling with the expressive qualities of poetry. Here are some defining characteristics:

  • Structured Plot: Narrative poems typically have a clear beginning, middle, and end, following a plot that might involve conflict, climax, and resolution, much like a short story or novel.
  • Character Development: Characters in narrative poems are often well-developed, with distinct voices and personalities that drive the story forward.
  • Descriptive Language: The language used in narrative poetry is vivid and descriptive, painting a clear picture of the scenes and events, while also conveying the emotions and atmosphere of the story.

From ancient epics like "The Iliad" and "The Odyssey" to more modern narrative poems, this form continues to engage readers by blending the art of storytelling with the beauty and rhythm of poetry.